When You Turn The Lamp Down Low

A serendipitous Intertunnel find. I’m Beginning To See The Light is a jazz standard. It’s older than it seems; it’s World War II vintage. Duke Ellington and three others wrote it. Bobby Darin’s take on it is the quintessential version, if you ask me. It was on the Swingers soundtrack, which is pretty good overall, and many people discovered it thereby. I think of the song as a fifties thing.

Bobby Darin was a very accomplished singer. He never starts on the last note and goes up from there; the song builds from beginning to end, never wanders. The whole style is often aped but rarely performed as ably. The video I embedded gets lost halfway through, and pulls over at a disreputable rest stop where bass solos hang around to ask for directions. Oh well. The guitar player is delightfully loopy in his facial tics, and can really blast away when called on. His comping is very effective, too.

The singer is Cyrille Aimee, just the sort of exotic that New York loves enough to get hired, but if the tepid applause at the end is any indication, plays in half-empty clubs, because no matter how cosmopolitan a city thinks it is, the vast majority of people everywhere are Philistines, and would rather line up around the block to see dreck while accomplished artists play to an audience of chair backs. Such is life.

Me? I go in for afterglow. It’s on YouTube, next to the Psy videos.

Show Biz Kids

Television is a weird version of reality. The current iteration of a great deal of television programming, Reality TV, is less real than the fake kind from the fifties and sixties. I like reading the occasional old newspaper and seeing some old TV shows because they’re often interesting cultural artifacts. You could get a real sense of how people dressed, and acted, and interacted from watching old shows like the following from Groucho Marx’s You Bet Your Life. Neither the producers not the participants had the budget for lots of fakery. TV was hungry for content, so they’d put on whatever they could find from other forms of entertainment, and just regular people. Variety shows were just vaudeville with a camera pointed at them. Groucho was a vaudeville entertainer before he was in the movies — and his movies were just vaudeville, filmed — and his genial interview show was an extension of the early days of movie theaters when they’d mix live acts with short films, and give stuff away during the breaks.

TV, and the American general public, could use more people like Groucho and the Sylvers family in it:

They grew up, by the way:

I don’t know who the backing musicians are, but they’re tighter than a cow’s tuchus at fly-time. I love the drummer’s great, stone face.

Month: November 2013

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