What It’s Like in Gorham New Hampshire

We idled away an afternoon in Gorham, New Hampshire last weekend. Strictly for adventure.

Of course our idea of adventure might differ from yours. We weren’t scaling mountains on roller skates or whitewater rafting in dugout canoes or hunting bears with knapped flint knives or anything extreeeem!  enough to get RedBull to sponsor us. We plain forgot to take a vertically oriented cellphone image of my wife leading me by the hand into the third ice cream shop photo op of the day, so our influencer cred is also at an all-time low. We simply went to Gorham because we were tired of going places we’ve already been, and we wanted to poke around somewhere newish. On a whim, we decided to erase the dotted line between Oxford County Maine and Coos County New Hampshire, and see what there was to see.

In some ways, not much. Gorham isn’t a big place. Just 2,700 souls. Except for 1980, when the census takers found 24 extra people hiding out in Gorham, the town has been slowly whittling itself down since Nixon was muttering to himself in the Oval Office. But despite sporting a meager quorum for lynch mobs or 10K runs, we found that Gorham really bustles. For comparison, the nearest “city” in Maine is Rumford, about 45 minutes drive northeast of Gorham. Rumford has twice as many people as Gorham, but about ten percent of the activity. And only about ten percent of that ten percent is salubrious activity. Both Gorham and Rumford share Route 2, and the Androscoggin River, but the resemblance more or less ends there.

There was lively traffic in Gorham, and lots of parents with children in the playground at the big park. Some women were inexpertly playing what I assume was pickleball at the tennis courts nearby. I have to assume they were playing pickleball, because I don’t know what pickleball is. The game has been described to me by several enthusiasts, but I still had trouble understanding it. Near as I can tell, it’s like playing ping pong outdoors while standing on the table, with the added attraction of making an unpleasant noise when striking the ball.

I may have just defamed the ladies, of course, by describing their exertions as “inexpert.” Since I’m so in the dark about the game itself, it’s possible that they were Olympic-class pickleball devotees. It could very well be that the game is supposed to be played in their sedate, but somehow spastic manner. I am beset by doubts on that score. But I quibble. I lived in the population desert of western Maine for close to fifteen years. It’s nice to see anyone doing anything.

That’s the town hall. It’s a glorious Federal style pile of bricks, ain’t it? We’ve lost the knack of making public building look important while still appearing friendly to humans. The average town hall in most towns in the US resemble either a trailer park model home or a Soviet abattoir.

Bricks are relatively cheap. We should still be able to build structures like this. but we can’t, or won’t, take your pick.

As is common in public buildings in small New England burgs, the town hall is doing double duty as a gathering place for the locals, even those not paying a water bill. Around the side, in the nether regions of the building, the Medallion Opera House is still going strong. Well, it’s going. The contra dance sounds like fun, and you don’t even have to go to Central America to participate. And Don Who? sounds a bit like a nursing home rec room entertainer, but in far flung places, you take your fun where you can find it.

Speaking of attractive public buildings, here’s the Gorham Public Library. To me, a library is (was, I mean) a temple to learning. I spent most of my childhood haunting the first public library in the United States, and I will always have a soft spot for one. Of course, there are comparatively no books in most any library anymore, and what they do have is dreadful, but at least this one doesn’t look like a strip mall clothing store, like nearly any new one does.

We would eat in Nonna’s Kitchen. You know, if was open, which it wasn’t. Like a lot of small town restaurants, they limit their hours and days to keep their staff costs down. There’s only so many times a small population can be counted on to patronize a restaurant on a regular basis. Their menu was a 250-yard drive right down the Italian fairway, and in the scheme of things, not very expensive. The building rambles back on the lot, in a nod to the little house-big house-back house-barn style common in northern New England. It was never a farm, to adhere closely to the description of the archetype at Wiki, but close enough. It used to be a barber shop. I loved the entrance to the “dooryard” out back:

Gorham is a jolly place, and fun to wander around.

It’s got a hardware store that apparently doesn’t carry enough paint or roofing shingles to spare for the local population, because they don’t have enough for themselves. They’re right out of window glass, too, by the looks of it. It’s a grand old Greek Revival place, but destined to burn to the ground, I’m afraid. Half-used buildings like this might as well be made of matchsticks.

They have a train station that isn’t anymore. The car killed most passenger traffic, and trucks killed freight, so lots of New England towns have leftover buildings like this one. In Gorham, they turned it into the historical society, and kept it up beautifully. To compare and contrast, we go to the nearby town of Gardiner, Maine, and they have a beautiful disused train station, and it’s a dope store. Maine is pretty much contiguous dope stores from lighthouse to mountain top at this point. New Hampshire has avoided that pitfall by having tax-free liquor stores all over the place instead.

Right next to the historical society, they’ve got some history on display. There’s a nifty train museum. The boxcars have some sort of miniature train running inside them, but we didn’t go in to see it. The doors were closed, with a sign that told us to go find a docent next door if we wanted in. It would have been impolitic to wake him, we decided, so we kept on trucking.

Gorham hasn’t succumbed to the siren song of vinyl siding much. More than occasionally you encounter color combos that knock your eye out, like this juxtaposition of gray and scarlet. Very nice.

New Hampshire is very much into the internal combustion engine, in all its forms. The parking lot of the pizza joint we ate in was about fifty percent full of ATVs and motorcycles. People drive around Gorham in mud-spattered four-wheelers the way geriatrics in golf carts do in Florida. And I’m not sure how many people are still interested in hearing Wonderful Tonight by Eric Clapton, played at 90 decibels at a stop light, but I discovered four people who are.

There’s a lot of nifty Victorian buildings in town. Here’s one, a bed and breakfast on the main drag. Sorry, if you’re interested in running the place, but there was a SOLD banner pasted over the realtor’s face on the sign out front. I’ve met a lot of realtors, and wanted to slap a sign like that over some of their faces in real life.

It’s a shame, but they were closing up the information booth right as we were passing. I did have some questions I would have liked answers for. For example, Moose Tours? How do you get the moose onto the tour bus? Don’t their antlers get hung up on the doorframes and luggage racks and so forth? And what exactly do you show the moose on these tours? Foliage? They eat that. I can’t imagine trying to beguile an alces alces by telling them to look out the window at leaves, and another moose. Alas, these questions will remain unanswered.

Speaking of foliage, it’s already getting busy in Gorham. I’m sure they get their share of leaf peepers. Maybe they can stop the bus and eat at Nonna’s, if they time it just right. But more likely, they’ll eat here:

Uh, yeah. You can totally put tables and chairs in the drive through lane to try to put us off the scent, but we know this used to be a bank, fellas. It’s an interesting transformation, for several reasons. For instance, if I was in a town with 2,700 people in it, and had a choice between robbing the bank, and robbing the sandwich shop, I’d choose the sandwich shop. There’s probably a lot more money in the till than they ever had at the bank.

If you’re wondering what it’s like in Gorham after the leaves commit their colorful suicide and plug up the storm drains, that sign should give you a clue. Mount Washington isn’t far from Gorham, and Mt. Washington weather is a stone cold beeatch in the winter.

They’ve got a baseball diamond appended to the big public park, and it’s in great shape, and still gets plenty of use. You know you’re in New Hampshire, because the dugouts are log cabins. Go you Huskies!

And there, tucked in a quiet spot behind the chain link fence at the diamond, I found this, a true indication of the kind of people who live in Gorham, New Hampshire:

John “Stretch” Ellis

An unselfish man who spent countless hours on the Gorham Common in the 1950s and 1960s, John was committed to developing character and baseball skills in teenage boys. John founded the Wildcat Baseball League and was the league’s only umpire, scorer, statistician, publicist, scheduler, coach, and fund raiser for bats and balls.

Those of us who played in the dust of this field gratefully acknowledge John’s gifts to us: Time together, dedication, community opportunity, and ball games.

We are no longer the boys of summer long ago. We are now men who hope to be remembered not for whether we won or lost, but how we played the game. John Ellis showed us how to play the game. We are forever thankful to him.

New Hampshire license plates have the motto: Live Free or Die embossed on them. I know it won’t fit, but Time Together, Dedication, Community Opportunity, and Ball Games would make a wonderful replacement.

The Best Short Stories I Ever Read

Well, I suppose the headline is a shorn sheep, and we need to fish through the bale of wool for a more accurate assessment of the list. These are the best short stories I ever read that I can remember off the top of my head. Since the top of my head is a barren wasteland, at least on the underside, I can’t answer for what’s growing in there from day to day. Tomorrow I might have put McElligot’s Pool on the list. I can’t be trusted.

So it might not be a good list, but by golly, it’s a list. But please, don’t read anything into the numbers. You can rank them if you want, but I didn’t. And remember, no wagering.

1. The Dead – James Joyce
Of course The Dead is the last story in Dubliners, a compendium of short stories. Any one could have made this list. It’s just the best, and he knew it. Not many people know that before he decided to show off, and molest the dictionary for 900 pages at a time, Joyce was a profoundly good short story writer. The story is a memento mori that beggars my ability to describe it. It explains being Irish, being married, being drunk, and being invited into a woman’s mind. Unlike Joyce’s other stuff, the meaning is very dense, but there’s no textual congeries to unravel.

2. The Short Happy Life of Francis Macomber – Ernest Hemingway
I’ve never even gotten the urge to read Hemingway’s big books, or watch the movies made from them. I respected the comma-starved style he invented, but that’s about it. His autobiographical book, A Moveable Feast, ended up getting thrown across my living room about halfway through it. Man, I thought I was a self-absorbed jerk, but that book taught me I’m just a piker. The Old Man and the Sea is terrific, though, but it’s technically a novella, not a novel or a short story, so I wouldn’t put it on this list. It sums up Hemingway’s whole shtick, “a man can be destroyed but not defeated.” I found out only fairly recently that Hemingway was a superb short story writer. Macomber illuminates the fight between heroism and cowardice in men, and how some women are either at your feet or at your throat, and how far they’ll go to get the last word.

3. The Devil’s in the Cows – Sippican Cottage
Speaking of self-absorbed writers, how about this guy? I’ll recuse myself from talking about it, at least. According to Chad, it’s a “stark, poetic reflection on rural labor, generational duty, and quiet sacrifice. Told through a father’s aching address to his son, the piece captures the brutal rhythms of farm life with lyrical grit. At once tender and unflinching, it evokes the weight of inheritance and the ghosts that come with it.”

4. Esmé – Saki
Ah, another pen name. H.H. Munro died pretty young in a shell crater during World War I, so his output is fairly small. In many ways, he was the prototype for comic writers like P.G. Wodehouse and Noel Coward. Esmé is a wild tale of two aristocratic ladies who more or less adopt a hyena while out foxhunting. It’s a wonderfully camp skewering of the upper class, with witty asides.

5. The Kiss – Anton Chekhov
An impressionable young man gets a kiss meant for someone else in a darkened room, and his mind runs wild afterwards. Men are, after all, the hopeless romantics in this world. Like lots of Russian stories, it’s straightforward and inscrutable at the same time.

6. The Man Who Would Be King – Rudyard Kipling
Lots of people encounter this tale via the superb 1975 film adaptation directed by John Huston with Sean Connery and Michael Caine. It’s a revelation to read the story afterward, and see how short it is. Hubris meets nemesis in one of the greatest tales of adventure ever written.

7. Heart of Darkness – Joseph Conrad
I was always staggered by Conrad’s ability to write in English. He was a Pole, and didn’t learn to speak English fluently until his twenties. His descriptive ability is unmatched by his peers, while he’s able to subtly weave in subtext that many overlook. Many writers can’t do either thing. A look at what happens to men unmoored from civilization and abstract morality.

8. The Gift of the Magi – O. Henry
O. Henry was a pseudonym. I love those. William Sydney Porter was about as prolific a short story writer as you could name. He wrote more than 400 of them, none better than the Gift of the Magi. The story can seem a little trite to modern folks, but then again, many people think Shakespeare’s stuff is full of hackneyed phrases, because they don’t know he invented them all. The lesson that generosity doesn’t require a bankroll is rather lost on people nowadays.

Sometimes prolific short story and novel writers have pretty unsophisticated vocabulary, but O. Henry was a lively stylist as well as a gifted storyteller.  Porter’s life story might be even more interesting than his stories. Accused of embezzling from a bank he worked at, he escaped to Honduras. His best friend there was a train robber. Porter wrote Cabbages and Kings, a collection of loosely related short stories about Central America, in which he coined the term “banana republic.” He eventually returned to the US to care for his sick wife, did a stretch in prison where he became the pharmacist, was let out early, and resolutely drank himself to death over a period of nine years. People still leave $1.87 in change on his grave.

9. To Build a Fire – Jack London
A man faces death in the wilderness. He learns the hard way that nature has no opinion. It’s the kind of story that intellectuals try to write, and fail miserably at, because they’ve never been outside during daylight. Jack was the man for the job.

10. Harrison Bergeron – Kurt Vonnegut
Vonnegut was always a loopy writer, which made a lot of his output interesting for its own sake. Harrison Bergeron plowed the same fields as other dystopian stories like 1984, but had Vonnegut’s usual entertaining tics in it. It’s the best disquisition on the inequality of forced equality ever written. And if you’ve been paying attention to events recently, perhaps more prescient than any other dystopian scenario.

The “Not Quite a Short Story” Hall of Fame:

I’d be remiss if I didn’t include the greatest writer who ever lived, maybe save one. Mark Twain is famous for his short stories, but honestly, the ones he’s famous for aren’t his best work. For instance, The Celebrated Frog of Calaveras County made his name, but it’s a minor work. The best Twain short stories are from his books like The Innocents Abroad and Roughing It. Most of his output was serialized in newspapers as he wrote it, and then collected, so they’re basically short stories stitched together. And the fact that they’re supposedly factual doesn’t make them any less of a story. As Twain once wrote, get your facts first, and then you can distort them as you please.

You can pluck out any number of vignettes in Innocents that are the funniest things ever written, like his butting heads with a gondolier in Venice, or trips to barbarous barbers, or being fumigated in Naples. But his rundown of the wonders of the Turkish bath in theory, and its repellent nature in fact, is one of his finest. Read it here, at the tail end of Chapter 34.

You can argue with me in the comments if you like. But not about Twain.

Another Day at the Office

That’s Stevland Hardaway Morris on the Dick Cavett Show back in 1970, I think. It’s a stone groove, as they say. Made it to #3 on the Billboard charts. Got beat out for the Grammy by the execrable Patches song, sung by Clarence Carter, who is also blind, an interesting footnote.

Both Stevie’s mother and wife are listed as co-songwriters on that track, which makes them eligible for a split of the royalties. One wonders if Stevie knew exactly what he was signing all the time. I’m not sure I can identify everyone on the stage there. The singers might be Lynda Tucker Laurence , Syreeta Wright, and Venetta Fields. They’re listed as the singers on the record. Lynda eventually became a Supreme, and Syreeta eventually became the ex-Mrs. Wonder. But studio people didn’t usually tour. It’s more likely Shirley Brewer, Lani Groves, and Delores Harvin.

I’m a little sketchy on the power trio members. Fo sho that’s Michael Henderson on the bass. He played on the first few Miles Davis fusion records, plus with a bunch of Motown acts. He was terrific.  The drummer looks like Ollie Brown. Cool as a cucumber. No idea about the guitar player. Ray Parker Jr. used to play guitar with Stevie, but that ain’t him. Well, whoever they are, they’re tighter than a cow’s tuchus at fly-time.

Way back when, I used to sing and play the bass on this song in a cover band. This is long overdue, but I’d like to take this opportunity to apologize to Mr. Wonder. I promise I won’t do it any more.

Praxiteles, or How Famous Can You Get?

Andy Warhol was famous for saying that in the future, everyone would be famous for fifteen minutes. It’s interesting that he’s famous for saying that, but he didn’t say it. Fame is like that sometimes. Fame is like barnacles you pick up on your hull as you pass through the shallow waters of notoriety, into the lakes of celebrity, and finally make it to the sea of fame. It’s unimportant if you “deserve” it. It just is.

Some people transcend their fifteen minutes and turn it into years, decades, and even centuries. How far back can the average person go, and do more than recognize a few names? Go back to 350 BC, and you could trot out Alexander the Great, and be pretty sure of your ground knowing that he wasn’t a haberdasher or a groundskeeper or something. Who else do you know from back then? In general, every century you go back is like drinking six more beers, and then taking the SATs over and over. It gets sketchy, fast:

So ancient Greece is still a thing for some folks, and they can probably at least name Aristotle and Plato, even if they couldn’t pick them out of a police lineup. Demosthenes perhaps, if you mumble or stutter, or if you’re well read. You know Pythagoras, if you’re acute [The management cannot vouch for this pun, and disavows any responsibility for it]. But one name that really gets overlooked is Praxiteles. But he’s got the kind of fame that seems larger than any emperor, really, even if you don’t know his name off the top of your head.

Praxiteles wasn’t a king, a general, or even a philosopher with a toga full of theories. He was a sculptor. Small beer, you might say. Yet his name has outlived empires. Why? Because he dared to do something nobody had done before: he carved a goddess naked. The world gasped, gossiped, and lined up to see it. The statue is gone, but the scandal — and the fame — never wore off. That’s the funny thing about immortality: sometimes it’s built on marble, sometimes on whispers.

The Romans knew who Praxiteles was, and made copies of his statues, so we know what it looked like. Here’s Aphrodite of Knidos, the world’s first static OnlyFans account:

Alas, we’ll never know if she was a butterface, or suffered from man hands, but I suspect not. You see, unlike the Romans, who treated stuff like this like garden gnomes, the reason this was groundbreaking was that while it was a naked chick, it was still supposed to be an object of veneration. It didn’t stop there. The pose is contrapposto. It’s a relaxed, naturalistic pose with one leg bearing weight, with the body twisting slightly. The anatomy is spot on, too. The copies we see are pitted from exposure, but the original was smooth, white marble, and would have looked astounding to a contemporary Mediterranean.

So this approach was kinda lost for a very long time. After Rome fell, the Middle Ages favored more symbolic and less natural-looking cigar store Indians. The Renaissance expanded on the techniques, but was based on an explicit revival of Praxiteles’ approach. Even the painters mimicked the pose:

Not just another girl with big feet. Venus is the Roman version of the goddess Aphrodite. To the modern person, The Birth of Venus (1480s) is ancient, but the statue of Aphrodite is about 1800 years older than that.

Fame has never been fair. It doesn’t reward the good or the wise so much as the strivers and the plain bastards. Alexander the Great ran roughshod over half the world, and entered the pantheon of nearly universal notoriety where guys like Elvis and Hitler live. Warhol painted soup cans and made the art world adapt itself to him, instead of the other way around. Social media virality puts afterburners on the fifteen minutes of fame, and usually boils it down to about fifteen seconds on TikTok.

Lots of people these days forgo the only real kind of intergenerational notoriety available to regular humans: having children. We’re all the latest in a line of ancestors who struggled and fought and worked to keep body and soul alive long enough to have a descendant or two. Throwing away that kind of effort for a “career” is absurd. There are only a few thousand people in any generation who have anything like a true career, i.e., a constantly growing necessity for the rest of the human race. What almost everyone has is a mundane job. Admit it, you can’t name Grover Cleveland’s cabinet members, and they were big wheels.

The Irish say that you never die, as long as there’s someone left in the world that speaks your name. As of this date, my father and Praxiteles are still immortal. I doubt I’ll have the staying power of either of them. Then again, I’m OK with that, when I remember that everyone knows who Hitler is.

And When It Rains, the Rain Falls Down

We re-watched Dog Day Afternoon the other day. I don’t want to talk about the movie. I want to talk about the opening credits.

The movie came out in 1975. It’s depicting a real robbery that happened in 1972. The opening credits use an Elton John song released in 1970. If it’s not the most effective use of music in opening credits in a movie, it’s got to be close to the top. I’ll explain.

No one goes to the movies anymore, really. People still did in 1975, and the movies were still being produced to be seen by crowds of people in a darkened theater on a large screen. You had to stand in line, and buy tickets, have them torn in half fourteen feet later by a nonagenarian usher for some reason, and then fight for seats in the middle rows, halfway back. The lights would dim, the movie would play, and the opening music would produce a mood, transporting the audience from a tattered seat and a sticky floor to the time and place where the story begins. If it were done properly, which wasn’t a given, it became a shared, out of body experience.

Movies aren’t like that anymore. Movies were real competition for teevee back then. Now they’re indistinguishable milieus. Netflix makes movies, and shows them on your home screen. It’s like hiring the projectionist to direct the movies, because he’s watched so many. What the hell does Netflix know about making movies?

Sidney Lumet directed this movie. He made lots of movies, many of them really good, in addition to the various demands made by being P.J. O’Rourke’s father-in-law. He never won an Oscar for direction, but they gave him an honorary one for hanging around so long and putting so much money in the till over the years. Here are some:

  • 12 Angry Men
  • The Pawnbroker
  • Fail Safe
  • Serpico
  • Dog Day Afternoon
  • Network
  • Prince of the City
  • The Verdict

One thing I’ve noticed about good directors. They don’t look gift horses in the mouth. Some guys are loosey-goosey anyway, and let things happen all the time. Others are pretty strict about sticking to the script. But all good ones of both kinds know when they’ve stepped in something good, instead of that stuff you see on the sidewalk in those opening credits.

There’s a lot of these happy accidents, as it were, in Dog Day Afternoon. The reply to the question of where Sal wants to go when they escape was left blank on the script. Cazale ad-libbed “Wyoming,” and Lumet had to clamp his hand over his mouth to keep from laughing and ruining the shot. The “Attica” speech by Sonny (Pacino) was entirely ad-libbed, after the assistant director whispered the topic to Al as he was about to exit the bank to address the crowd. They hired hundreds of extras for the crowd scenes, but passersby started joining the crowd, and after a while, the whole bunch of them starting acting on cue like professionals. Lumet egged them on, and used all of it.

But maybe the happiest accident is the opening credits. Lumet was driven around New York in a station wagon, filming this and that, and it added up to a perfect encapsulation of the time and place that was New York in the seventies. Dirty, rundown, disintegrating, with people trying to live their lives in the disassembling city.

But that was just the visuals. It’s funny, but there is no music in Dog Day Afternoon, just random diegetic sounds, except the opening credits. Lumet originally didn’t intend to have any music score in the movie, but the editor was playing Amoreena by Elton John in the editing room, and Lumet decided to use it, soaring over the opening scenes of the city, eventually coming out of the getaway car’s radio to tie the whole thing together.

I don’t know why a strange song by a flamboyant London singer, who was trying and failing brilliantly to write his idea of American country songs, was the perfect fit to encapsulate that time and place, and set the scene for the audience, reminding them that they weren’t home on their couch anymore, but plunged into some nether world of Stockholm Syndrome and low IQ, fuddled robbers with an eclectic tastes in wives. But it was.

Month: September 2025

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