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Painting Your Own Personal Solipsistine Chapel

Solipsism is a term that gets thrown around a lot on these here intertunnels. Almost exclusively, it’s used to describe extreme egocentrism. Self-absorption. Narcissism. Okey dokey, nothing wrong with that. But solipsism is also a related philosophical idea. It’s not satisfied with being interested only in yourself. It posits that it’s not possible to be sure of anything but what goes on in your own mind. Therefore, the real world, and other people, might not even exist.

Solipsism as a philosophical concept is often added to Descartes resume. Rene Descartes was a drunken fart, I drink therefore I am.  I’m not a big fan of thought experiments that only sound trenchant after four bong hits, so I’ve mostly given that line of intellectual country a wide berth. Wondering if you’re the only person on earth, or in the universe for that matter, isn’t likely to yield useful answers.

I remember some species of science teacher in high school who was infatuated with the idea that you don’t really sit on a chair. His idea was that the atoms in your arse are repelled by the atoms in the chair, so you’re really floating in an infinitesimal slice of mid-air. I was loath to tell him that his conjecture was oh so very interesting, but the principle wouldn’t matter much if I hit him with the chair, which I felt like doing. I didn’t mention it then, but I am now.

Still, solipsism as a mode of thought is beginning to acquire a life of its own. Most people are assembling, on the fly, a simulacrum of a life on their little pocket pandoras, and interacting with other fake lives while they do it. Now that robots have entered the chat, the fakeness is dialed up to 11.

Yesterday, I wanted to find out if a mesh wifi extender had an onboard ethernet plug, and if so, how to set it up without using a moronic phone app. It was deuced difficult to find the info I was looking for. I ended up on the Orinoco Erzatz Goods Emporium, and saw a  bunch of video reviews of the device I’d settled on. I turned one on. It was the saddest sort of thing I could imagine. There was a slovenly dude looking into a laptop camera in a widowless room, acting as if he was hosting his own TV show. It had credits. It had an opening musical fanfare. The guy did nothing but read what was on the box.

I was watching a personality cult of one. And he didn’t have any personality. And everyone’s like him now. Way back when dinosaurs ruled the earth and we had teevee but no internet, any time a teevee camera was pointed at anyone, anywhere, people would crowd around and try to get in the frame, and act goofy to be memorable. To be on teevee, even by accident, was the most notable accomplishment they could aspire to. They’d rush home and call everyone they knew and tell them they’d be on the evening news, even if they were just mugging behind some caution tape in the background of a car crash segment.

Of course this is all old news to you veteran internauts. But watching a few moments of this fellow, I remember where I saw the phenomenon explained best, long before social media turned everyone into a deranged talk show host without an audience:

Be careful, people, It’s a short trip from Cosmo Kramer to Rupert Pupkin:


Then again, when Rupert got out of prison, he got his own show on teevee. Most YouTub video producers would take that deal. So maybe a Rene Descartes cardboard cutout isn’t the right guy to interview in your basement. Up next, after these messages from our associates accounts, Johann Wolfgang von Goethe!

The Most Famouse Singer You Never Heard Of

No, intertunnel wags, that’s not a typo. I’m referring to Gloria Wood, the most famous singer no one’s ever heard of. Deuced difficult to find a picture of her, which also indicates her relative obscurity. Here she be:

Now, I could shoot fish in a barrel and list plenty of singers and other performers who were a big deal in their day, but are obscure today. Honestly, is their any difference between Leif Garrett and Bobby Sherman? And are you sure you could pick Bobby Sherman out of a lineup if David Cassidy and Bobby Goldsboro were in it, too? If you can, wait thirty years, and you’ll be the last person who can. Time passes, and everything and everybody, no matter how notable they might get, fades into obscurity, or gets blended into a recollective blur:

But I’m going to roll out Medford, Massachusetts’ own Gloria Wood, and even people born in George Bush’s second term will know who I mean, even if they never heard her name. Because Gloria Wood was the voice of Minnie Mouse. Oh, yes, and Rudolph the Red-Nosed Reindeer, at least on records. She was all sorts of voices, singing and speaking, on radio, television, and movies. She’s singing something in almost every Disney thang from back when they  still used ink and paper and talent to make their cartoons.

If you’re a little older, you might remember this, because they’re no way you can’t. Jingles do that to you, man, at least if they hire Gloria Wood:

That’s just a notable commercial. Between the years 1955 and 1958, she sang on 2,000 more. Gloria Wood has been in your ear more often than your pinkie, I tell you what. And while this is way before my time, if you’re old enough to move to Florida and wear white shoes, a white belt, and white pants hiked up to your armpits, and drive 15 miles an hour on the freeway, you might remember this:

She was a hired gun in numerous chorus jobs, too. I mean, someone has to sing one word over and over. Might as well be someone talented:

If you watch White Christmas at Christmas, because you’re brave, and not afraid the Technicolor will drill your rods and cones into the back of your skull, you can watch Vera-Ellen sing and dance with Danny Kaye, Bing Crosby, and George Clooney’s aunt. Or not. Vera-Ellen’s skills were limited to hyphenation, prancing around, and looking like an anorexic with fetal alcohol syndrome working the Maybelline counter at the department store. Gloria Wood did all her singing.

Gloria’s dead and buried, now, in Glendale, California, but she’ll outlast “the UN,” I’ll bet, in people’s hearts, if not the mental phone books where we keep all the names.

A Voice That Is Dark Like Tinted Glass

Ah, British TV. Back when I was a kid it had all the good stuff. We watched whatever we could get. We watched Monty Python in black and white on PBS. Glued to the TV every week to see which queen was getting shortened a bit in The Six Wives of Henry the VIII, still unsurpassed for the Tudor topic. Who didn’t love the Carnaby Street psychedelia of The Prisoner? No one I know. Memorized Fawlty Towers, of course.

Much too young to see Honor Blackman in the leather jumpsuit, however. But somehow, we never felt we had missed out on anything. We wanted a girl with a mind like a diamond. We got one.

Interestingly, The Shatner Admirals Is the Name of My Herman’s Hermits Tribute Band. But I Digress

I’m a little late to this party, but I take things as I find them. I’m confused, however, how to “take” an Elvis impersonator who’s built an exact replica of all the original Star Trek teevee show sets in an abandoned dollar store in Ticonderoga, New York, and sort of inhabits them.

For all of you with, ahem, suspicious minds, I assure you I didn’t make this up:

James Cawley really liked Star Trek. Really really liked Star Trek. By the power of Landru and re-runs, (he’s younger than the show is), he was hooked on a show about bombing around the galaxy and groping green chicks, while listening to logical advice on why you shouldn’t, and doing it anyway. You know, because Shatner.

Cawley has built his own Desilu Xanadu, using mostly his own money, money earned as an Elvis impersonator.

Why would an Elvis impersonator build Star Trek sets? I dunno. You’re asking the wrong guy. I don’t know why an Elvis impersonator would do anything, including impersonating Elvis. I can’t visit that mindset without pharmaceutical help, and a fried banana and peanut butter sandwich. But Cawley knew what he was about. He wanted to make his own Star Trek episodes, and did it:

I suppose I could jest about it, but it does have a million views on YouTube. I was a little kid when Star Trek first came out, and I’m not sure a million people watched an episode back then. Everybody was watching Bewitched or something. Star Trek was “out there” in more ways than one, and not everyone wanted to see a doughy Canadian actor with a Christopher Walken delivery wrestle a guy in a dollar store tyrannosaurus Halloween costume over a patch of unpaved Burbank backlot. But give it its due: it spawned a zillion imitators.

However, sooner or later, the suits come for you. CBS/Paramount at one time looked the other way when people made fan-fiction type stuff, like Cawley’s bargain basement Enterprise enterprise, but eventually they cracked down on the whole scene. It wasn’t Cawley’s fault. He was doing it because he loved it. But others tried to make real coin with Star Trek homages, and they pissed in the whole Gene pool.

But the Elvis gene runs deep. The King don’t quit, until he makes it to the bathroom, anyway. Kirk has any number of Kobayashi Maru tricks up his sleeve. And Cawley is both of them, remember? He figured if he could make deals with Klingons on his show, he could certainly make deals with Gene Roddenberry’s copyright successors. So he did.

After a long lunch with more than a few Romulan Ales, no doubt, the salt vampires in the legal department at CBS/Paramount decided to let Cawley have his fun. In return for a cut of the action, I’m sure. Why not let Space Elvis Cawley give tours of the stomping grounds of Space Elvis Shatner? So they do. And now that real money is involved, real Shatners are involved, too.

It’s a Corbomite Maneuver for money for a lot of people now:

Hey, don’t sleep on Clint Howard, just because captain Kirk is holding court on the bridge with all the high rollers. Howard appeared on The Andy Griffith Show, Star Trek, and Seinfeld. Even Spock couldn’t compete with that, although inventing Uber and driving the Bangles to Liverpool was a strong career move, you have to admit.

Teevee and movies and other media masquerade as entertainment, but there’s a lot more going on there. Half-hour situation  comedies like Andy Griffith and Dick van Dyke are closer to Aesop’s Fables than jokes stapled onto depictions of quotidian life. They usually contain little parables, and become a form of guidance for the general audience. They normally contain a morality test of some sort over trivial affairs that the characters work their way through in 24 minutes or so. Homily-length redemption ensues with 6 minutes of soapsuds commercials mixed in. Women start dressing like Laura Petrie and men start acting like Rob Petrie even though they might not be aware they’re doing it. That’s why teevee got so destructive, as the ghouls who make the shows looked for new thrills to peddle. Gilligan found himself in desperate straits, but he didn’t start cooking meth in his hut to get by.

TV shows like Star Trek are a form of replacement for passion plays for a couple of generations who thought the Beach Boys were an improvement on Giuseppe Verdi, and Andy Griffith was John the Baptist. Real passion plays, or pageants (paging Cecil B. DeMille), were:

The Passion Play or Easter pageant is a dramatic presentation depicting the Passion of Jesus Christ: his trial, suffering and death. The viewing of and participation in Passion Plays is a traditional part of Lent in several Christian denominations, particularly in the Catholic and Evangelical traditions; as such Passion Plays are often ecumenical Christian productions.

Passion Plays have had a long and complex history involving faith and devotion, civic pageantry, religious and political censorship, large-scale revival and historical re-enactments.

In a very real way, the entertainment biz replaced all forms of religion in American life. Newspapers, a form of entertainment, killed the Catholic church dead, for instance. And remember, the government is just showbiz for ugly people. It wasn’t a unanimous move into another thing, of course. There’s some overlap, but there’s a definable Star Trek sect, with schismatics taking their hyperdrive schematics and forming a Star Wars splinter denomination. In old-fangled passion plays, Jesus has to work through some things in Gethsemane. If you boldly go where no man has gone before, you have to be tempted by a hot galactic strumpet with a bouffant and a Reynolds Wrap bikini before you get down to brass tacks and dilithium transubstantiation and kick some Klingon ass. But it’s all wrapped up in an hour, and everyone goes home blessed.

So I guess it’s not all that odd that a prophet in a spangled jumpsuit and pompadour would appear out of the wilderness of upstate New York to become the patriarch, an interstellar Billy Sunday, for the one true religion that America has produced: Elvis in Space.

Wait a minute; yes it is.

George Andy Taylor-Bailey

Sheriff Andy Taylor and George Bailey are the same person. Hear me out.

Both of these characters were an important archetype in the past. I’m too indolent to think up some more examples, and then defend the idea from all comers from all points of the internet compass, so let’s stick with those two. They’re the same sort of guy, and that same sort of guy is dead and buried now.

I’m too young to have experienced either George Bailey or Andy Taylor in real time. They’re re-runeriffic touchstones for most people who remember them at all. It’s a Wonderful Life is semi-ubiquitous nowadays, mostly because for a long time, its murky copyright made it a cheap filler for second-rate teevee stations that desperately needed holiday fodder. The movie was a dud when it was released. Lost a half a million bucks in the 1940s, when that kind of scratch was worth more than five F-150s. It’s got a 94% positive rating on Rotten Tomatoes. Either people used to be wrong, or they are now, take your pick. Or maybe it’s only a halfway-decent movie, and everyone is wrong. I dunno. Seems like a masterpiece of storytelling to me.

The Andy Griffith show ran for about ninety years and encompassed ninety-thousand episodes, if I recall correctly. It’s possible I don’t, but you get the idea. It was never a dud and entered a pantheon of teevee notoriety and perenially high ratings that included heavy hitters like I Am Fond of Lucille and Four Jews Yelling at Each Other in a New York Apartment. I don’t watch a lot of teevee, so I may be slightly off with those titles.

Now George Bailey was an upstate New York yankee, more or less, and sheriff Andy was an unapologetic southerner. On first glance, maybe the only link between the two might be Nick, the bartender at Martini’s, who served George Bailey and Clarence Oddbody a drink, and then went home and produced the Andy Griffith Show. But I swear they’re identical.

George Bailey is feted at the end of his long dark night of the soul as maybe the most well-liked, and more importantly, well-respected man in town. Andy Taylor doesn’t need a Bobby Gentry moment on a bridge to know the same thing. He’s the top dog in his town, although he prefers to slumber on the porch rather than chasing cars. Everyone knows it and defers to him. And both of these men get to their exalted perches by trying as best they can to ennoble and support the people around them, instead of trying to accumulate riches and favor and notoriety for themselves. They used to call it leading from behind, but I don’t know what they call it now.  I suppose it doesn’t matter what they call it, because it never happens anymore. Lately anyone claiming they’ve been leading from behind is just trying to claim credit for things they had little to do with. When a wallet full of credit is just lying there on the modern sidewalk, you pick it up and use it. You don’t go looking for the man who dropped it.

Picture if you will the average Ted Talk startup company a-hole delivering his slide-deck reason why they’re God’s older brother. TV preachers live in palaces that would make a pope blush, and put their name on top of the marquee, and in tiny little letters at the bottom write: also starring: Jesus. The founders of the largest corporations in the world say I, I, I more times in an hour than the Frito Bandito did in his whole career. The patron saint of these repellent people is Steve Jobs. He made Ebeneezer Scrooge look like Kris Kringle, screaming about removing inconsequential screws from his pocket Pandora’s Box to his minions. They only put up with it because they hope they might be able to be that big a jerk to somebody else someday. Maybe move up a slot on the totem pole of bile that is modern American corporate commerce.

Andy’s best friend is Barney Fife. Barney is an ugly, cowardly doofus with delusions of grandeur. Andy understands that at bottom, however, Barney is a good guy, and he gently reins him in when he gets out of hand. There’s an episode where Barney accidentally apprehends a dangerous criminal by simply being clumsy and tripping him up. Barney is instantly respected for the feat, such as it was, and bragging about his exploit, because that’s his nature. Hell, that’s human nature. Andy lets him drone on about his triumph, and is genuinely happy for Barney. He avoids questioning him too closely, because while he has his doubts, he knows Barney feels better about himself and he doesn’t want to spoil it for him.

The criminal vows revenge on Barney, and then escapes. Andy does what he always does. He’s all aw-shucks and folksy, but when real danger appears, he pulls a shotgun off the wall and hangs a holster over his shoulder and gets after it. He’s soft on the outside, avuncular, patient, and reasonable, but there’s a hint of iron in the backbone. Barney is visibly terrified. Andy tells him that it’s OK if he doesn’t want to go. Barney chokes back his fear, and agrees to go out and look for the miscreant, but that’s mostly because he knows Andy will take care of him. Eventually Andy figures out where the crook is, says nothing, and posts Barney there. He waits outside, hidden but ready to save Barney if he botches the job. Barney basically repeats his performance and through clumsiness gets the better of the bad guy. He’s a hero again, and never knows why.

George Bailey doesn’t participate in a charming ceremony to put the Martini family in their new home for an Instagram moment that will improve his search engine rankings. He didn’t fund the loan for the house thinking he could foreclose on it if there was postage due on a single payment when the cost of a stamp went up. He did what he did, because that’s what he does. He’s constantly bailing out his forgetful uncle Billy in the same way Andy does for Barney.

It’s telling that both men pull in the finest women in their respective towns. They’re not rich or notable in conventional ways, but Miss Crump isn’t going to settle for a tryst with Howard Sprague. You can tell Donna Reed is suitable only for the best man in town, because in a world without George, she becomes a spinster. Without George, there can’t be a best man in town. A rising tide lifts all boats, and he’s the tide. Woe betide us all when the tide goes out.

But go out it did. We live in Pottersville now, lock stock and barrel. The Bailey Savings and Loan went under after George put the Keating Five on the board of directors. We stopped reading Tom Sawyer, and Clarence Oddbody lost interest. Ellie Walker moved to Pottersville from Mayberry and became a stripper with ZuZu the petal dancer in one of Potter’s dive bars after Andy married Miss Crump.

But I assure you those silent men working behind the curtain of normal, decent, American life used to exist. I know it, because even though George Bailey and Andy Taylor were just characters on a screen, my father and my wife’s father weren’t.

The Sippican Pseudo-Scholastic Seinfeld Misadventure, Part II: Downton Abbey

I made a terrible mistake many years back. I was still talking to “intellectuals” as if they were normal, intelligent persons, instead of addressing them in the manner a French waiter reserves for people on vacation from Omaha. My error was based on a serious misapprehension, one that I was quickly disabused of. In a public forum, I mentioned that I thought Seinfeld was an entirely new and innovative kind of situation comedy, because it was the first time I could recall where every single person that appeared in a comedy show was completely, utterly, and without exception, unlikeable.

It’s important to stress that I didn’t mean, and certainly didn’t say, that I didn’t care for the characters as drawn. I don’t care for lots of characters portrayed on television. You’re not supposed to like some, anyway — they’re villains — and the rest can advance a story without draping a daisy chain around your heart. That’s neither here nor there. I pointed out that no one could like anyone on Seinfeld. It just wasn’t possible. In real life, you’d punch every man-jack in that show –star or stand-in alike — square in the esophagus without warning if no one was looking. Even the elderly women. Did I say even? Well, it’s in the dictionary near especially, and perhaps I got confused.

The scorn that rained down on my head was well-deserved, of course, and shame on me. If you can operate a Pell grant application, but not an apostrophe, everyone on Seinfeld is wonderful. You wish they were your friends. You want to dress like Elaine, and get soup with George. You want to live a life about nothing — and vicariously, at that.

No, you won’t catch me making that mistake again. I refuse to stand here, agog, while you tell me that you find anyone or anything commendable about Downton Abbey.

It’s a big hit, I hear, like Jersey Shore within shouting distance of the actual Jersey, not the ersatz one. I have seen it. I began to play interesting games with it after a while, like a bored teenager at the pool seeing how long he can hold his breath underwater. Who knew you could listen to seventeen straight hours of dialog in a teleplay and not hear one interesting thing emitted from any sentient being onscreen? It’s true; I counted. I feared that the cute doggie tuchus that opens the credits would disgorge some methane and liven things up, and so ruin my streak, but it was not to be. It’s turtles all the way down, and the turtles are upside down in the terrarium and they’ve turned white.

It is innovative, of course, if you think renting a British dustcatching country house and filming Falcon Crest in it is innovative. It achieves the vaunted Seinfeld “show about nothing” level of studied indolence by the back door; it’s a show about everyone being everybody and doing everything all at once, and over and over again, too. There’s a kind of sublime quality to a teleplay with the nerve to simultaneously posit that it’s serious, and also that there’s a character in it that was going to be an Earl but he was on the Titanic and didn’t drown like a human would but caught amnesia from the cold water or something and thought he was Canadian, which is the same thing as amnesia, I think, and then he got roasted in World War I and remembered he was an Earl, but lost interest in that after a week, and drifted off. I’m surprised the writers didn’t have him kidnapped by aliens and anally probed while he was at it, or have him emit spider webs from his wrists or something else more believable and compelling.

Unable to make people interesting by making them say or do interesting things, the writers try to make some people interesting by making them evil instead, as bad writers do, but they don’t seem to understand evil properly and make a hash of that, too. The misbehaviors are of the quotidian variety, like a child standing next to a broken vase and averring that an eagle swooped down and did it, and asking if they might have a cookie anyway. But academics are the prospective audience, I guess, and they’re used to vicious fights over vanishingly small stakes, so apparently all you have to do is have the dastards tell tales out of school and  smoke cigarettes, and they’re instantly Morgan La Fay and Richard the Third, squared.

I gather the gimpy valet is supposed to be the Christ-figure in it. He’s as tedious as a crown of thorns, anyway, so that’s the conclusion I drew. Sanctimony is in the dictionary not too far from stoicism, after all, and le mot juste is not the modern intellectual’s strong suit. After a few hundred thousand examples of his inane selfless behaviour, one’s natural urge is to front anyone up to the task the thirty pieces of silver necessary to get him to lighten up a bit. But examples of ignoble nobility are as numerous as the names in a Chinese phonebook in this dreadful thing, so perhaps I’m wrong to single out anyone for calumny. They shouldn’t hang separately. They should all hang together.

I just don’t know how to approach Downton Abbey. It’s a huge crime against my innate Anglophilia. I mean, Bertie Wooster and Jeeves are going to show up in Downton’s lobby shortly, and I’d hate to have them turned away because of the goings on there in the teens, but I really don’t know how to fix my mood without some sort of purge, a cleansing of the landscape, a Downton delenda est moment. I took a flurry on the World War; hoped for great things from the Spanish Flu; was disappointed that the producers seem to have found the only Irishman that ever lived with absolutely zero charm and no knowledge of how to mix up explosives in their landlady’s bathtub, and no urge to use them, either. There doesn’t seem to be anything left for me to hope for, because I can’t wait around long enough for the Four Weddings and A Funeral playbook to play out, and the funeral in those things never seems to have the mass grave I require in it, so I’m bound to be disappointed.

If the scriptwriters are reading, could you please dismantle Highclere manor, and build an enormous volcano-shaped pyre with its parts and pieces and denizens, and then set it alight? Thanks in advance.

Throw Laura Linney in it, when it gets going good, to appease the gods of ennui.

(Related: MPBN Establishes Phone Line To Help Downton Abbey Devotees Avoid The Pats Game. Because We All Know Girls Don’t Like Looking At Tom Brady

Also: Popular Downton Abbey TV Series Spawns New Books, Including Mrs. Patmore’s Guide To Cankles And Moribund Lady Parts )

The Timid People Stayed

Stephen Fry is a public intellectual. Great Britain seems to produce these persons by the hogshead. I think America produces them, too, but we don’t notice them so much. Public intellectuals seem to matter more in Europe.We lump Dick Cavett in with Pat Buchanan as “talking heads,” turn off the TV and go fishing, generally.

Stephen Fry might want to be Oscar Wilde, but ultimately they all want to be Bertrand Russell. They wish to flash an intellect so vast that they can indulge their crabby little opinions with impunity. The US version of these sorts of people seem to come from the stands at baseball games (see Limbaugh, Rush) or from seedy theaters with sticky seats (see Maher, Bill), but in Great Britain they all seem to have upper crust crumbled on their Eton ties. There’s a kind of Posh School Mafia that runs the media on that pile of rocks and coal in the North Atlantic now –Fry, Hugh Laurie, Rowan Atkinson, Jeremy Clarkson, Eddie Izzard. Only Gordon Ramsay comes to mind as being anything but a toff, and he’s not exactly a soccer hooligan — he sounds like a little kid or a woman when he swears.

Fry is fairly well known in America because of his various terrific turns in TV shows, Blackadder, A Bit of Fry and Laurie, etc.; but I’ll always think of him for his marvelous, if miscast (too young) turn as Jeeves in Jeeves and Wooster.

It’s hard to pass up a job that entails wandering around, eating at the best restaurants on an expense account, and having opinions. Stephen Fry seems to have discovered that he could make a living on a Twitter stream at this point, why bother with anything else, and was sent to America to get some footage and offer a mordant opinion or two.
I imagine the Beeb, or whatever entity sent him, mistakenly figured they were getting a Tocqueville, but Fry will do. He’s genial and curious, two attributes almost totally lacking in public intellectuals like Christopher Hitchens, who are just rustbucket brain freighters laden with tedious opinions drifting around the world looking for any odd pier to bump into to spill their cankered cargo all over.

My impression of Europe is that it’s the place where the timid stayed. Bravery is entirely a matter of how you fared in the gang showers at a gothic campus and whether Beeb producers answer your telephone calls. At least Stephen Fry knows enough to gape in awe at what bumpkins can cook up when they’re off the leash.

His observation that we’re “overpopulated” shows a glimpse of intellectual garter that he just can’t help, though: too many of you, just enough of me. It’s hard to be Not Quite Our Class of Persons, Dear, but we Americans try to bear up under the shame of it.


The Tell-Tale Lie (From 2008)

I need to be a little bit tedious here for a moment.

No, really; more than usual. It’s because you have to grasp the enormity of this foolishness first. So here goes:

I’ve worked every kind of construction there is. Commercial construction, residential construction. I’ve painted the inside of a doghouse, and I’ve built football stadiums. Rough arts? Check. I’ve painted murals and wallpapered, too, so it’s not just the barbarian arts I’m talking about. I’ve worked alongside many a homeowner, and at their direction in their occupied homes, as well as out in the field where no end user comes.

I’ve worked on single family homes a lot. Duplexes? Sure. Multi-family? Check. Condos? Absolutely. Big ol’ apartment buildings? Of course. Call them what you like –whip out your PUD. I’ve already seen it.

I’ve cleared the land. Dug the hole. Stacked the blocks. Poured the chowder. I’ve stuck a spud into the steel. Welded? Name your metal. Hell, I’ve paved the street. Put in the sewer and the drainage.

Office buildings? Yeah. Hotels? Yeah. Getaway cabins? Sure. Mansions? Absolutely. McMansions? I guess.

Exurb, suburb, city, village, town, township, outpost. Atlantic? Pacific? Great Lakes? Pah. Done.

I’ve screamed into the phone and the ear and the air alike. Worked alone. Directed hundreds.

I’ve drawn the plans. Applied for the permits. Put in Environmental Remediation. Sat in interminable meeting for the privilege of being yelled at before being denied and approved alike.

I’ve worked on houses where the owners showed me where their ancestors hid during King Phillip’s War. I’ve worked on houses that had graywater recovery and passive solar.

Railroad, Colonial, Adam, Georgian, Second Empire, Stick, Eastlake, Colonial Revival, Tudor, Queen Anne, Ranch, Prairie… this is getting tedious. If I can think of a kind of house I’ve had nothing to do with I’ll mention it. Ummm……

People? Black, white, brown — all the hues of the rainbow and the UN combined. Disfigured or whole, ancient or young, from every continent. Well, maybe not Antarctica. I’ve worked with every race, color, and creed. Gay, straight, and just plain strange. Men, women, boys, girls. Disabled people I couldn’t keep up with, and able-bodied lazy people. Everybody.

I’ve worked for customers so imperious that they wouldn’t allow us to drink from their garden hose while we were working. Outside. In August. In Massachusetts. Some people, conversely, would set a place for us at their table if we were in their house at dinnertime.

In short, I’ve done every single thing I can think of in construction at one time or another, by and for every sort of person– short of scouring other galaxies for odditities — in every sort of setting you could conjure up, and for every sort of customer you can imagine.

I’ve seen most all the Do It Yourself/Construction/Remodeling/Shelter kinds of shows now. I’ve noticed something about them. A clue. And I can tell you, without fear of contradiction, that in the hundreds of thousands of hours I’ve worked, and during the gazillion man-hours of other people’s work I have observed, not one, single, solitary human being in the real construction world has every given any other person a “high-five” before, during, or after the job. It has literally never happened in my presence.

I don’t know what you people are watching, but it ain’t work.

Tag: television

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