It Is Never Too Much. It Is Only Not Enough

I had this friend when I was a kid. Let’s call him Fish. Lost track of him many years past. He was a hoot. Fish might be an example for us all. I’ll explain.

His family was a huge Irish affair. There were something like eight of them packed into this little split-level ranch. Eventually, the older siblings got married, and their spouses moved in, too. I swear you could see the walls of the house breathing in and out with their respiration. Their septic system spawned an Okefenokee in the side yard.

Fish was a rough and tumble kid. His parents would send him outside in the spring wearing nothing but a pair of jean shorts, cut off raggedly from some pair he burst through at the knee on their first day in harness. He’d stay like that until the first frost. He was barefoot, wild, and free. I was never any of those things. He was the neighborhood Huckleberry Finn. I guess that makes me Tom Sawyer. If there was a Becky Thatcher, she kept indoors.

But not Huck, really. Huckleberry Finn was uneducated, if not dull, and simply had some version of moral genius to carry him along. If my friend, Huckleberry Fish, had any morality in him, it wasn’t visible underneath the carapace of dirt he was coated with. He’d never do anything bad, mind you. He was simply a wildman. Two different things. Morality doesn’t enter into it.

My friend was smarter than the other kids, too, not just a knockabout waif. His family would play cards to amuse themselves, just like ours did. Whist was the game then. It was our lower middle class version of playing Bridge. Bridge was strictly for dentists or Presbyterians or something. Whist requires a non-Vegas-level, but high requirement to count cards, and remember what’s already been played, and who played it. It’s fast and fun, with an element of audacity in bidding based on mental arithmetic. There’s a single round of bidding after the deal, to determine who calls “trumps” (the suit that “trumps” the others), and who gets to swap the four hidden cards in the kitty for their worst cards. If you’re bold, you can leave your opponents holding a handful of cards they could beat you with if they won the bid, but were too timid to bid high enough.

I was very, very good at Whist. It appealed to the analytical part of my mind. Fish was a wizard at it. He’d sit there, dressed like a coolie, dirty, teeth spaced like headstones, a hayrick of hair hanging in his eyes, and beat the pants off all comers. It was all I could do to keep up with him. Likewise, he looked out the window all day at school, but passed all the tests anyway. I know intelligence when I see it. I’d recognize a Bigfoot, too, on sight, because it’s about as rare.

I could tell many stories about Fish. People like him spawn many wild tales as they swim up the stream of life. But there’s one that comes to mind that explains him to a T, and is perhaps a lesson for us all:

We rode bicycles all the damn time. All over, everywhere. We delivered newspapers. Rode to the little convenient store and bought bread and milk for our moms and enough candy bars for ourselves to make Bridge-playing dentists rich.  Whenever there was nothing to do we’d ride bicycles to get to the place to not do it.

There were dogs all over the place back then. Maybe even more than now, if that’s possible. People used to treat their dogs like pets, though, not like hemophiliac children that need to be carried everywhere and get their food catered. They’d tie them up in the yard, play with them from time to time, or just let them roam around some. When we rode our bikes, getting chased by dogs, snapping at your heels, was pretty common. We’d just smirk and ride on by when the little yipyip dogs took a run at us. We learned pretty quickly where the biggest beasts that could do some damage were prowling, and avoided riding past their houses.  Eventually, I got a ten-speed bike, and it had one of those hand air pumps that fit between two pins on the bike’s frame. It made a pretty handy billy club, if a little light. Swinging it wildly was enough to keep most Cujos at arm’s length.

One day, Fish and me were riding far afield, and encountered a substantial canine on the loose. German Shepherd. He came tearing after us, snarling and slavering, all business, if your business was the perimeter fence in a prison camp, anyway. I was a timid soul, and my mind shifted back and forth between pedaling faster and reaching for my pneumatic billy club. Fish wasn’t having any of it. He stopped dead, threw his bike on the tarmac, and started snarling and barking right back at the dog, which had closed to maybe ten yards. His canine brain (the dog’s, not Fish’s) couldn’t process this turn of events. Surprise is an unusual expression on a dog’s face, but he had it. But Fish was just warming up. He started chasing the dog.

The beast shied, and flinched, and then scampered away with that skulking, circuitous motion dogs get when they get a rap on the nose. Fish never wavered. Just went after it like a missile. The dog switched from confusion to plain terror, and finally tried to bolt in a dead run. Fish tackled it, grabbed two fistfuls of the fur on its back, and bit it, hard, on the ass.

What a howl that dog let out. Real terror, the kind brought on by a combination of pain and fear and confusion. The dog lit out like it was on fire, and Fish calmly walked back to his bicycle, and we rode off. He didn’t say a word about it. It was just business, as the mobsters used to say. We rode our bikes many times past that same house, untroubled from then on.

Sometimes, as Pascal in Big Night so colorfully expressed, you have to sink your teeth into the ass of life, and drag it to you. It is never too much. It is only not enough. Lately it’s occurring to me that everything good in my life has happened when I channeled my inner Fish, and sank my teeth into the ass of life, and dragged it to me. I’m thinking of doing it again. The dog’s going to bite you anyway. Might as well go for it.

Once You Get Started, Oh, It’s Hard To Stop

Let’s talk about Rufus.

No, not that Rufus. I hesitate to cast aspersions on the obvious metaphysical endowments of Chaka Khan and her band of Rufusians (Rufusniks? Rufusticans? Ruffians?), but I’m talking about Musonius Rufus. Dude was a Roman philosopher in the first century AD. He’s like the Roman version of Socrates. Well, I say he is, anyway. For instance, neither togalicious dude wrote anything down that we know of. Everything we know about what they said comes from notes from their pupils. I always hated the kids who sat in the front row and scribbled down everything the teacher said, but I was never averse to cheating off their test papers.

Socrates sounds like about the most irritating person who’s ever trod the Acropolis. Answering questions with questions gets old fast when you’re on the receiving end. If you’re unfamiliar with the process, buy a three-year-old and try to get a straight answer out of them. If you’re in the mood to hear, “Why?,” more than four Columbo episodes put together, I mean.

Gaius Musonius Rufus got under plenty of people’s skin, too. Got run out of town from time to time, but unlike Socrates, he was never forced to ask the question, “I drank what?” He had a hint of Billy Sunday about him, although I don’t know if Rufus batted left and threw right in the Etruscan League. But they both had more or less the same schtick. They were pointing their fingers at the audience and telling them to wise up. They didn’t have TED talks exhorting people to fully explore their solipsism. They told people to straighten up and fly right. Don’t lie, you know what you did. Now knock that shit off.

I see Rufus as the granddaddy of the Stoics. The Athenian Greeks were airy-fairy and thought endlessly about thinking. Worrying endlessly about thinking usually ends badly, when people like Spartans or Philip of Macedon show up, and start doing things. The Romans like Rufus came up with rules for living. It’s robust, moralistic, and practical advice.

So, the internet, in all its glory, got me to thinking about the way the modern woman operates. Unlike the dim dark past — you know, ten years ago — everything is recorded now. The police, your doorbell, lightpoles, Walmart lobbies, your laptop if you don’t have any electrical tape in the house, and every chad and strumpet clutching an iPhone like it’s a heart lung machine makes sure that everything happens in front of a silicon audience, ready to be curated for a silicone audience. It got me to thinking about what Rufus said about Roman chicks back in the day, and whether it applies to the girls nowadays:

“Women have received from the gods the same reasoning power as men — the power which we employ with one another and according to which we consider whether an action is good or bad, noble or base.”

He didn’t mention anything about parallel parking or hogging the bathroom, so I guess he’s on firm ground here. Women have the same ability as men to understand what virtue is. I gather from surveying the internet and entering a Walmart that cultivating virtue is another matter entirely. Are modern women cultivating virtue? Has feminism set them free to become nobler, more educated, more fully formed, more helpful, pleasant, and productive? What practical advice did Rufus have for the distaff set, and how’s it working out two centuries on?

“…a woman must… be pure in respect of unlawful love, exercise restraint in other pleasures, not be a slave to desire, not be contentious, not lavish in expense, nor extravagant in dress.

“As for justice, would not the woman who studies philosophy be just, would she not be a blameless life partner… a sympathetic helpmate… an untiring defender of husband and children, and… free of greed and arrogance?”

… to control her temper, not be overcome by grief, and to be superior to uncontrolled emotion of every kind. Now these are the things which the teachings of philosophy transmit…”

Hmm. Maybe I had the right idea at the top of the page. The philosopher Rufus, featuring Chaka Khan, was on to something deeper and more topical than Rufus the Roman:

Once you get started
Oh, it’s hard to stop
You can’t stop, you just can’t stop
When you get down, y’all
When you get down, ain’t no turning back, no

When Art School Ruled the Earth

Well, if not the Earth, at least the radio.

By the late 1970s, rock music couldn’t figure out which way to turn. Its original daily drivers, blues and country, with the occasional music hall fenders, had run out of gas. Guys with Irish Setter hairstyles and Selleck-staches were busy touring arenas and writing one song after another declaiming that tonight they’re really gonna rock you tonight. Nothing wrong with that, I guess. It was dumb fun, and the fellows had finally learned how to play their instruments properly and sing in key, more or less, unlike a lot of the sixties stuff that preceded it:

It was inevitable that the blues-based authenticity myth would collapse under its own weight eventually. The blues dudes came a cropper before the rockers did, when they ran out of ways to tell you that they woke up this morning. The rockers not long after. The time was right for something — anything, really — new. Art school geeks took over, and had themselves a New Wave.

There was a more or less clean handoff in 1978. Mark it on your calendars. Well, that old Snap-On calendar, featuring fully clothed women for some reason, that’s still hanging in your dad’s garage.  First, the last gasp of AOR rock credibility showed up. Dire Straits released Sultans of Swing, which was the last memorable, unironic, nostalgia-themed, guitar hero song before the walls came crashing down on the genre (My friend Gerard (PBUH) and me had some fun arguing about that one).

At the same time, this appeared on Saturday Night Live, which means it hit the mainstream in a big way, right away:

It’s telling that Devo chose a hoary rock hit like Satisfaction to deconstruct and make their pop culture bones. They’re using irony, parody, and repetition instead of anything close to virtuosity. They’re not defining popular culture, the way the Stones did. They’re taking pre-cooked popular culture and using it as raw material. It’s not pop. It’s meta-pop, art-school style.

That’s what art school was churning out in spades back then. I’m not sure exactly what it’s churning out now, but I imagine it’s going to take a bigger sewage treatment plant working around the clock to handle it. In the 1960s, ’70s, and ’80s, art school’s main product was musicians. I know this for a fact, as my own brother is one. Here are his RISD (the Island School of Road Design, natch) classmates in the same year:

One notices a certain, erm, shift in the topics considered apropos for rock music in that video. The Talking Heads must be the ultimate example of art school kids who dominated the New Wave, but there were innumerable examples.

Lene Lovich, anyone? She might be the ur-example of an academy person who disappears entirely into a persona. She’s got art school, and many other things, written all over her. She’s not performing. She’s a performance.

So no more guitar heroics, please. Clapton is God, the old folks said, but a new generation of Art School Nietzsches said God was dead.  New Wave musicians deliberately looked different, sounded different, and performed differently than their predecessors. They smushed high and low culture together and treated their identity as a constructed object, not a personality cult like a guitar hero or a pompadoured hip shaker would cultivate.

Speaking of pompadours gone supernova, here’s Liverpool College of Art alumnus Elvis Costello, also from 1978:

There’s many more examples of New Wave artistes from artsy schools. Musicians as disparate as Joe Strummer of the Clash to David Bowie came up with their very different styles out of their tenures at art schools. Herman Brood was an artist. Joy Division and Ultravox had guys who would have had paint on their smocks, if they ever attended their college courses instead of playing in bands. It might not immediately come to mind, but rock groups like Pink Floyd and The Who had art college backgrounds. That’s how you end up with rock operas with Ann-Margret dogpaddling in a puddle of baked beans, and concept albums like Dark Side of the Moon.

The granddaddy of art school chic is likely Roxy Music. They were already weirding out at the turn of the seventies The Beatles were art-adjacent, of course, and earlier. Original Beatle Stu Sutcliffe went to art school, and Lennon fancied himself an artist. But their Pepper period is more like a stoner’s version of the British music hall than atelier rock. I don’t know exactly what Roxy Music was, but it sure was something:

Bryan Ferry, front and center there, not only went to art school, he had paintings hung in the Tate Gallery at one point. He was an art teacher, actually, for a short stint. Well, that’s if you call teaching ceramics at a girl’s school teaching. Got fired, too. That might not sound like a rock ‘n roll pedigree, but it fits just fine on a New Wave resume. Over on the left side of the picture is Brian Eno, another art schooler. You may remember him from his solo album, Here Comes the Warm Jets, with the hit song The Paw Paw Negro Blowtorch. Or maybe not.

Roxy Music had a big hit with Love is the Drug in the seventies, and got big in the eighties, making more or less uncharacterizable music and putting on offbeat stage shows. Viz:

So Sir Oswald Moseley and Long John Silver had a love child, and he sang a weird song about the kind of love de Sade would recognize, backed up by a couple of off-duty stewardesses and a bubble machine. All in a day’s work for Bryan Ferry, who held glamour in a pit in his basement, and told it to rub lotion on its skin from time to time.

But wait, there’s more. You can’t fully understand art school’s reach until we visit Dusseldorf. You don’t come up with concepts like this by attending agricultural college:

I once wrote that all current music is either Kraftwerk or James Brown. I stand by that comment, mostly because I forgot about country music at the time. On the other hand, they put autotune on everything now, so maybe I’ll forget it again.

Eventually the art school weirdos made the world safe for people with the same aesthetic, but who found themselves a little short on art school tuition. You can’t tell me that this isn’t directly downstream from the art school rendering plant. even if it’s the GED version:

You could easily slide Grace Jones into the conversation here, too. I don’t know what kind of schools they have on Saturn, or if she attended. She simply hired out the art school chores to Jean-Paul Goude, didn’t waste any money on singing lessons, and saved herself four years of skipping art classes.

MTV rewarded artists who had a profound visual appeal. Art rock was perfect for the multimedia world of Max Headroom and Grace Jones.

Then, if you were really into the art school scene without ever attending, probably by listening to your sister’s Joy Division and Siouxsie and the Banshees records, and you got to reading Lord Byron and Shelley and Baudelaire while as stoned as Coleridge, you might gave birth to another downstream side effect of Art Rock: Goth Rock:

So everything changed from that moment when Sultans of Swing ran into the back bumper of Devo driving the art school bus. Roxy Music gave birth to glam rock and hair bands. Punk bands were all style and no substance, on purpose. Goth rock gave us metal bands with spidery logos. I don’t know what Grace Jones gave us, but I assume I’d be afraid of it.

Devo on SNL. It was the moment when something that looked ridiculous replaced something that suddenly looked ridiculous.

Whoah Nellie!

Let me get this straight. You’ve got Martha Reeves singing a Van Morrison song with James Jamerson playing bass? I’m in:

Man, Don Kirshner’s Rock Concert really used to get shit done back in the day.

Sure, Why Not Come and Get Your Love?

That’s Toni Lindgren + Northsoul, whoever that is. She (they) seem to have embraced the current aesthetic and assembled a fine little cult on social media and whatnot. Semi-mucho views on YouTube. Got a webpage, too. Girl guitar players still rate some extra man-bites-dog attention if they’re any good. That’s her brother mandolizing nicely with her. The bass player doesn’t get in the way, a rarity in a world where bass players have strapped an extra treble string on their electric planks to play in the wrong register even more. God, I like kids doing things. Especially happy kids doing happy things. Happy young people, while not hunted to extinction yet, are on the endangered species list, surely.

I suppose I could inform the public about original version of this song. That would be bringing coals to Newcastle, though. There’s a reason why random kids would cover it. Everyone knows the words. It’s a karaoke hardy perennial. I gather it’s on the Guardians of the Galaxy soundtrack, along with an assortment of other songs that don’t have much to do with each other.

If you’re currently old and in the way, you’ll remember the original assault Come and Get Your Love made on the Top 40, and wonder why the kids didn’t do a rain dance before they started playing:

Lolly Vegas made the world incrementally, intergenerationally happier. How many people can claim that?

Tag: 1970s

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