A Tale of Two Sh*tties: Asteroid City vs. It’s a Mad, Mad, Mad, Mad World

My son likes Wes Anderson movies, so we got Asteroid City, and looked at it. I can’t testify that we watched it, only that we looked at it. Watching something has a specific meaning.

Watch

intransitive verb

To look or observe attentively or carefully; be closely observant.
“watching for trail markers.”
To look and wait expectantly or in anticipation.
“watch for an opportunity.”
To act as a spectator; look on.
“stood by the road and watched.”

The thing being watched requires a certain amount of interest to merit watching, and Asteroid City was a solar system removed from that level of interest.

Of course ol’ Wes has always wanted his audience to look at his movies. He makes them bizarre and otherworldly for just that reason. He favors two-dimensional scenes, with exaggerated colors, anachronistic clothing and props, and weird, static poses for his actors. He’s the filmic equivalent of walking along a wall in Tutankhamen’s tomb, and wondering what everything means and why everyone has two left hands.

Believe me when I tell you that the trailer has a more coherent storyline than the movie.

But Wes didn’t always produce such directionless kitsch as Asteroid City. The Royal Tenenbaums and The Grand Budapest Hotel had a more subdued version of the same sort of visual style, but they also had a story of some sort to knit it all together. It’s always a loopy and somewhat misanthropic story, but it gets you to watch. Asteroid City isn’t even a disconnected series of tableaus or vignettes. It literally starts noplace, goes nowhere, and ends in midair. I can’t give it a bad review, because it’s not coherent enough to merit one. It’s simply a self-indulgent mess.

Call me crazy, but my mind started to wander pretty far afield about ten minutes in to Asteroid City, and as it dragged along, it struck me that I’d seen this movie before, only not so sucky. An excuse to put a bunch of recognizable, but mostly second-string actors in a movie for no apparent reason, strictly so the audience can sort of collect them as the movie bumps along, like the baseball cards of a team in last place. I couldn’t stop thinking about It’s a Mad, Mad, Mad, Mad World:

Mad World is from 1963, but it’s a 50s movie all the way. The cast was mostly 50s retreads, like Milton Berle and Sid Caesar, with some up and comers like Jonathan Winters and Dick Shawn sprinkled in. The director was Stanley Kramer, famous for ponderous dramas, but Mad World is anything but.

It’s funny, but Kramer captured the stark high desert vibe with oversaturated sunshine much better than Anderson did. And unlike Asteroid City, the movie was a genuine attempt to entertain the audience. There is nothing as funny as Jonathan Winters wrecking a gas station in Asteroid City, and there are ten things as funny as it elsewhere in IAMMMMW.

Like Asteroid City, IAMMMMW is a single joke told over and over more than a plot, with a sprawling cast and disconnected actions. Unlike Asteroid City, each scene is at least amusing, and the actors are all used to good effect. There are many uber-short cameos by people who just want to be included in the movie, very much like actors lining up to work for cheap money in a Wes Anderson flick. The difference is Stanley Kramer gave them all something to do, and knitted all their zany efforts into a bag at the end at the foot of the big W.

Back in the 1950s and 1960s, actors, writers and producers rebelled against a studio system that they felt stifled their creativity, and put a brake on their off-camera behavior. IAMMMMW is a product of the studio system, the result of a committee of people who were honestly trying to make entertaining movies. The writers, Bill and Tania Rose, the directors, the studio, the actors, everybody was constrained by their roles, but worked as hard as they could in their orbit to make the best movie they possibly could. It was a trifle, but it was a stone cold groove. And it made plenty of money, too.

So the studio system is so dead and buried that it’s out of memory now. Wes Anderson doesn’t have to listen to anyone, and he doesn’t. He writes it and produces it and directs it, and if Asteroid City is any indication, he figures he’s the only person that needs to be entertained by it, too. He’s trying too hard to be Wes Anderson at this point.

Sometimes, trying too hard is the same as not trying at all.

I Can See Clearly Now, Lorraine Has Gone

I apologize unreservedly for the mondegreen.

I don’t follow pop music much these days. I have no idea if radio stations are even still a thing. Here in western Maine, musical tastes tend toward county music, the kind de-boned for weak musical teeth. All the pop songs I’m subjected to at family gatherings are generally those autotuned Taylor Slow songs complaining about boys enough to make Patsy Cline blush. The hardware store and similar environs play ambient music that’s strictly Top 40 arena Rock from the seventies. If I had to come up with a single word to describe the whole musical zeitgeist, I’d use “angry.” Everyone’s not happy, and anxious to tell you so.

Johnny Nash was not angry. I happened upon him in the seventies, like everyone else, when Stir It Up, and I Can See Clearly Now, topped the charts. The latter sold over a million singles, which was a feat at the time. It remains the sunniest record to be burped out of the radio I’ve ever heard, even though it’s a song about getting over a bad time, not avoiding it all together. Redemption has always sold better than good luck as subject matter in the arts. Otherwise, one of Cinderella’s sisters would have married Prince Charming. No plot, the end.

Reggae music is pretty sunny stuff, in general, at least in its original rocksteady iteration. Like the American blues genre, and old fashioned country music, even the sad songs were mostly wry and cheeky. Bob Marley eventually got more famous than his contemporaries and decided to get a political hair across his Jamaikeister, and decided he was Martin Luther Kong, but for every I Shot the Sheriff, there were four Alton Ellis or Toots and the Maytals records to fall back on.

It’s funny, but the best Reggae songs were birthed by Americans, not Jamaicans. Johnny Nash was from Houston. He was a child performer on local, and then national TV, and then went on to become a producer as much as a performer. He went to Jamaica to see if he could peddle rocksteady music to America, and boy howdy did he. He signed Bob Marley, Bunny Wailer, Peter Tosh, and Rita Marley to publishing contracts in one afternoon.

Another example of the Americanization of Irie, so to speak, is Sitting in Limbo, by Jimmy Cliff:

It’s from the most reggae thing ever, the movie The Harder They Come. It was recorded in Jamaica, of course in Muscle Shoals, Alabama, by the same group of guys who made things like Bob Seger records. By the way, if you want to watch the movie, I suggest leaving the subtitles on. They’re technically speaking English, but not so’s you’d notice by listening to them.

Johnny Nash died four years ago, full of years and surrounded by his family. He made the world a happier place before he shuffled off. How many people can claim that?

Financial Gum

I’ll leave it to you to decide if yesterday’s two percent drop in the stock market is the end of the world or not. My money is all tied up elsewhere. Not only tied up. It’s also blindfolded and held in a windowless basement. I figure it’s being held for ransom, in advance. The collage note that ends in No Funny Stuff hasn’t arrived yet, so I don’t know exactly who’s fixing to steal it all from me. Again. I just figure it will have some sort of official seal on the podium they eventually send the note from.

A long time ago, my wife and I visited Italy. It was just before they swapped over from the lira to the euro. The exchange rate was extremely silly. I don’t remember the exact figure, but it was something along the lines of 1400 lira to a US dollar. It made trips to the redi-teller into high finance. You had to withdraw a telephone number just to eat lunch. This is from a currency that was exchanged at five to a dollar until WW I. It’s amazing what folks who favor multiple wars and poor governance and central banking shenanigans can accomplish when they set their minds to it.

I distinctly remember standing on the sidewalk in Italy, and wanting to discard a wad of chewing gum. Italian cities are not models of cleanliness, but there was no way I was going to spit gum on the sidewalk in a foreign country. I wouldn’t do it in America. Of course all cities everywhere seemed to be paved with chicle, but I gather I don’t run with the crowd, manners-wise. I’m a fastidious barbarian, I guess. At any rate, I patted myself down like a suspect, found nothing handy to wrap the gum in, and finally reached into my wallet and used some Italian paper money. The money got the job done, which is more than it could have accomplished in a restaurant unless it was baled like hay.

Our car has been busted a lot lately. It’s very old. If we keep it another six years, I think it’s considered an antique car in some states. I’ve paid mechanics rather a lot of money recently to keep it going. But in general, the money doesn’t help. The mechanics are scheduled out for weeks in advance, and waiting doesn’t advance your cause all that much, because they can’t keep their appointments, either. Several turned the jobs down flat. They don’t like that kind of car. The parts cost small fortunes but can’t be found in general circulation. And for the most part, the fixes don’t fix the problem no matter how much you’re willing to pay.

So our car was busted yesterday, and we needed it to return our son’s car to the mechanic who did two thousand dollars of repairs that didn’t fix the problem the day before. I made my decision tree. I pictured the various rude women who man the phones at the garages barking at us that their life was a nightmare, and telling us we’d have to hold our breath and stand on one leg for a week or two and then leave the car in the lot and someone might look at it. I looked up the part, and the only two places that sold it wanted between 350 and 550 dollars for it, and they didn’t have any. I looked in my wallet, and saw all the American lire in there, unable to accomplish anything useful.

My power steering cooling system was leaking all over my driveway. Since I installed my driveway myself, I’m perhaps overly fond of my driveway. So a fix couldn’t wait. I don’t steer all that much when I’m driving, or even look out the windshield more than necessary, but you never know when you’re going to need to turn sharply into a tavern parking lot. I’d prefer to be able to turn the wheel on command. I’m fussy like that. I don’t remember signing up for NASCAR or anything, or cornering like Jason Bourne on his way to kill fifteen people in order to find out why he’s an assassin, but apparently I need to cool my power steering fluid. I had many more important things to do than cool my power steering fluid, but nobody asked me before they put the car together. I shrugged and got on with it.

I went to the auto parts store, where it took three clerks to find an aftermarket universal power steering coolant radiator, even though I brought them a printout from their website with their own SKU on it. I removed both the headlights, and the front bumper, cut the hoses from the old steering cooler, which is allegedly worth one-tenth the price I paid for the whole car in the first place, pushed the hoses on the $27 replacement cooler, and zip-tied the new part to the old one.

The dictionary definition of inflation is too much money chasing too few goods. I’d like to amend that definition right here and now. When you have money, but you can’t buy anything useful with it, goods or services, that’s true inflation. That’s why people ladle what money they have on frivolous things when inflation really gets going. They don’t overpay for useful stuff. There is no useful stuff. It’s why a thousand point drop in the Dow Jones will probably just merit a shrug. It’s all funny money anyway. There’s nothing worth buying, so they wrap their financial gum in still more money and keep buggering on.

Month: August 2024

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