Slipping From Caricature To Cartoon: ComicCon 2009

[Editor’s Note: Pictures are from a slideshow of the ComicCon 2009 hosted on Rotten Tomatoes]

 

The comic book convention. Hmm. I wish to tread lightly here. If a wag is supposed to comfort the afflicted and afflict the comfortable, I can’t see how being mean to these souls is appropriate. I do not wish to harm the harmless. They wouldn’t care anyway. Their worldview is all about embracing derision. Not strong in the face of criticism, exactly. More like learning to like the taste of sand.

When faced with cultural trends, the default attitude is plaudits or vitriol, nothing in between, and never ambivalence. 99% of the “analysis” I read and see, isn’t. It’s a poorly disguised, already-held opinion drifting on the sea of culture looking for any dock to bang against. Everyone and everything at the ComicCon is nothing and nobody to me. It is prominent enough for me to pay attention to. That’s it. I have no (Triumph the Insult Comic) dog in this hunt.

These are grown people. There are a few people who have dragged their children along in matching costumes, but the kids don’t look all that interested. Kids just put a plastic pail on their heads and become knights-errant. They don’t spend twelve forty-hour weeks making a Watchmen costume trying to impress a Princess Leia who’s a bit broad in the beam for the metal bikini but wears it anyway. Kids like fun. This is not fun. This is serious.

But, as they say: “Why so serious?” It’s a convention based on comic books. Don’t blame me if I look at the way you’re behaving seriously trivially seriously. I’m not the one that demanded that comic books be called “graphic novels” and entered into real school curriculums here and there as if they’re important. I haven’t mistaken George Lucas for St. Augustine and Robert Heinlein for Paul of Tarsus. Hell, I haven’t even mistaken George Lucas for a competent filmmaker.

A kind of incoherence has crept into the language. School teaches students never to learn anything by rote, and to rely on your judgment alone when you’re trying to spell arguement. So I’m unlikely to be able to ask you what’s up with your overriding urge to dress up like it’s Halloween every day, and you’re four years old forever. You’ll just answer in that Internet singsong about reigning in loosers that definatly need to seperate themselves from you right now before they beg another question. I can’t find things out by talking to you. I must watch and learn.


People are people. Fifty years ago, people made elaborate train set worlds in their basement, model airplanes, and ships-in-a-bottle. They spent countless hours perfecting their ping pong stroke and their horseshoe arc. Hell, I made a decidedly flammable popsicle stick ashtray and gave it to my parents, who did not smoke. People have always wasted their time trying to amuse themselves.

But beware: the Shriners wore funny hats and drove in parades in little cars, it’s true. But the Shriners weren’t founded solely as a way to gather together to wear funny hats and drive little cars. When your child can be admitted to a ComicCon Hospital and be treated for third degree burns, for free, then 160 pounds of Catwoman in a 120 pound suit can snicker at their fezzes, not before.


It’s said that no real head doctor would offer an opinion of any person based solely on what they read in the paper or saw on the TV about them. But I’m an amateur, so I’ll let it rip. If a goldfish got to wishing, he wouldn’t wish he was just on the outside of the bowl glass. He’d wish he had fangs and wings and breathed fire and shat bullion and mated with mighty morphin’ megasexual mates ten at a time. Then he’d go bump into the glass on the other side of the bowl.

I spotted this on a Flicker page of a StumbleUpon correspondent:
Dollhouse 1920. Made for my mother from an old packing crate. The embossed lettering is still visible on the back of the roof. Made by her father, Andrew Sebastian K., who died a few months later.

That story is right up there with Hemingway’s six word masterpiece: For Sale: Baby shoes, never worn.

That man grew up. He married and had children. He made his children toys from whatever was handy. He made his meager (as is everybody’s) offering to posterity and launched it, luckily, before his time was over.

What a looser. He could have made himself a bitchin’ Nosferatu costume and gone to WarrenGHardingPalooza instead.

You Look Good, Like A Captain. I Salute You

Ah, the week in public comments at the Santa Cruz City Council and the Santa Cruz County Board of Supervisors. It’s like a national treasure, truly.

Whose soul is not stirred by the sight of a windmill looming on the horizon? But if the fair Dulcinea ain’t showing up, who can blame the man of steady mien if he doth assemble his Panza Division anyway, and transfer his attention to anther fair maid, and her $209,000.00, $209,000.00, $209,000.00, $203,000.00, $203,000.00 $194,000.00, $203,000.00, $174,000.00, $198,000.00, $193,000.00 $198,000.00 $193,000.00 $194,000.00, $187,000.00, $187,000.00, $184,000.00, $184,000.00, $184,000.00, $184,000.00, $184,000.00, $179,000.00, $182,000.00, $164,000.00, $173,000.00, $172,000.00, $172,000.00, $178,000.00, $171,000.00, $168,000.00 …

Panza Division” copyright 2009 Sippican Cottage, all rights reserved. Snicker.

Can You Hear Me


If the rain comes they run and hide their heads.
They might as well be dead.
If the rain comes, if the rain comes.

It rained all night, and hard. All day yesterday. It seems to rain all the time, but of course that’s not possible. But seeming matters, for we are animals. There has been no summer to speak of. July is the average hottest month here. We may never have summer at all.

The hottest temperature ever recorded here in Marion was 100 degrees, in 1975. I’m fairly certain we have never touched 80 even once this month, though it is the average high temperature we should expect here in July.

When the sun shines they slip into the shade
And drink their lemonade.
When the sun shines, when the sun shines.
Rain, I don’t mind.
Shine, the weather’s fine.

It is an interior life I live, anyway. I see four concrete walls all day, lighted by dreary fluorescents, and by the time that’s over so is any daylight, so you get a kind of submarine vibe in your life.

One searches for meaning everywhere, including where it is unlikely to be found. It has occurred to me that the vital thing is the promise of something. The availability of many things, whether you care to use them or not at any given time, matters. The car in the driveway serves a purpose far beyond the time you’re actively driving it. The car itself is just a hood ornament on the important thing: Mobility. I could leave and go elsewhere if I wanted to or needed to is a profoundly important idea. It is why it captivated the American psyche.

I can show you that when it starts to rain,
Everything’s the same.
I can show you, I can show you.
Rain, I don’t mind.
Shine, the weather’s fine.

We are hectored. Persons whose intellectual cupboard resembles a penthouse refrigerator — empty because they know they’re going to eat in a restaurant for every meal — are wondering why you have food in your larder. Telling you that you don’t need a lot of things. These things are a burden and you’d be happier without them. You’re not using them right now, so they are of doubtful utility. They demonstrate your existential car is useless by pointing out that you don’t drive in a circle around your astral abode all the time. Wouldn’t you be happier on the transcendental tram?

No. A real adult lives for the promise of things.

Can you hear me, that when it rains and shines,
It’s just a state of mind?
Can you hear me, can you hear me?

Put On The Costume

If you’re familiar with opera, Vesti la Giubba from Pagliacci might seem kind of trite. Even if you know little or care nothing for opera, you might recognize it. Seinfeld and Mel Blanc have a long reach.

To be trite is death in modern pop culture. If you’re wearing last week’s clothes or referring to a passe celebritard’s sack of a hotel room to your hipster friends, you can become as hip as a thirty-five-year-old at a house party very quickly. Trite kills.

But many things become trite for a reason. The lingua franca doesn’t often become franca willy-nilly. It usually strikes a profound chord that almost anyone can hear. Vesti la giubba is like that. Trite. Profound. The image of the heartbroken clown, putting on a happy face because the show — and he — must go on, is almost universal at this point. The tear in the corner of the eye might be a tattoo on a gang member’s face now instead of greasepaint. That’s universality.

Vesti la Giubba
To act! While out of my mind,
I no longer know what I say,
or what I do!
And yet it’s necessary… make an effort!
Bah! Are you not a man?
You are Pagliaccio!

Put on your costume,
powder your face.
The people pay to be here, and they want to laugh.
And if Harlequin shall steal your Columbine,
laugh, Pagliaccio, so the crowd will cheer!
Turn your distress and tears into jest,
your pain and sobbing into a funny face – Ah!

Laugh, Pagliaccio,
at your broken love!
Laugh at the grief that poisons your heart!

Let’s be trite and make it into a contest. The Intertunnel is the graveyard where lists and contests among non-contestants go to die. Who sings what everyone refers to as: Pagliacci the best?

The go-to guy for non-opera types is Pavarotti. Guy can sing, but his is nothing special:

The topic and the performer at the right period on their career must mesh. Athletes don’t often give their home address as a nursing home or a nursery, either. You need to be mature enough to know which package to lift, but still have the back to do it. Little-known Canadian Jon Vickers does a better job here:

Fargin’ Caruso is hard to beat:

They fixed the music up, but you’re basically listening to Enrico yell over a phone, and you can still make out the power in the performance. He’s from Naples, so yelling and stabbing people comes naturally, anyway.

Giuseppe Di Stefano might have been really sad about a lot of things, including having Maria Callas screeching in his ear so often, including after he went home for a while. His instrument isn’t all that earthshaking. He plays it, though.

If you ask me, Di Stefano puts them all in the shade. But I always say that. I’m either being trite, or correct. Or both.

Tag: life

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