I Got Very Little Foundation And A Case Of The Shingles

Of course the former owners put shingles all over the interior walls instead of over the holes in the roof. Why do you ask?

Please forgive me, but sometimes I lie a little, or play dumb to tell a joke, or point over there and say “look” if you’re watching your spoons too closely. But I’m not a bad person. I just act like one. I featured a video with a jolly fellow Mainer splitting granite into blocks to use for his house foundation on this site last week, and said I had a passing acquaintance with his Fred Flintstone foundation method. That’s a version of fibbing. I know a lot about it.

I’ve seen, and had to monkey around with, more foundations made out of big, granite blocks, big old granite boulders, and just plain rubble than you can shake a stick at. They were built by the low bidders of antiquity, most looking like they were organized by a government webmaster by the time I got a crack at them.  So there’s something I learned a long time ago: If your foundation is assembled in any way, instead of mixed out of four or five ingredients and dumped in a form, your foundation sucks. And my current foundation is no exception to that rule. It sucks. Or it would, if it were still there.

The Granite State is just a short drive from here, and God and Nature didn’t put those dotted lines on the maps, we did, so granite is just as common as earthworms in the ground here in Maine as it is over the border. The men that built my house tried to cadge a benefit from a drawback. They assembled big granite blocks into a foundation under my house. It was easier than hauling away all that granite when they were digging the foundation hole for my fourth-generation money pit in the first place. Strike one. Granite blocks seem really permanent, but they have to be joined together with mortar, and that sort of pointing requires maintenance. Strike Two. And late Victorian builders didn’t like exposing the granite blocks above ground level, so they’d often put courses of bricks on top of the stone for you to look at while you’re gardening. Strike Three, looking. Bricks sitting on rocks make a foundation that wanders from where you put it.

Civilians see a brick wall and see permanence. But brick walls, especially old ones, actually flex and move around quite a bit. The mortar they formerly used to assemble any masonry was made with much more lime than we use now, and was much less rigid than what you buy at Home Despot. You could rake out that mortar and re-point it much easier than modern mortars will allow, and the walls moved around more easily without popping the mortar joints first, or spalling the bricks. The old mortar also used to weather away more easily. In my basement, the one below the other basement, there’s three feet of bricks atop four feet of stone, and on the floor at the foot of the whole assembly, there’s a kind of sandy beachfront for about six inches along the wall. That’s the sand from the mortar that’s shuffled off its mortal coil, the brick wall, and fallen on the ground. On a sunny day, I can see through that brick wall here and there.

Well, in the back of the house, four storeys under the leaky roof, right next to the pavement behind the house, rainwater would splash and soak the bricks and spall the mortar out of the joints. The entire masonry wall that’s supposed to hold up the back of my house was entirely gone. It must have disappeared a tablespoon of mortar at a time at first, then a brick here and a brick there for a decade or three, and then eventually there was nothing. No one fixed it any where along the line, and eventually covered it up inexpertly. I didn’t bother inspecting what was walled up in there very closely before I bought the house, because, why bother? I knew whatever it was wasn’t any good.

That realization, that everything is bad, so no one’s going to try to charge you much for it, is the most appropriate attitude one can have when looking for a house for next-to-no money. You regular people do it all backwards. You ask home inspectors to go look at your prospective two-bedroom ranch in the ‘burbs, which costs a half-a-mil because it’s only an hour and fifteen minutes from your cubicle job, and ask them to find something wrong with it. Me? I go to a closing at the credit union and dare the banker to find anything right with the house he’s selling me. There was a realtor involved too, of course, who was from Central Casting for Realtors.  She tried, wanly at first, to wave her hands around in the house and inform us of all the possibilities the house had, and all its wonderful features, at least until I grunted and scowled a few times and then mentioned that every goddamned particle of this dump was bad and she should feel bad for trying to sell it to me. We got on famously after that. She just unlocked the door and stood like a plastic plant in the corner the second time we went to look at the place. She did make one more cack-handed attempt at realty, a half-hearted effort to convince us that there was a “handyman” interested  in the place, so don’t wait, act now, operators are standing by…

Lady, if you assembled a Prussian army regiment of Norm Abrams they couldn’t get the front door to hang straight in this place. Stop telling me about imaginary people. If I wanted to hear about imaginary people I’d ask you about an honest congressman. Put a sock in it, tell the bank to knock 25 percent off the price before I come to my senses, and I’ll consider it, and let us get back in the car where it’s above zero, will you?

(to be continued)

Our $25,000 House

Here she be, just as we found her: Our $25,000 house

hov·el

noun ˈhə-vəl, ˈhä-
a small, wretched, and often dirty house

OK, OK, we didn’t move to a hovel three years ago. 

Truth be told, it was much worse than a hovel. We aspired to live in a hovel. We thought we might be able to fashion a hovel out of what we’d purchased. We dreamt of wretchedness, and are still doggedly trying to clear away all the debris just to get to the dirty part, so we can live in it and be happy. 

About four years ago, we became Househunters. Unfortunately, the earlier generations of househunters and gatherers, appearing on the far left side of the homeowner’s “walking upright” chart,  had put out a neglect-and-wreck salt lick and jacklighted our house to death long before we could get to it. I’d make a joke about crawling inside the carcass of our dead house to get warm, like a tauntaun, but they’d ruined the heating system and other assorted plumbing by abandoning the house in the winter and letting all the pipes freeze, so it was usually colder inside than outdoors. The weather’s generally balmy two or three days a year here in western Maine, but we are unreasonable, and hell-bent on living in the place for more than one long weekend in late June, so stuff was going to have to get done, and I was going to have to do it myself.  Why would we move to such a place, you ask? We had become instantly broke, and the house was free. That’s a great combination.

OK, not really free, but pretty close. We bought a fairly big, 1901 vintage Queen Anne house for $24,400. I consider any house you can buy for less than a Kia to be “free.” It wasn’t the “Detroit” version of free, either. I know you can buy a crackhouse in the Motor City for a double sawbuck, or trade it for a couple of syphilitic chickens or something, but then you’ve got to try to defend its walls against all comers. And those walls have all their copper pipes ripped out by crackheads to give your new home a proper crackhouse vibe.

No thanks. We moved to what’s considered a nice neighborhood in a quiet little town in western Maine. And in addition to a lack of Mogadishu-level crime, the taxes here are comparatively low, because there’s a huge, stinking paper mill right in the center of town paying half the town’s freight. That means our free house didn’t come with a bent number followed by a vapor trail of zeroes after it for back taxes, or front taxes or sideways taxes. Everyone at the local credit union that was stuck with our White Elephant Victorian, before they stuck us with it, was in their office, more than happy to make a deal, and our new neighbors greeted us like Americans rolling into Paris in 1944. Actually, Paris isn’t too far from here; it’s near Norway, which is just a few miles from Poland. Don’t try liberating Paris by driving there and asking around, though. The Post Office has called the entire town of Paris “South Paris” for so long now that no one in Paris knows exactly where Paris is.

The last time I saw Paris, well, I was buying corrugated cardboard to ship a table, so let’s move on. We got a house for twenty-five large, and no one gives you a house for that kind of money if all it needs is a good dusting and waxing. Generally that $25k sort of house needs an air strike, or if it’s like ours, looks like it’s already had one or two. Our house had a bad roof, where there was a roof instead of informal skylights where the squirrels and rain came and went. It had no heat, and no working plumbing of any kind. Much of the electricity was supplied by the original knob and tube wiring, which was still safer than all the newer stuff that had been installed by a series of inebriated electricians. Why inconvenience any future occupants by requiring them to bring a toaster into the shower just to electrocute themselves, when you can make it possible at most any outlet? The general fabric of the house was sagging and swaying and collapsing like the first twenty people Mike Tyson punched, except where it had already fallen down, of course. And the basement — which is one floor below the other basement, because the place is built on a riverbank and is slanted like a major newspaper — the basement was a horror.

It was boarded up like Hannibal Lecter’s waiting room. It hadn’t had a fire down there. No! Why settle for one fire in your basement when you can have two? The roof above had been neglected so long that you could poke your head right through it (I eventually did, and fixed it) and the rain and snow and rodents had worked their magic throughout the whole back facade, all the way down to the foundation, which wasn’t there anymore.

The former occupants had taken everything with them, including all the light bulbs in the fixtures. They had dragged some sort of corroded and oily apparatus they still coveted up the stairs and through all the rooms, leaving an undulating rusty gulley in the maple floors all the way to the front door, but they couldn’t take the foundation with them, could they?

(to be continued)

[Update: Thanks to the Instapundit, Ace of Spades, American Digest, Maggie’s Farm, Execupundit, and anyone else I’ve overlooked for sending their readers my way this week. Sooper-dooper thanks to everyone that’s hit our assorted tipjars, bought my book, purchased my furniture, supported my children’s musical career, and used my Amazon portal. It’s enormously appreciated. And thanks, period, for reading and commenting. No man writes for no one]

Way, Way More Than An Hour On The Stage

Shall I sing you the song of my people?

Shall I strut and fret an hour upon the stage? Wait a minute, I don’t take music gigs any more. What I mean to say is, do you want to hear a tale, told by an idiot, full of sound and fury, signifying, well, not nothing, but not much, either? 

I said earlier that if I describe my life accurately, no one believes me. If I tell the truth, I’m disbelieved, or excoriated, to taste. People think I’m bragging when I’m expiating my guilt, and they think I’m being modest when I’m thumpin’ my chest. I have some problems explaining that I don’t like explaining jokes, especially if I have to explain that I was joking before explaining the joke. 

But enough about me; what do you think about me? (There. that’s a joke. Drat. I’m doing it.) Should I tell you what I did this summer? Think before you answer. By proxy, you’re asking me a direct question. That’s like making eye contact with panhandlers or people handing out flyers in front of the alternative bookstore. You’re going to have to shoulder some blame if you look me directly in the Intereye and say, Sippican, what did you do this summer? 

If you ask a normal person what they did this summer, you figure they’ll tell you about their tedious trip to Disney World, or whatever normal people do in the summer; how would I know what normal people do? I haven’t talked to a normal person in years. I’ve retreated to my mountain bolthole and only get to espy circus families in the Walmart to gather intel on my fellow citizens. I gather you like NASCAR and Funyuns more than I do. Other than that you’re all a mystery.

So be warned; if you answer in the affirmative, I’m not going to tell you about vacation, because I haven’t had one in fifteen years or so, and I won’t tell you about the interesting things I saw on television, because there is no such thing, and I can’t take pictures of my food in funky restaurants and Instagram the shite out of them because I never leave the house, never mind go to restaurants. 

All I can tell you about is lifting my house six inches with no money and a seventeen-year old to help. If you’re not interested, say so now.

If You Make Things, You Are My Sister. Medieval Painting

Marvelous work, nicely presented. I’ve dabbled, er, meddled, um, futzed around with — at any rate, I’ve bluffed and hamfisted my way to a check by doing decorative painting. It’s not the same sort of work as in the video, mind you, but it requires a similar appetite for tedium. I have such an appetite for certain kinds of interesting tedium that it’s crowded out all the regular tedium from my life that regular people enjoy. The Intertunnel is a wonderful and terrible thing for people like me. It’s full of stuff like this video. Durn inneresting.

It has to take the place of leisure. If you add paying attention to such things to regular leisure, there’s no productive time left in your life. Occasionally, I try accurately describing my life to an acquaintance, because they’ve asked nicely enough, enough times, and a look comes over their face that is equal admixture of: You’re nuts, and: You must be fibbing. When I see that look, I always regret telling the truth, and go back to small talk. I’m on something along the lines of three decades now of relatives of all shapes and sizes arriving at my house and wondering aloud, in a horrified tone: What do you mean there’s no TV? Terror-stricken, they are. Me, I figure you must think you’re going to live to be ten thousand years old if you watch an episode of 2 Broke Girls or a Jacksonville/ Tampa Bay game. 

I wish I could live to be ten thousand years old, so I could try my hand at all this wonderful, tedious stuff. Life’s short, so you look at it in wonder and affection, and then move on. That Evangeline Table’s not going to sand itself, you know.

Finally, A Version Of Sultans Of Swing I Can Get Behind

Friend Andy sends along this version of Sultans of Swill, er, Swing, and it’s so much improved from the original that it’s bringing me around to the tune. Of course, in the past, we’ve had a little trouble around here over varying opinions about the original. These variations generally have two types; my opinion, which is correct, and everyone else’s, which is wrong. I take no offense at the general public’s stubbornness in this regard; I’m right, absolutely and indisputably, about so many things, and all alone in this rightness, that I’ve become used to it. Go ahead, ask me if I’m right about everything. I’m typing on the Intertunnel. Of course I’m right about everything. It’s science.

Anyhoo, back to the execrable source material, made magnificent. You see, the real problem with the original SoS (see, the song is an actual cry for help, not music) is the thin, reedy sound that Mike Knoblauch gets with that borrowed guitar and rented amp he’s obviously got. But this guy, in Mom’s basement, learning songs no one wants to hear, that will be performed never, in front of nobody, except the Intertunnel, which at this point is just flunkies at the NSA and grannies looking for additional pictures of cats while being shown hoverround ads on their Facebook page, is really getting that big, beefy sound the song requires. It’s the quality of the instrument that carries the song, really. Only the finest recycled plastic, smelted in the open air somewhere in some Fuking province in China, most likely, will be able to deliver the resonance and tone the song requires. It’s lucky that he was able to string his instrument with that clear plastic wire before his little sister’s orthodontist got hold of it and used it to make her braces, too.

I’m not sure how long the song actually is, because I always turn it off well before the end, but I got the impression that the original song is longer than this gloss on it. I figured that out because occasionally, when I’d turn the radio back on, hoping to hear something… else, the song was always still playing. I think this fine ukelelist, um ukelelier, er, ukeleptic heard his mother calling down the stairs to play Freebird, and stopped. Shame. It could have been epic.

Month: November 2013

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