Muzak For The Elevator To The Nice Part Of Hell

Go to Heaven for the climate, Hell for the company. –Mark Twain

Hell is a half-filled auditorium. –Robert Frost

An intelligent hell would be better than a stupid paradise.
–Victor Hugo

Every man is his own hell.
–H.L. Mencken

Maybe this world is another planet’s hell.
–Aldous Huxley

Hell is full of musical amateurs. –George Bernard Shaw

Hell is empty and all the devils are here. –Bill Shakespeare

The Autocoprophagy Of Mark Twain

My wife loves me and looks after me. Many and many a time I have noticed, when I wake up in the middle of the night for some reason or another, that the pillow is only gently pressed to my face.

She visits the library here in town quite a bit. It’s a Carnegie library — a wonderful thing wherever you find it. The town I live in values it highly, of course. It is rarely actively on fire when we drop by, and a solid voting quorum of the slate roofing tiles aren’t on the sidewalk yet. They did hire a person, whose name is likely shrouded by the mists of near-antiquity, modesty, and an unpaid bill or two, to design an addition for the building, back when the town was still booming and the parades had more people on the sidewalk than commiserating on the floats. That addition could compete in elegance, in beauty, and in comfort with any dentist’s office, but holds slightly-less-current magazines. The old, original part is built like a brick redoubt designed by a renaissance polymath: elegant but ready for battle. But new ideas like the design of the addition resemble mildew — they get in and corrode a place from its innards, no matter how well-defended the perimeter.

As I was saying, my wife looks after me. She unwisely brought me back the Autobiography of Mark Twain from the library to read. I say unwisely, because it’s nearly 750 pages, hardbound, and if I get to lifting it often enough, I may eventually become strong enough to defend myself against her nocturnal depredations, and the assaults of her housecat.

In addition to my newfound physical abilities, this titanic tome is cultivating in me a powerful urge to seek out the editors and amassers and packrats that  produced the book. Not because I picked the thing up, no; I unwisely read the thing, too, and it makes me want to strike someone in the face, and not with an upholstered cushion, either. I realize assault and battery and eye-gouging and mayhem and attempted murder are, if not strictly illegal, at least frowned upon in literary circles, but I’m willing to sit in an electric chair by the hour as long as the mouthbreathing, windowlicking, buttsniffing, dimestore intellectuals that dug up Mark Twain’s literary corpse and rifled through his pockets are forced to sit in my lap. I bet I can outlast the whole lot of them on pure spite alone.

Why, oh why was Twain’s unpublished work turned over to these jackanapes to paw through like illiterate raccoons looking for rancid bits to eat? Yes, yes, I know they style themselves “The Mark Twain Project,” and have devoted their mortgages, if not lives, to Twain, or at least to raiding his intellectual larder to stock their shabby ivy-stricken midden over at Berkeley.  So what? The mental contortions needed to adduce that their name and their sinecures makes them capable of understanding such a writer is like saying that a dog has ticks so the ticks should inherit the dog’s estate. Haven’t you drawn enough blood from the man already, you stooges? You’ve been carving out a living carving your initials, likely misspelled, into the outside of Twain’s bier for a century. Who allowed you to climb in there with him and start carving away on the inside?

There’s Twain inside this book, don’t get me wrong. It’s exactly, precisely what you always get from Twain. His laundry list is a Dead Sea Scroll. His lunch order is a Rosetta Stone. He has more intellectual horsepower under his fingernail after a trip to his ear than Berkeley has in a building, and that’s if the building is full of janitors, the smartest people there. At least janitors know how the world works. The buildings full of these scholars need fumigating. Lock the doors, first, from the outside.

It was easy enough, if annoying, to tread across the minefields of intellectual delirium tremens these invertebrates have made of Twain’s writing, leaving their little piles of brain droppings here and there like badly behaved dogs, explaining Twain. I put on heavy shoes and plowed ahead. Then I got to page 468, the glimmer of a tear still in my eye over SLC’s description of his older brother, Orion, filled with pathos and love and respect and affection and a wistful, unspoken wish that his brother wasn’t doomed by his nature to miss the life Twain got by the thickness of one of Sam’s famous whiskers — and then I turned the page, and there on page 469 was text as terrible and incomprehensible as the writing on your own tombstone, delivered early: The rest of the book, almost 300 more pages, was entirely comprised of the stark, raving drivel of these toads, with only bits of Twain embedded in it like reverse carbuncles. Good God. I’ll hold my nose and run through Twain’s Elysian fields, keeping an eye peeled for your intellectual Beserkley cowpies the whole time, but I’m not treating myself to a one-man Easter-egg hunt in a sewage treatment plant.

Explaining Twain. Think of that. Why not send a cigar store Indian out on a speaking tour to explain smoking. He stood outside the shop for a hunnerd years. He must know something about the topic by now.

Rye Love Isn’t Good Love, Boys

Punch Brothers!

That’s such a mature, fully-formed sound for people so young. The bandleader’s home-schooled? Ah, yes; so was Mozart. Band’s named after a Twain story, too. That makes them a seven-dollar, kid-skin, hand-tooled, gilt-edged, Friendship’s Offering of a band, consisting of ten parts whoop-de-doo with five morsels of remorse.

Rye whiskey makes the band sound better,
Makes your baby cuter,
Makes itself taste sweeter.
Oh, boy!

Rye whiskey makes your heart beat louder,
Makes your voice seem softer,
Makes the back room hotter, oh, but

Rye thoughts aren’t good thoughts, boys,
Have I ever told you about the time I…

Rye whiskey wraps your troubles up
Into a bright blue package,
Ties a bow around it.
Oh, boy!

Just throw it on the pile in the corner, see,
You’re not alone in not being alone tonight, but

Rye love isn’t good love, boys,
Have I ever told you about the time I…

I used to wake up bright and early,
Got my work done quickly, held my baby tightly.
Oh, boy!
Rye whiskey makes the sun set faster,
Makes the spirit more willing
But the body weaker because

Rye sleep isn’t good sleep, Boys,
Have I ever told you about the time I
Took it and took her for granted?
How I took it and took her for granted?
Well, let’s take some
And take them all for granted.
Oh, boy!

I’m an older feller and wise in the ways of bills-of-fare and petticoats, and could have warned them not to chase pleasure so enthusiastically that you actually catch up to it. Oh, well; 2.3 children, a dog to kick and a cubicle makes for a dashed poor drinking song.

Punch Brothers!

Tradition That Captures The Imagination


That’s the wall in Winston Churchill’s schoolroom at Harrow.

There are public figures that capture the imagination. Many people inhabit the dreary world where politicians are the only people they consider important. Yecch. I suppose back when politicians were generally private citizens that dropped what they were doing to sort out the affairs of their nation, until they could do their Cincinnatus act and go back to their plow, that made some sense. Even if it’s an act, like Eisenhower’s protestations of indifference to the charms of importance, I prefer it to the modern version — never done anything their whole lives that doesn’t involve a government sinecure. George Washington wasn’t exactly a shrinking-violet man-of-the-people, but I really do get the impression that he held his nose for eight straight years and put up with being President. I can’t picture George Washington as a lifer in politics tapping his foot funny in a Men’s Room.

There’s a brace of men that captivate almost everybody. Teddy Roosevelt. Mark Twain. Lawrence of Arabia. Albert Einstein. Maybe the king of them all is Winston Churchill. The guy was endlessly interesting.

Oh, yes — the picture I offered of the wainscot wall in Churchill’s schoolroom at Harrow. Harrow is a “public school,” which means it’s a private school. Welcome to England, and English.

I like tradition. I’m not a reactionary. It’s not the same thing.

The word “harrow” no doubt refers to the ancient farm implement for tilling the soil. Children were a crop to be cultivated; the perfect metaphor for school. Allowed to grow, yes, but pruned as well as nurtured. Sometimes, even in very straitlaced circumstances, that growth is allowed to run its tendrils outside the pot it’s in. Carving your name on the wall would come under that heading. Perhaps not encouraged. Overlooked with a wink, more likely.

The very word “wainscot” is ancient beyond reckoning. A wain is a type of wagon with splayed sides used on a farm. Wooden wheels would have to be angled in at the bottom to work properly without any bearings on the axle. The wain’s sides would be splayed out to make the most use of the space between the wheels and carry as much as possible. Medieval woodworking used split, not sawn wood, especially oak, so a wain was a board wide enough for a farm cart’s side, and eventually gave it its name. And in its turn, wide boards to line the lower half of the walls of a room took their name from the side of the cart they resembled: wainscot. Tradition.

When I was young, I haunted a very old-school library. It still looked just like this photo:

The tables were made of white oak, hard as a banker’s heart and dark as a politician’s soul. And ever square inch of them had someone’s name carved in it. Most of the work was done by digging at the surface with the tip of a ballpoint pen. It took forever to make any impression in the unyielding surface. But so many people had done it, overlapping each other and eventually working on a layer of existing names, that the tops began to look like a kind of inkstained black coral. It was impossible to write on a piece of paper placed on the surface. You had to place a pad of some sort under your work. It was magnificent.

I returned to the library 25 years after I had practically lived in there. The tables were gone, replaced with nondescript rectangles and inelegant chairs that looked like they belonged in an officepark lunchroom. No one has defaced them with infinitely interesting whorling cicatrices. The tables themselves are a defacement, and so no one bothers to ruin them with their runes.

The beloved temple of words of my youth can no longer produce a Churchill; but you could take out Ishtar on VHS in there now. Which is nice.

Tag: Mark Twain

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