What’s (Still) Opera, Doc?

The joke in Seinfeld that everything you know about opera you learned from Looney Toons is both funny and accurate for a lot of us. But what’s wrong with having your interest in something profound being piqued by something frivolous or mundane? A map doesn’t come full size, because it sure would be hard to fold. And I’ve noticed that all of Rhode Island isn’t really flat and light blue. We accept approximations all the time to give us the general idea.

I like me some opera. I like it as much straight up as when Elmer Fudd does it. And You Tube is good for opera.

YouTube strikes me as a sort of abandoned library. There’s all sorts of great stuff in among the debris, but I fear the whole thing will get torn down for condos soon. I pick around in the dusty piles while it lasts.

I found Caruso.

Someone’s restored it fairly well. You can hear the compression that comes with being recorded on machinery that greatly restricts the tonal range. But even though it doesn’t have all the oomph that you would have heard in the original, you can discern it in there, like a beautiful woman draped in satin.

Opera was for everybody then. Caruso was Sinatra and Elvis and the Beatles first. I think of my own grandfather, Caruso’s fellow Neapolitan, hearing these familiar notes in his Cambridge Massachusetts walk-up flat. Life is in those notes. It must have seemed like seeing Jackie Robinson rounding second base to an African-American for my grandparents to hear Caruso sing in the United States. Like a hero; a champion; a god. San Francisco shook itself to the ground with its earthquake, then burned. The paper only wondered: Is Caruso OK?

It is considered trite, a little, that aria from La Boheme; but that’s just a measure of its universality and accessibility. Why, Bugs Bunny might even sing that one.

The sentiment is lovely. Que Gelida Manina -How cold your little hand is.

Rodolfo meets Mimi for the first time, and falls in love.

How cold your little hand is!
Will you let me warm it for you?
Why bother looking?
It’s dark, and we won’t find it.
It’s our good luck though,
this night’s filled with moonlight,
up here the moonlight could rest on our shoulders.
Please wait, my dear young lady,
and I will quickly tell you who stands before you, and
what I do, how I make my living.
May I?

Who am I? What am I? I am a poet.
What keeps me busy? Writing!
And what do I live on? Nothing!
In poverty I’m cheerful,
I am a prince who squanders
arias and couplets of longing.
And as for hopes and dreams of love
and castles-in-the-air, Miss-
I am a millionaire!
My fortress could be broken in,
robbed clean of the fine jewels I store-
if the thieves were eyes like yours.
And now that I have seen you,
all of my lovely dreaming,
all of the sweetest dreams I’ve dreamt,
quickly have slipped away.
This theft does not upset me,
because such treasures mean nothing
now that I’m rich with sweet hope!
And now that you have met me,
I ask you please,
Tell me, lady, who you are, I ask you please!

YouTube tempted me with another version: Giuseppe DiStefano.

It’s newer,as Giuseppe is my father’s, not my greatgrandfather’s, contemporary. But the recording is at least as old as I am. I think it might be the best version of it I ever heard.

And I’ve heard Caruso.

I Wonder If I’d Still Go If It Was Still Like The Picture

A long time ago, skiing was for rich people.

A certain kind of rich people. The only person I knew of that did it in the town I grew up in was the town’s dentist. He drove a Citroen. My dad drove a Ford Falcon on its third owner with 175,000 miles on it.

When I was maybe nineteen, I ate my first fresh strawberry. I understood then there was another world I wasn’t living in.

I hated the winter –still do– because I was always cold. No one poor likes the winter. Rich people knew all about Leon Leonwood Bean and went skiing. We would have looked at it like it was a catalog of spacesuits, if we’d ever seen one, which we hadn’t.

I decide to embrace my hate of the winter. I would learn to ski. A friend gave me a manual written to instruct ski instructors on how to teach others to ski. Everything was always twice removed in my life, and maybe always will be. When the world gives you lemons…

Never mind that. When the world gives you lemons you don’t make any gaddamn Erma Bombeck lemonade; you howl gigantic curses into the ether and then you shrug and get on with it, or not. But you throw the lemons in the trash first. You know it’s true.

So I learned the bizarre book I’d been given. I did this exercise in my crummy apartment where I slept on piece of foam atop a door taken down from its hinges propped up on four milkcrates: You put your heels on a threshold to get the forward lean right, then did deep-knee bends and held them when you were halfway upright.

I swapped some other junk for some skiing junk. The skis were old Rozzies that had been run over so many times by people taking ski lessons from their owner that the metal edge that bound the fiberglass board was worn all the way through. The entire upper perimeter was as raggedy as a shawl and as sharp as a razor. I cranked down the venerable bindings all the way, because you had to choose between never on and always on and I couldn’t see the wisdom in never on.

Like most things for people without the money or leisure to follow through with their plans, I had no prayer of performing on perfect pistes among the dentists, but it was the idea I was after. I must conquer winter.

I knew I’d never be able to blow the money it took to go skiing on skiing. So like always, you go around. In the back of the loopy textbook, there was an offhand comment that if you showed up at a ski area and were a ski instructor, they’d let you ski there for nothing if you’d help them with Ski Patrol nanny patrol. Telling people to slow down, and generally ruining everything for everybody.

So if you learn to ski by reading a teaching manual, why not just take the test when you’re done? Hall monitor, here I come.

So more or less the first time I went skiing I was teaching it for money at a ski slope with a massive 225 foot vertical. I’d cut the little kids’ clothes to ribbons with my kitana skis, and carry the lazy ones on my shoulder to slide the patch of the bunny slope that was my domain.

I took the money and bought German downhill skis and flashed my little pin at the real ski areas and they let me ski for nothing half the time with the promise I’d watch for reckless skiers. I’d smile and nod and even occasionally wear the little vest they’d give you until I got to the lift. Then I went sixty miles-an-hour down their slope and sent all the dentists’ kids into the snowbanks trying to get out of my way. I am not a liar or a cheat. I was always on the lookout for reckless skiers, but it was not my fault they were always behind me and couldn’t catch up.

When the gradeschool nuns were rapping our knuckles and telling us we were as good as anyone, I knew they really meant shut up and behave yourself and know the dignity of never raising your eyes to the horizon. They told me I’d be struck dead if I turned around in church, too.

I turned around. I wanted to see what it was like to be struck dead.

Nothing New Under The Sun

If you have a library card, you can’t help but be a little amused at many of the highly educated people staggering around the halls of governance, education, and media these days. They claim they can and should minutely supervise the activities of all of us, but they can’t even figure out if the Second Bank of the United States should have been abolished or not; never mind what to do about something in this century.

The people who say they are qualified to micromanage the affairs of the world and everybody and everything in it can’t do arithmetic well enough to be a successful bank teller, and can’t figure out whether to put an apostrophe in it is.

I’ve broken ground on many substantial construction projects. We used to paint a shovel to look like it was made of gold, and the bankers and politicians would turn a shovel load of dirt and have their picture taken. Then we’d mount the shovel on a board with an inscription and present it as a keepsake. We used to fashion a box and fill it with sand for the participants, as it was unlikely anyone involved would be capable of turning even one spadeful of real soil from the site.

It’s the greatest metaphor possible for today’s Zeitgeist. People completely unaware of how anything actually gets done or paid for using an instrument fraudulently tarted up to look valuable to perform a meaningless operation in order to be given credit by the media for everything.

Month: February 2009

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