Banishing A Constant Source Of Annoyance

I work alone 99 percent of the time.

I am not a solitary man by nature. There is an adjective made from my name that means sociable, after all. But the world does not make the best use of much of anything anymore.

I rarely wear safety glasses while working. They are superfluous most of the time. But the noise; oh, how I’m tired of noise. Everything makes noise. Unpleasant, loud noises. There is a hook next to the saw with big ear muffs on it and I reach for them constantly. I would not willingly insert more noise into the admixture. But I wouldn’t mind some music. That’s not so easy.


A woodworking shop will eat most any electronic device alive. Table radios sturdy and disposable enough to last can’t cadge anything out of the ether worth listening to. I refuse to listen to most radio stations anyway. I ask you (to no one in particular):does anyone really ever have to hear Margaritaville, or Wonderful Tonight, or Old Time Rock n’ Roll, or any one of a million other organized noises that grew tiresome when they were halfway over the first time, ever again? I know I don’t. And to have it mixed in with the truckling of radio hosts and importuning of car salesman every ten minutes pushes the effect over into hurling heavy objects territory.

I can’t pay attention to it, either. If it requires reloading or any other attention, it’s no good. And injecting noise directly into your ears is insane if you’re sitting on a hard plastic seat on a subway. Having an apparatus on your belt with a dangling wire with corks banged into your ears where real work is done is way, way past insane.

There was a blessed interregnum with the last tabletop POS, when I played CDs in it for an hour or so at a time, until the shellac and sawdust in the ether did its slow work on its guts. My wife couldn’t understand how I could leave the same disc in there for a month at a time. I’d press the button and if it worked, I didn’t dare change it, and kept pressing the button to pass a happy hour in peace. Changing the disc might consign you again to the prison of the machine noise alone. I never got tired of the disc, at any rate, because I’d never hear more than five minutes out of five hundred with all the other things drowning it out. Who gets tired of Mozart, anyway?

It died utterly a while back, and I worked alone in the silence and the noise and the cold  for a spell. It got me to thinking, which is never desirable.

I blew forty bucks on a solid state hard drive with a little screen on it. It has not fruit on it. The fruit is for people with more money than sense. I took a cable left over from who knows what and stuck it in the stereo jack where a lunatic plugs in their earbuds, and put the other end into a set of computer speakers of the type you accrete by buying desktops every decade and wondering what you’ll do with another set. They are worthless, and so are precious to me because I don’t have to worry about them.

And I will have my goddamn Mascagni today while I hit my thumb, and that’s that.


Wealth, And How To Get It

Brad Hargreaves has made a nifty little chart of what sort of wealth a person could hope to accumulate in a lifetime, with helpful examples for all the rungs on his ladder.

I’m not astonished by the rate of creative destruction in the economy, even though my way of earning a living has been  completely wiped out at least six times in my lifetime. It’s the non-creative destruction I’m amazed at. Not Adam Smith, or even Karl Marx destruction. Ghengis Khan destruction. Vercingetorix destruction. William the Conqueror destruction. Carthaginian destruction, with nothing to replace it. The economy is less sophisticated than twenty-five years ago. It’s a hard money, feudal world again in many respects. The Duchy of Chicago was just awarded to a loyal Cromwell. 

I could simplify the chart to just three tiers:
1. Make money while you’re awake.
2. Make money while you’re asleep, too.
3. Make money even after you’re dead.

And bite all the coins. There’s a lot of tin in there.

Ancient Airs And Dances

A Far Cry, a self-conducting string orchestra from Boston, Mass, plays “Ancient Airs and Dances” by Ottorino Resphigi, and beautifully at that.

Month: February 2011

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