The rarest of things. A Beatles cover that exceeds the charms of the original.
People think their heart is broken only when something bad happens. Not enough reading of the ancient Greeks, anymore, I guess.
It’s all in the thinking. You’re sad now and again. You think it’s not normal to be sad. You ask the doctor or the bartender or the politician to make you whole. They cure nothing. Feeling happy isn’t being happy. Ballroom dancing on the Titanic helps pass the time, but that’s about it. Better to check your rivets and your course than go to Arthur Murray.
To be heartbroken is to be separated from the scene of your happiness. Happiness is a situation, not a condition. The situation must be assembled from the tatty bits of this world over and over. It is the cook, not the philosopher, that we must look to. One must not starve to death waiting for the food.
One of the ingredients is now missing in the mornings. The first course disappears all day, already. The cooking is more difficult with the larder bare. I was happy, of course, the whole time my heart was breaking.
I’ve been in the construction business, in one form or fashion, for most of my life. Tectonic plates have shifted; continents meandered across the mercator projections; empires have risen and fallen. Pluto’s not a planet again. I keep going.
When I was a schoolchild, they told us Pluto might not be a planet, by the way. What’s happened in the interim that gave everyone the impression it absolutely was a planet, and now absolutely isn’t? Is it the same thing that makes people argue about it on the internet as if they owned real estate on Pluto and stood to lose money, all the while spelling argument “arguement” and sprinkling apostrophes all over the place except where they belong? I expect so.
People have all sorts of information available to them now, and not much of it is very good. And some of it is good, but not useful. To paraphrase Mark Twain: stay away from the internet and television, and you’re uninformed; go there, and you’re misinformed.
I’m an odd person. I’ve been lots of places and seen lots of things that most people that can read, write, and spell never do. The real world callouses make me inscrutable to a cubicle dweller; the “Three R’s” make me suspicious to the day laborer. When I left my last job, the CEO and the COO begged me to reconsider. They had promoted me from the lowest rung to senior to one of the owners. What did I want? Why would I leave? They called me, a day before my notice was up, the notice they had strung out over three months, and told me: Eureka! we got the bright idea of digging up your old resume and now we finally understand you.
I think not.
Ever live in a house like the ones pictured above? I have. I used to work on them all the time, too. By gad how I loved them.
When I was wandering through a portion of the education required to become an architect, a friend of mine took me to see one of his other friends who was renovating a bombed out looking victorian in Roxbury, Mass. I was born right down the street, but hadn’t been there much recently. It was very dangerous to be there after dark.
The fellow had bought the place for next to nothing, lived in it like the wooden cave it had become, and was repairing it by himself.
He had taught himself carpentry, and electricity, and plumbing, and plastering and painting, and all the other aspects of home construction usually foreign to architects. You heard me right, architects generally have nothing but the most vague ideas of how things get done in construction. Surgeons don’t empty bedpans. I didn’t want to be an architect anymore. I wanted to be that guy whose name I don’t remember. And this was five or ten years, easy, before Norm Abram and Bob Vila stood on a scaffold right down the street from the place I was describing, and did the same thing with a camera pointed at them.
I’ve done everything you can do to a house, old or new, from digging the hole to putting a vane on the cupola. I’ve bathed in lead paint. I’ve discovered beehives the size of mattresses inside the walls. I’ve found whisky bottles left by the workmen who built the places in the 1800s in the walls. I’ve seen wooden plumbing pipes and dirt floors and secret closets where people hid during King Philip’s War. I’ve worked 16 hours straight, laid down on the wood floor when it got dark, and got up and started again. And now I make furniture.
I’ve got to get my hands on it. I can’t help myself. And I’m just like Pluto. I dip into the solar system, occasionally, in my erratic orbit, and the other planets wonder: Is he like us, or isn’t he?
It gets cold out here from time to time, but you get a wonderful view of the universe.
Accommodated. Beautifully put. The place is full of men never cracked a spine except in a fight, and the proprietor says: accommodated. How about: put up, and put up with? Farmed? Stacked like cordwood? Buried like a Pharoah’s handlers — still alive but not going anywheres?
I climb the steps like the Aztec fellows must have on the way to the top to have the heart ripped out. It’s the same. The world is more of a theoretical place now; that just means you can have it tugged out every day and it grows back for the next. Like Sisyphus in the school book. No, that’s the guy with the stone. No matter; it’s the same, anyhow.
There’s no stone to push and the hill goes straight down anyways, not up. The stone rolled away, and a person gets winded real fast chasing it and thinks he might stop to rest a spell, then try again later. By the time he’s picked himself up, it’s rolled all the way out of sight. Even a man prone to fooling himself can’t help but notice that the place he chose to stop and rest has a row of bottles behind the counter.
The house is like a woman gotten old, maybe missing a few teeth, gone thick and manly. But you can tell the ruin used to be something. The old frame shows something of the heretofores. I heard tell a captain of industry built it to prove to others — he said, but to himself — I bet, that he had made it in this old world. The bank took it and showed him that the world has no opinion. Find somewhere else that’ll accommodate yourself. We’re accommodating the men who heard about the fishing or the potatoes or the blueberry farms or the logging. Trouble is, they heard about two decades ago.
The inside shows nothing of the past except the ghostly outlines on the plaster where things were removed. If it was worth a damn, they pulled it out and reassembled it in a big house in Washington, D.C., they said. Fitting.
The bank stuck a guy behind the counter that they put in the front hall that don’t care if you pull a razor or a roscoe or a long face or whatever. He collects the money if you got it, our your scalp if you don’t. I like him, though, because he treats me the same as the rest. We do our business and he pushes the key across the pockmarked counter and there’s no accusation in it. No kindness. Nothing.
It’s the nothing you crave.
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