I’m So Amtrak I Could Cry

I’ve been traveling again. I have to steel myself against the process. I knew going in what it would be like. The transportation schedules would be byzantine. The cab drivers wouldn’t speak English, or any other Romance language I could take a stab at. I understood from the get-go that the public transport would be rundown and unreliable. I’d have to keep my head on a swivel in public places, because as the philosopher Fagen once opined, “Everybody on the street has murder in their eyes.” I anticipated that traffic would obey the same rules as piglets at the tit, and fender bender disputes would be adjudicated by throwing hands in the street, if not gunfire. The denizens would shuffle by, morose, staring at the dirty sidewalks three feet in front of them, afraid to look anyone in the eye, as crazy people, beggars, and vagrants patrol the sidewalk.

Am I going to Mexico? Moldova? Mogadishu? Nah, Boston.

I know Boston, of course. Well, knew Boston. Past tense, now. Born there. Lived there. Built some of it. Worked there. Met my wife there. We decided to stay at the Parker House, a venerable Boston landmark. The concierge asked us if we’d ever stayed there before. We said, “Yes, thirty years ago.” There was a short, stunned pause, and she said, “That doesn’t count.” Alrighty, then. The Parker House is famous for various things. They invented Boston Cream Pie. That’s like claiming you came up with Zyklon B, if you ask me, who wouldn’t eat it on a dare. They have Parker House Rolls, which are better than snowballs in a fight. They were also the first people to make up a term for off-brand codfish to be served to the Irish pols back in the day. “We went to the Parker House, and we got scrod,” is an old, almost joke.

There is an ominous OMNI in front of the words “Parker House” on the sign these days. The stately pile was swallowed up and made to look like every other thing you sleep in when you feel like paying convention tax and sales tax and accommodation tax and are in the mood to spend $70 for valet parking. It used to have a certain James Michael Curley vibe. Now it has squiggles on the wall.

The Parker House is on School Street. That’s old bastid Boston. The Old City Hall is across the street, more or less. It’s a magnificent Second Empire dustcatcher. It was replaced by the new city hall, which I formerly referred to as the ugliest building on earth, but I no longer do that. Frank Gehry entered the sweepstakes and upped the ante since then. I don’t think anyone was trying to make the new Boston city hall deliberately ugly. It was just deliberately Brutalist, which is bound to be ugly. The architects were simply imbecilic ideologues, not misanthropes. Two hunchbacks don’t try to make ugly kids. They just can’t help it if they turn out that way.  Slice Gehry anyway you like, he was an a-hole through and through. His mistakes weren’t mistakes.

We were doing basically the same thing that gestational Jesus, Mary and Joseph did back when crucifixion was the preferred method of torturing the locals to death, instead of just onerous taxation, which takes longer and hurts more, I think. We had to return to the city of my birth to be taxed. Our patience was taxed, mostly, and our wallet, boy howdy. But there are certain administrative functions that cities hoard for themselves, and we required, so we had to go there. I generally give all cities a wide berth otherwise.

We tried to make the best of it. Took the train. Amtrak Downeaster. The sign on the train was scratched, and it looked like Amtrak Downcaster, which I liked better. If the conductor had asked me if I’d ever taken the train to Boston before, I could have told the truth for once and said, “Yes, thirty years ago,” but he didn’t. His appearance suggested that he was more qualified to tie maidens to the tracks than punch our tickets. Come to think of it, the train might have been the same one I rode in last time. I would have looked for my gum under the seat, but figured it might have stiffened up overmuch in the interim to be useful, so I let it be.

The train station in Portland is a combo with a bus station, because you can never get downscale enough to suit public transit. There was an interesting mix of people in the waiting area. Kliban would have had a field day in there. There was Psychedelic Babushka, Snorting Businessman, Failed Student Athlete, Girl With Dorm Fridge Backpack and a Dent In Her Head. Amazing Mom and Mortified Teenage Son made an appearance. There was a quorum of furtive guys who looked like their backpacks couldn’t stand an olfactory inspection by even an untrained German Shepherd, never mind the police kind. Everyone was wearing workout clothes, evidently to do everything they do in this world except work out. I’m not sure when the shift occurred exactly, but all the men wear ladies’ eyeglasses now, and all the women wear Elton John’s glasses.

The train trip itself was exactly as I remembered it. An endless tour of downscale back yards, more tarpaulins than Harbor Freight, sorry trampolines sleeping under a meringue of snow, all the while the elderly railcars clanking and banging and chugging like an offensive linemen who picks up a fumble and tries to run with it. I knew we’d entered Massachusetts when the stations sported clear lexan trash barrels that were chained to metal posts, with clear plastic liners so you could see if there was a bomb or a baby in them. I did love the train whistle, though, as we passed through the center of towns:

♬ I hear the lonesome whistle blow — I’m so Amtrak I could cry ♬

Ah, Dirty Old Boston. I’d forgotten what it was like to hear car horns blown in anger, with every lane change a fight for primacy. Just like old times. The women in the city have changed, though. When I used to come here, they would get all dolled up for work. Now they’re uniformly unhappy, sourpussed, and dressed alike — all in black, like a giant Mennonite funeral with a crummy paycheck at the end.

We sat in the coffee shop across from the golden dome of the state house, downed our ration of coffee and buns, and enjoyed the hell out of the fender bender played out right in front of us, wild gesticulations and rubbing each other’s bumpers and screaming that it would buff right out. The dogs with better shoes than the people walking them. The whole ghastly wintertime scene.

But we mostly enjoyed it because we knew we’d never have to look on it again.

If Dad Jokes Were a Tennis Player

That’s Mansour Bahrami. THE Iranian tennis player.

That’s not much of an exaggeration. When the mullahs took over, they banned tennis outright. Said it was too capitalistic. Too western. Too rich folks-y. After a while, they relented and looked the other way. If I were a betting man, I’ll bet it’s because they saw Mansour play. He’s a great tennis player, don’t get me wrong. You can’t monkey around like that without a titanic game backing you up. But Mansour is so much more. He’s the cure for how stuffy tennis had become. He could amuse the most hidebound person you could name, like an ayatollah, or a tennis fan with a daughter named Muffie. He’s the tennis version of “Why so serious?”

I’ve played tennis up to the high school level. I was taller than the other kids, had arms like an orangutan, and learned to win points using a rocket serve. It was coming from higher up and faster than the opponents were accustomed to. Unfortunately, being about as athletic as a sloth, that was the entire extent of my game. And of course the bane of the attempted rocket serve is the double fault. In my mind’s eye, I can picture a spectator at one of my matches. I have to picture it in my mind’s eye, because it never happened, but still. Watching a guy lose a match by double faulting twice to every aced serve would be awful. Literally nothing interesting is ever happening. It’s either not in play, or not in play.

Every modern tennis player is playing that very same game, only not sucking at it like I did. The modern racquet made it almost mandatory. I started out with a wooden racquet with a small, oval face, and you had to put some serious mustard on the ball to serve an ace, and put it in exactly the right spot. Slower serves, and ball speed overall, meant the other guy could probably reach more volleys to hit back. The ball would travel over the net more than once or twice.

By the time I got to high school, we were all kitted with those big steel or composite frames with a plastic gutstring face as big as a trampoline, and tight enough to send balls into low earth orbit. That’s exactly where I put them most of the time instead of into the one-third of the court where they belonged. The guys who could hit it hard plus where they were aiming made the game even worse, if that’s possible. Scorching serve, the return into the net, or maybe lamely popped up for a return slam isn’t interesting to watch.

For a while, women’s tennis was more interesting than men’s because something happened. The ball traveled back and forth a little. Then the women got ugly and the found muscles in some jar somewhere and there wasn’t much point in watching that, either. The game was boring to play, and boring to watch. After a while, people only tuned in to see misbehavior by ill mannered participants. Complaining to the umpire got to be the only amusement left in it. It was  the equivalent of watching NASCAR for the crashes.

The game might not have seemed so dreary if it didn’t take itself so seriously. Hushed crowds, anachronistic scoring and various other customs worthy of a cricket match suited Bill Tilden et. al., wearing long pants and sweaters and swinging tiny rackets, playing on grass. Even the bad boys of tennis were more like toddlers pitching a fit in church than a rebellion against the stuffiness of a game that had entirely retreated to the baseline to try to return a serve once in a while. It’s why pickleball has caught on down at The Villages, I guess. It’s faster and more convivial. Less stuck-up. But I’m sure Americans propensity to never leave well enough alone will wreck that eventually, too.

And then along comes Mansour. He could have fixed tennis all by himself, I think, but not many people ever see him play. He’s the Harlem Globetrotters and Victor Borge and a standup comedian rolled into one pair of Izod togs. He’s the Dad Jokes of tennis, a sport that desperately needed to hear a joke, no matter how lame, as long as it was funny. Just like the Globetrotters and Borge, his tomfoolery was backed up by prodigious talent, completely subsumed to serve the end result: Harmless, amusing fun.

Reply Hazy, Try Again

I’ve done as you instructed. I’ve kept this coupon. For thirty years or so, I think. It was in that metal tin I keep pennies in. If you’re young, ask your parents what pennies are. Unlike this coupon, they’re not valuable, though.

It’s valuable. I’m not sure if the value is extrinsic, or intrinsic. Well, that’s mostly because I don’t know what those words mean, and I’m too lazy to look them up. But trying to discover its value is a fool’s errand, anyway. I’m generally overqualified for any given fool’s errand. My resume is full of Quixotic skirmishing, Columbia House subscriptions gone fallow after one Creedence album, and various other unsuccessful attempts to bring back a witch’s broomstick for a big payoff. But I know it’s a waste of time to wonder about its value. It says right on it: IT IS VALUABLE. It’s in ALL CAPITALS. As you know from reading the internet, typing in ALL CAPS is the cruise control for awesome. You’re not just right, you’re RIGHT. We’ve got to play it as it lays. Honestly, the only way it could be manifestly more valuable is if they’d put a period after each word in the tag line. Can you imagine? IT. IS. VALUABLE. That would really have been something. But it wasn’t.

Still, I yearn for answers. I search for clues. Wait! there’s a number on it. 0477863. Hmm. It’s got the right number of digits.

It doesn’t roll off the tongue like 867-5309, does it? And I don’t think you can have an exchange numbered 047. There is an area code 047 in County Monaghan in Ireland, but we’re short a bunch of numbers at the end if we use it for an area code. I thought about contacting one of the bog trotting layabouts that live over there and asking if the number meant anything. Well, they’re layabouts if they’re my relatives. Then again, Carrickmacross is north of Dublin, and my people were never allowed up there. We were instructed to stay down south and cook our rotting potatoes over a burning mud fire, and like it, while it lasted. They casually mentioned the mail boat to Halifax N.S. was free. No reason.

Bah! Let’s try Google. Google would never lead you astray. Let’s not tart it up, either. Let’s put 0477863 straight in to the Palo Alto Pandora, and see what comes out of the box. Here it is. The 0477863:

Now, this is intriguing. It has more than a hint of B. Kliban’s Genitals of the Universe series.

Somehow, I’m not convinced I have a ticket good for one alien abduction, with a free probing thrown in. Upon reflection, I realize that since I’ve never lived in a trailer park, or read von Däniken, books, I’m an unlikely candidate for alien abduction. I’m not even sure if the alien probe is free, come to think of it, or if there’s a co-pay, like the one my doctor keeps offering me every checkup. In any case, I think I’d pass.

I’ve tried consulting my Magic Eight Ball, but it said Reply hazy, try again, over and over. I quizzed my Ouija board, but the answer XQZTRMPLAAOOE wasn’t that informative, and the second reply was L M N O P Q R S T, which is just a roadside sobriety test, which I would have failed because who Ouijas sober? I gave up.

So I’ve done as the ticket instructed. I’ve kept this coupon for thirty years or so. Just because it hasn’t panned out yet, there’s no reason to give up. That’s also what I tell my wife about our marriage. I guess I’ll have to hang on to it for another thirty years to see how it turns out.

Hickory Shampoo and Other Discontents. WHOOOO!

Of course this video has been pawed over, analyzed, and generally chewed like a behavioral studies cud by so many ruminant internet animals that offering my input would be superfluous. But, in the parlance of our times: Do you know who I am? I’m Sippican Cottage! Superfluity is my métier!

I don’t really care too much about these two proto-sea hags in particular. Everyone else has pretty much covered the waterfront [The management cannot endorse this pun, and disavows any responsibility for it] about their sense of entitlement and so forth. Salt water is wet, y’all. But I’d like to bring something new to the table. Add some seasoning to the stew, and stir the pot, too. Share the benefit of my vast experience. So here goes: Just how obnoxious do you have to be to get the heave-ho from Clarke’s bar?

I’ll head the achshually crowd off at the pass and testify that I’m fully aware that the name of the establishment is the Clarke Cooke House. No one ever calls it anything but Clarke’s bar in my experience, which while somewhat out of date, is voluminous. You see, the minute I espied the screen cap on those videos I knew exactly where these two strumpets were getting their comeuppance. The quarterboard that reads Wine Bistro Spirits. The host’s standup desk thingie. The striped awning. I’ve been in Clarke’s lots of time. That’s Bannister’s Wharf in Newport, Rhode Island. I know it inside and out, and since trolling by it on Gargoyle Earth shows that most everything there is unchanged from the way I remember it, I’ll assume what goes on around there hasn’t changed much either.

Bannister’s Wharf is attached to Bowen’s Wharf right next to it, too, another place I know intimately. I performed in bands dozens of times in that general vicinity, and been drunk dozens of additional times, usually not at the same time. They set up a big tent at the end of one of those wharves, I forget which, and we performed there. There was a restaurant across from Clarke’s with a function room over it, and we’d played for another musician’s wedding reception there, and to give you some idea of the way people act at that locale, the groom jumped out of the second story window halfway through the reception. If you manage to cross America’s Cup Ave. without getting run over, you’ll be standing on Thames Street in front of One Pelham East. I performed there several times, and still have PTSD from it. I played in the nearby Newport Bay Club, too, and used to go across the street on our breaks to pound a quick beer with the jazz band that played in the Red Parrot.

You see, Newport has always been THE location for white bread girls like the two imbeciles in the video to let it all hang out. And by let it all hang out, I really mean yelling Whoo! a lot, and asking you to play Brown Eyed Girl for the third time that evening. Did I mention, WHOOH? Of course back in the day the WHOOOOH was accompanied by five drunk girls making ducklips while one drunk girl took an out of focus picture of the other drunk girls with an Instamatic. Now it’s resting bitch face straight into your Instagram cesspit, but the result must be the same. WHOOOOOOH!

Oh man. I’m having flashbacks. Salve Regina night at the One Pelham East. Yikes. Catholic college girls let loose for the evening, packed in like bullets in a box, yelling WHOOOOOH and climbing up on the stage to paw at us and yell whooo into your microphone, which transmogrified it into WHOOOOOOOO! The stage was several feet higher than the floor, thank god, or I wouldn’t be here to call myself Ishmael and finish the story. A WHOOOH! girl once called me to the edge of the stage in the middle of a song and motioned to me to bend down where she was. When I did, figuring all she wanted was to yell Brown Eyed Girl in my ear for the fourth time, she grabbed a fistful of my shirt, trying to kiss me, and pulled me head first off the stage onto the floor below. That certainly made everyone (but me) yell WHOOOOOOOOOH! Later, on my break, I was walking to the men’s room, and the girl’s room door opened, and there she was, with a gaggle of her friends, and they dragged me in there. I eventually escaped with my life, a torn shirt, and more lipstick on me than a maiden aunt, but I still have tinnitus from the WHOOOOOOOOOOH! they let loose in such close quarters.

And Clarke’s? I’ll ask it again. What in tarnation would a girl have to do to get bounced from Clarke’s? If you shot someone in there, they’d probably ask you to put on a silencer before you shot anyone else, but they wouldn’t bounce you. Clarke’s? Really? Oh, how we abused that place. My friend Mark knew someone who worked in the kitchen. He took me and my buddies to the little wooden gate that hides the alley between the buildings, and we entered through the kitchen, made our way through the rugby scrum of sunburned drunken hedge fund managers and dental hygienists in the bar, and came out at that bouncer lectern you see there in the video. Mark would tell the guy we just went in for a minute to see if someone we knew was there, and he wasn’t, so could we have our $10 cover charge back? He gave each of us ten of someone else’s bucks and we’d go right across the alley for oysters and pitchers of beer. That was pretty obnoxious of us, but we were just trying to fit in around there. So I’ll repeat myself: Just how obnoxious do you have to be to get bounced from Clarke’s?

Please understand that I’m talking about how hard it would be for female humans to get bounced from any nightspot around there. If you’re not of the distaff set, you could get bounced, literally and figuratively, by the local constabulary, sometimes at the drop of a hat. This was also a known fact. But girls? Never.

I’m mystified (not really) by the assistant D.A., who not only doesn’t know the law that forbids turning off a cop’s camera under those circumstances, she’s also unaware that the Newport police department has never been in the business of handing out hugs. Everyone always said the were pretty enthusiastic about applying the hickory shampoo to your scalp. I got stopped by the cops  while going home over the Newport Bridge once, going about 40 MPH. It was really late (early), and the bridge was deserted. The cops said the limit was 25, because of “construction,” here’s your ticket. I mentioned it wasn’t posted, and there was no construction. He asked me if I’d like to come down to the station and “discuss it.” I demurred, because I’ve never wanted a second chance for my fontanel to fuse up. With cop-worn cameras, that approach seems to have morphed into a hair trigger, no compunction about telling you to STFU and move along, and a quick trip to the hoosegow if you put up a fuss. The STFU part is the same as it ever was, though.

So I know something the assistant D.A. doesn’t seem to. First, the Newport police ask you. Then they tell you. Then they make you. There’s no other steps, and they’re always in the same order. But to even the score, she knows something I’ll never know: How in the hell do you get bounced from Clarke’s bar?

I’ve Caught Bud Jamison Disease

By all accounts, Bud Jamison was an affable sort of guy. He certainly had a genial face. He used to play cops and tough guys, too, but it’s his big smile I remember most. He appeared in 450 movies and “shorts” in 30 years. With that sort of resume, he must have played every sort of person at one time or another. Except for a skinny person, of course.

Most of the movies were silent. It’s almost beside the point to describe many of those. Bud tries to punch Charlie Chaplin in The Champion, which is great fun. He’s “That Guy” in a lot of ancient stuff. However, I don’t know about you, but I’m not clamoring for a re-release of John Barrymore’s rendition of Ahab in 1930’s version of Moby Dick, even if I can see Bud play an uncredited shipping agent in it.  So it will be Bud’s curse or blessing to be remembered forevermore by almost everyone who recognizes him at all as the guy who suffers along while the Three Stooges do their thing near him or to him. He made 38 shorts with the Stooges, including the very first one.

My mother hated the Three Stooges. We were forbidden from watching them. Back in the day, there wasn’t much on television after school. The Stooges were run on a nearly endless loop on the off-brand teevee stations that couldn’t afford to show anything but re-runs of ancient entertainments. So you can imagine how well the interdiction about watching them went. Mom played pretty good defense when it was man-to-man, but faltered a bit when she had to switch to zone.

She testified that she was certain that if we watched the Stooges, I’d eventually hit my little brother in the head with an ax. That was just another of the endless series of moral panics that has gripped the American female zeitgeist down through the ages. Of course I would have liked to hit my little brother in the head with an ax from time to time, but I didn’t need the Stooges to urge me on. Who hasn’t wanted to hit their little brother with an ax, or drag a crosscut saw across their fontanel, or grab their nose with a pliers? But like most moral panics, there was no real danger of stuff like that happening. We didn’t own an ax.

In a broad sort of a way, there were only two camps in the recycled vaudeville teevee audiences. The Three Stooges, and the Marx Brothers. The Marx Brothers made full length movies, and the Stooges made shorts, but they were essentially weird doppelgangers of each other. It’s easy to say the Stooges were more lowbrow, because the Marx Brothers relied more on wit. But I’m not so sure that’s fair. The Stooges, like Bud, were genial. I like snark as much as the next guy, so I can enjoy the Marx Brothers movies, but in its heart it’s a bit nasty.

America has become a very snarky place. The teevee got really snarky after a while, when all the gentle humor was expunged and replaced with nothing but situational cutting remarks, doled out by the half hour. The Stooges hit each other, and made fools of themselves, but they didn’t ever exhibit a truly mean bone in their body, except by compound fracture, of course. Groucho was funny, but he helped adumbrate the proto-bile we’re all drowning in. They were both sets of Everyman, with posh operators, authority figures, and criminals taking whacks at them. The Stooges were better at taking haughty people down a peg when you get right down to it, just by being themselves, really. Like they did to Bud, when it was required:

“Gosh, I’d sure like to help. You know, I haven’t had a paintbrush in my hand in years.” There it is. That’s Bud Jamison disease, and I’ve got it bad.

You see, I’m on the sidelines now, as far as doing anything practical in the real world. At one time or another, I’ve done all sorts of manual labor that results in the world being physically altered by the end of the day. Besides the stuff I built or repaired out in the landscape, at any time in the last thirty years or so I’ve been able to go downstairs and return with whatever was required at the time, everything from a dining room table to a patched bicycle tire. Now I live in an apartment, and my tools fit in a shoe box, and I get to see people doing practical things, and think, Gosh, I’d sure like to help.

So I saw this video about mimicking oak woodgraining by a man who appears to paint scenery for lord knows what.

He’s disabled, so we have to make allowances. By disabled, I mean he’s English or British or something. He’s required by the Magnum Cortex or whatever they use for laws over there to talk with that funny accent, and call everything by its wrong name. He’s required to call shellac “button polish,” and starts blabbering about PVA, which stands for poly-vinyl-acetate. The poor sod is forced to talk in acronyms instead of saying Elmer’s Glue and being done with it. Then he’s probably got a gun to his head, and they force him to call latex paint “emulsion paint.” Just because it’s a British gun and will probably hang fire, doesn’t mean the threat won’t feel real. They really treat folks unfairly over there.

Everyone in the good ol’ USA calls every kind of paint you can wash out of your brushes (and your nose hairs, if you’re like most housepainters) using only water. Of course latex and acrylic paint (emulsion) are two different things, but no American can keep two things in their head at the same time, alongside all that freedom we keep in there. And man, did my eye twitch when he called a roller cover a “rag roller.” English, do you speak it? I’m pretty sure I do. Fairly sure. Whatever.

At any rate, videos like this turn me right into Bud Jamison. I’m sure if I told David Rowse, the pleasant and talented fellow who made the video, that Gosh, I’d sure like to help. You know, I haven’t had a paintbrush in my hand in years, he might be tempted to tell me to go mix up a batch of spotted paint. Fair enough. But in addition to being a busybody, I’d be the worst kind of busybody extant: I wouldn’t offer to help. I’d offer advice. That’s miles worse.

Of course my method is what we fellows in the painting trade used to call “quick and dirty.” You know, like having sex with a car mechanic.

Anyone can review my technique in an old couple of posts here: Graining a door.

And please remember my braggart’s motto: I can do it better than anyone who can do it faster, and I can do it faster than anyone who can do it better.

Tag: Bits of my life pulled out and flung on the Internet floor

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