Memorial Day

When I was little my father took me to the graves on Memorial Day.

He was a younger man than I am now. He’d drag any of us he could catch all over the Boston landscape to one boneyard after another. Memorial Day wasn’t just for the military dead for him. It was some sort of druidical day. Touch the stone. Pull the weeds. Say the words. Explain to your son who that person was and what they meant to him. Then off to look for the next stone marker by the next oak in the next town. I never understood it. To me it seemed like the stone was all there was to them.

He was a veteran. Everyone was, once. Army Air Force in World War II. He hung below a B24 in a little glass ball and watched the Pacific and the Zeros pass by. He never spoke of it, really, until he was dying in front of me.

I don’t know if he knew he was dying. I don’t know if you look that visitor in the face, ever. Humans don’t seem capable of dealing with the idea. If you’re 114, I imagine you figure you’ll die tomorrow. But not today. Never today. You know you’re dying when you’re 10, too. You file that knowledge away with the things that live in the back of the closet and out by the woodpile on a moonless night.

Towards the end, I took him to the doctors a lot. His body wasn’t sick. It was a villain, an enemy at that point. It didn’t let him down; it turned on him. But I’d take him to the doctor just the same — who seemed more in tune with the wraith of endless malady that shared my father’s body than my father himself.  They took turns working on  him like a heavy bag. I’m not sure which showed more mercy. Doctors have precious little mercy in them, in my experience. It’s not in their job description, anyway. I don’t understand why people look for it from them.

I had almost nothing to do with my father for about 15 years or so. He was lost to me, or I was lost to him, or something. I got the feeling towards the end there that I was of some small use to him, and I liked it. I took him and sat with him while we waited on chairs that would make you feeble if you weren’t already, then afterwards we ate a donut and drank coffee at the Dunkin’ Donuts while gaping like shut-ins at the traffic passing by. He lost all his teeth when he was a child, and had a soft spot, always, for a jelly donut.

It’s hard to describe what came out of his mouth while we lingered there on those afternoons. I’m not sure he was talking to me. He was unraveling a long string, and allowed me to sit with him as he did it. The string wasn’t coherent. It was all one skein, but it was bits and pieces of things, knotted together roughly, all out of order, but all of immense interest to me. I think the Rosetta Stone has mundane things written on it, doesn’t it? What’s mundane… depends.

All these people appeared among the clatter of the cash registers and the muffled sound of the traffic outside, suspended in fleeting words in the air in front of his eyes, eyes gone the color of dishwater from their blue beginnings. He produced laundry lists of my flesh and blood; himself when he was younger, described like any other stranger; far-flung relatives; friends gone but not forgotten. They assembled as he called them up in an imaginary mob behind him until there were too many to count. He was their priest, or maybe their Ouija board, their lawyer, their mourner, raiding their tombs like Carnarvon.

And nothing passed their lips but a terrible murmur that my father could not hear: Why the world would give them a stone when all they asked for was bread.

Why I’m a Better Drummer Than Larry Mullen

What’s that? You don’t know who Larry Mullen is? Can’t blame you. Drummers are mostly anonymous. They sit in the back behind a wall of maple cookpots with the lids on. Anyway, Larry drums for the band U2. Well, I’m certain he did, and I assume he still does. I’m not looking it up.

At any rate, I’m a better drummer than he is. This is not bragging. It’s a verifiable fact. It’s capital S Science. I’ve performed an inadvertent experiment to prove this hypothesis, even though I didn’t start out with a hypothesis like you’re supposed to. I firmly believe that, as Mark Twain says, “Get your facts first, then you can distort them as you please.”

It’s a little weird, because I’m not a drummer. I never was one, really. I played other instruments, and badly at that. But I had always wanted to play the drums. Just like Little Larry, I’ll bet. Anyway, I was thwarted in this ambition by my circumstances, as was often the case in my life. Way back in the 1980s, I’d never owned drums, or played them or anything. But I was still a better drummer than Larry Mullen. This is known.

So let’s get out the beakers. Turn on the Bunsen burners. Gaze at stuff in Petri dishes. No, wait. Science will just let us down, I know it. Science ain’t very reliable lately. What we need is case law. I need to crowd in some expert witnesses, and Perry Mason the shit out of the jury. I need to make the judge scold the other attorney to be quiet while I’m speaking. Even though, you know, besides not being a drummer, I’m not a lawyer, either. I never could pass a bar, if you know what I mean. But put twelve good men and true in the box, sorta like a hockey game that’s gotten out of control, and I’ll convince ’em.

Exhibit A:

The Nashville Scene, November 29th, 2001 edition.

The Bar That Time Forgot. The Dusty Road may be Nashville’s last honest-to-goodness honky tonk

Snippet, your honor:

The authentic feel of The Dusty Road has not escaped the attention of Nashville’s film and video community, and the bar has been the setting for several music videos, most notably Ray Charles’ “3/4 Time” and Alan Jackson’s “www.memories.” A sign painted on the old Woodland Street location advertised “Coldest Beer in Town – Jam Sessions Nightly – Instruments Provided – Truckers Welcome,” and over the years many of the music industry’s grittier personalities have found themselves drawn to the tavern’s tiny stage. Country outlaw David Allan Coe played his first Nashville gigs there, Norma remembers, “although he probably wouldn’t admit it now…. He slept out back in an old car, and he owed just about everybody in the place.”

There was the night U2 dropped in a few years back. The Irish band had been in town working with producer “Cowboy” Jack Clement, and McLaughlin, who’d been hanging out in the studio, said, “Let’s go to The Dusty Road!” “Yeah, Pat came in here with a bunch of ’em,” Norma recalls, “and that drummer [Larry Mullen Jr.] got behind the drums and was beatin’ the hell out of ’em…. I couldn’t hear nothin’ else, so I went up there and threw him off the stage. My kids like to kill me when I told ’em about it the next day. ‘U2 who?’ I said. I’m still not sure who they are.”

Exhibit B:

Sippican Cottage, March 15th, 2013

Guitar Army

Snippet, your honor:

…we happened upon Irma’s Dusty Road Cafe hiding behind a banner that told wild tales of jam sessions being held with instruments provided, and it didn’t have even a passing resemblance to the place we were looking for, but we went on in because it was getting so late that OPEN seemed right on time to us, but there was next to no one in there and they only served Pabst in cans, that’s all they had, don’t you fellows even think of asking for anything else, you just hold up the requisite fingers for the amount you require and you’ll find Blue Ribbon succor in just that amount; and there was a blind man sitting at a table playing guitar, but in the back, nowhere near the stage, and my brother didn’t pick up on the fact he was blind and insulted him by accident in his innocence, and all of a sudden that man had enough friends of his to form an entourage or a military detachment or a lynch mob gathered in a circle around him, and us –mostly us– and there was a faraway look of PBR and anger in their eyes, the ones that weren’t glass, anyway, and I thought I’d better smooth things over so I identified my brother as a bass player and told the assembled posse that he was dying to play bass with the blind fellow, who was pretty good as I recall, and my brother looked at me daggers because he didn’t want to play bass in Irma’s Dusty Road cafe instruments provided because the instruments provided were all broken, and a very particular kind of broken they were, too; they were broken in a right-hand way, like insult to injury to my brother, who didn’t yet realize what he had done to poor us in his innocence, and one way or the other he was about to experience insult and injury, so I figured he might as well get it metaphorically, playing a broken bass upside down in an ad hoc country band instead of in the alley outside via the shod foot; so he figures he’ll fix my little red wagon, and tells them his little brother would love to play the drums, knowing full well that I have never met a drummer, never mind a drum teacher, and I’d be in a bit of a bother to play the things, but he didn’t care and I didn’t care and the audience didn’t care because they were so full of Pabst Blue Ribbon that they could barely hold up their fingers in the correct number to get the additional amount they required to stay lit, and we set to making country and music noise, my brother upside-down, and me, more or less sideways, I think, and it was jolly, I guess — or at least the audience thought the noise we were making was jollier than beating us like carpets in the spring, and then they started going up to the bar and holding up two fingers for every one Pabst that they desired at the time, and put the extra on the bandstand for us to drink, free-like, and soon I lost any idea of striking the floor tom because it was crowded with cans of beer I was just getting to, and so was every other horizontal surface on the band stand, and the application of so much PBR to my nervous system made me play the drums with a wild abandon commensurate with great ability, despite the fact I had no ability, and it was then that a fellow told me that it would be considered a great insult if we didn’t finish a beer that the audience had purchased for us, and the fact there was a dozen and one in my bullpen and it was only the second inning wouldn’t cut any ice with anybody in that place, and then that same fellow, who was obviously having more fun than me and my brother put together, went up to the bar and told the assembled throng gathered there that that carpetbagging yankee drummer and his confused brother that don’t know which way to hold a bass, never mind which end to blow in, well, those fellows claim they can drink more Pabst Blue Ribbon beer than we can buy them.

I didn’t get thrown out of Irma’s Dusty Road, and I didn’t even have to pay for my beer. I rest my case.

Psychotic Savonarola Says Hi

Well, we’re home.

Our trip from Mejico to Maine was a trip, indeed. The intertunnel generation abuses and misuses all sorts of words, never mind plain misspellings. Maybe the worst example I can think of is the word “journey.”

Whenever some douchebro runs his fourteen-line javascript empire into the ground after burning through half a billion in seed money, he writes a poorly composed blogpost about what part of his “journey” this particular bonfire of bills represents. Then it’s time for his vacation journey, and his restaurant journey, and his journey through the court system with his “partner,” who doesn’t seem to care for him as passionately now that his mattress isn’t stuffed with other people’s money.

At any rate, we had a gol-durn, jenn-you-whine, real McCoy of a journey back home, and we were at a low ebb. Awake, more or less, for 36 hours, maybe more. I had occasionally drifted off to sleep, bolt-upright in an airline seat designed to accommodate masochist midgets, not a king-sized man on a real-life journey. These momentary interludes were always immediately interrupted by airline personnel informing me that if I was about to die, I could take several steps to save myself. You know, like hyperventilating into one-half of a Barrel of Monkeys toy container, or strapping myself to my seat cushion and pitching myself headlong into the ocean to die face up instead of face down. Maybe use the playground slide near the front door I couldn’t reach while helpful airport personnel tried to extinguish my charred flesh. But other than that, have a wonderful “journey!” WAKE UP! Do you want a complimentary Sprite?

So we were primed. We were the seven additional dwarves that Grimm didn’t have the ink for: Bleary, Weary, Angry, Hungry, Confused, Cashstrapped, and of course, Buttsore. My wife and I circled our apartment three or four times, like a dog thinking about lying down, and tried to stay awake long enough to get back on some sort of schedule. We made it to later in the day, but finally surrendered to sunset like farmers used to. We slept like Exhibit A and B in an Egyptian wing at the museum. Then he appeared.

A psychotic Savonarola. The current portion of our housing journey is urban, if only just barely. Augusta, Maine couldn’t fill the bleacher seats at Fenway, but it’s the state’s capital, and it has buildings that rub shoulders and sidewalks to spit your gum out on, and other wonders of city life. And of course, one of the charms of any city is a maniac yelling under your window at eleventy-o-clock in the wee hours.

But this guy. He was no run-of-the-mill shouter, a George Thorogood of bums. He was the real deal. This Howlin’ Wolf of hobos let loose an endless string of expletives, concatenated masterfully into a skein of paranoia and generalized disaffection that somehow achieved a kind of sublimity. He was, as the kids say, amazeballs. And tripping balls, no doubt.

See, now don’t misunderstand. He didn’t scream. Screamers can’t last. Their journeys are short. This guy had made volume his special study. He was Garrick, Huey Long, and Pavarotti rolled into one, reaching even the cheap seats in his imaginary balconies, and effortlessly at that. His disturbed, pharmaceutically-enhanced, slipping-synapse, stentorian genius settled over us like a blanket, right though our granite walls, double glazed windows, and insulated curtains.

When you’re in the presence of greatness, you sit up and take notice. We didn’t sit up in bed, exactly, being paralytic with sleep, but my wife did reach over and pat me. She told me later that she wasn’t frightened or angry or anything. She just wanted to make sure she found the usual lump in the bed. She figured I was the only person on Earth who could emit such a long, loud, Homeric, discombobulated, Icelandic Saga of insanity, anger, and expletives. If my side of the coverlet was flat on the mattress, she might have to go outside and collect me.

You know, to continue our journey.

[Update: Many thanks to Bob D for his very generous hit on our Ko-Fi tip jar, and to Gerry for his ongoing generous contributions, and kind words about my scribblings. It’s greatly appreciated]

My First Goth Y’All

It is a mistake to write this essay. My neck has gotten an origami treatment from an airport terminal chair that is designed to look comfortable to anyone bereft of information about the design of chairs. I have been awake for twenty-five hours, with twelve more on deck. I’m being treated to an endless loop of someone slicing a steak over and over, with no food available this time of night but vending machines that only accept debit and credit cards. I am trying to picture the circumstances that would compel me to push my debit card into a vending machine in an airport. It’s an especially piquant proposition because nothing in the commerce boxes has a price on it. One of the vending machines even has unpriced Lego sets in it instead of Cokes. I’ll play Russian roulette, sir, but not with four bullets in the gun.

It’s inevitable that I’d write something that makes Kafka sound like Suess. I should avoid the subject. Talk about the surprise of great, green swards of Dallas spread at my Airbus feet as we cruised over the city. Dallas is as green as Kent. Who knew?

But the interior is just a terrazzo rash. I have encountered terrazzo beforetimes. I have appreciated terrazzo under different circumstances, trod on it willingly, and even admired it. But terrrazzo, morning, noon, and night, terrazzo for breakfast, brunch, lunch, and dinner, with no intermezzo, it’s too much. And as much of a shock as it might come to you, architect-dude, terrazzo has, in the past, been laid in other than indistinct, blobby patterns.

But a lack of style is the style these days. And where am I? I should know better. They call it a terminal, and they’re determined to live up to the name. It is not possible to be comfortable in a place like this. It’s a sciatic purgatory, a desolate desert of color, and texture, and sound, and vision, and succor of any kind.

A kind of devolution happens overnight in an airport. We walked past the saddest room outside of Dante. It was set aside for people who had missed their flights because their connections were late. Their expressions ranged from rage to extreme rage…

Hold on. Look out. Good God. I am currently being exhorted to get on the good foot by none other than James Brown, via a television bleeding out of a closed convenience store like an audio gunshot wound. It is currently 4:13 AM, and I regret to inform the Godfather of Soul that I’m  not currently in possession of a good foot to get on. And my bum hurts. There are no other takers for his offer of good-footedness, either, because the only other people within earshot are a man watching off-color videos on his phone in Spanish, and an incredible, douche-tastic, tattooed love boy brosephus who has been talking loudly to the second-least interesting person in the world for six straight hours. This has interrupted my attempts to perform amateur chiropractery on myself while trying to sleep.

But we found the last eatery in the concourse that served food before the terminal flatlined many hours ago. It was a shrine to the Cowboys. Tom Landry stood guard by the door…

Whoah. Wait a minute. I ask you: Who’s the one who won’t cop out, when there’s danger all about? It’s 4:28 AM Shaft! Can you dig it? You can? Right on…

Listen, before the Jimmy Castor Bunch shows up, let me get back to the concourse dinner. The Cowboys shrine had foodstuffs! We sounded slightly more than quizzical. More like dazed. Can we get something to eat? Here? Now? Really? We’ve been turned away from more places than Jesus, Mary, Joseph, and a Jehovah’s Witness.

The young lady behind the counter was failing at failing, which is hard to do. Her skin was marked up like a men’s room wall in a punk club, and she had enough fishing tackle in her face for a striper tournament. It was a form of voluntary failure, but she couldn’t pull it off. She said, “Of course, darling, what can I get y’all?” and the clouds parted and her true self was revealed.

“Hamburgers and fries, times two, please.”

“The fryer’s broken, sorry. Are Cool Ranch Doritos OK?”

So I’m outside a generous portion of Cool Ranch Doritos, and the last Guinness in the place, because it was the only Guinness in the place. But I am sanguine, because I got my first Goth Y’all.

Now if you’ll excuse me, I have to stop typing now, and Let It Whip.

Ten Years After

Those are my boys, ten years ago. Unorganized Hancock. The Spare Heir playing the drums was eleven. His big brother was either seventeen or eighteen. They did this whole thing themselves, no input from either my wife or me. I think I might have held a camera, because someone must have, but I don’t remember it.

I’m glad that we have evidence of the passing of time like this. Moving picture family album entries are better than snapshots. But it makes one wistful. They’re out on their own now, and we are adrift ourselves. We’re not on an island, but we’re definitely in the sun here in the Yucatan peninsula, so the song kinda fits.

If there’s still anyone out there who thinks that social media sewers like YorubaTube are actual meritocracies, show them this, and then tell them it got 1,000 views in a decade. Then mention that “Charlie bit my finger” got 897 million views, and was sold as an NFT for $700,000.

I have often counseled my children that in the long run, it’s better if people ask why there’s no statue dedicated to you, instead of asking why there is a statue dedicated to you. That kind of thinking might be thin gruel, I’ll admit, but it’s kind of nutritious, too.

Tag: Bits of my life pulled out and flung on the Internet floor

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