A Polish Man Murders Fifty People In Galway

[Note: Originally from 2012]

They have been coached their whole live-long. They are eager to be put on the spot, because they do not recognize it for what it is. They are prepared to flense the hide from another with the edge of their tongue, but no target is proffered. They are put on another spot, one they prefer to keep at home in front of a mirror, cracked. But they warm to their task like devils.

It is a deformed and crazy uncle in the belfry. It must not get out or he will desolate the landscape, entire. They have been coached to say nothing, lest they answer everything. They go to the confessional and eagerly assent that they’ve stolen a pencil they’ve never touched, while the corpses are stacked like cordwood in the secret cellar of their heart. They smile but there’s a dab of lime on their cheek.

They regret everything, except their lack of regret. This they wear like a badge on their sleeve. The cannonballs of life have taken their arm and the sleeve hangs empty; they say it tingles still.

There is only one regret in this world and I don’t have it.

When You are Old

When you are old and grey and full of sleep,

And nodding by the fire, take down this book,

And slowly read, and dream of the soft look

Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,

And loved your beauty with love false or true,

But one man loved the pilgrim soul in you,

And loved the sorrows of your changing face;

And bending down beside the glowing bars,

Murmur, a little sadly, how Love fled

And paced upon the mountains overhead

And hid his face amid a crowd of stars.

–W. B. Yeats

Bleak House

The Lover Tells Of The Rose In His Heart

ALL things uncomely and broken, all things worn out and old,
The cry of a child by the roadway, the creak of a lumbering cart,
The heavy steps of the ploughman, splashing the wintry mould,
Are wronging your image that blossoms a rose in the deeps of my heart.

The wrong of unshapely things is a wrong too great to be told;
I hunger to build them anew and sit on a green knoll apart,
With the earth and the sky and the water, re-made, like a casket of gold
For my dreams of your image that blossoms a rose in the deeps of my heart.

–William Butler Yeats

Before I Am Old I Shall Have Written Him One Poem Maybe As Cold And Passionate As The Dawn

ALTHOUGH I can see him still,
The freckled man who goes
To a grey place on a hill
In grey Connemara clothes
At dawn to cast his flies,          5
It’s long since I began
To call up to the eyes
This wise and simple man.
All day I’d looked in the face
What I had hoped ’twould be   10
To write for my own race
And the reality;
The living men that I hate,
The dead man that I loved,
The craven man in his seat,   15
The insolent unreproved,
And no knave brought to book
Who has won a drunken cheer,
The witty man and his joke
Aimed at the commonest ear,   20
The clever man who cries
The catch-cries of the clown,
The beating down of the wise
And great Art beaten down.
  
Maybe a twelvemonth since   25
Suddenly I began,
In scorn of this audience,
Imagining a man
And his sun-freckled face,
And grey Connemara cloth,   30
Climbing up to a place
Where stone is dark under froth,
And the down turn of his wrist
When the flies drop in the stream:
A man who does not exist,   35
A man who is but a dream;
And cried, ‘Before I am old
I shall have written him one
Poem maybe as cold
And passionate as the dawn.’   40

-William Butler Yeats

An Aged Man Is But A Paltry Thing, A Tattered Coat Upon A Stick, Unless…

My friend Bird Dog is waxing about poetry.

He is the rarest of things in this world to me. He rouses my mind from its torpor. I do not know what the possibilities available to me might have been, based on the space between my ringing ears, and will never know, because life is short and you have to be in a hurry.We’re all Popeye after a while and must act it. But it’s nice to have something new to chew on. New is hard for me to come by.

I can’t watch the news on television. It’s like a mildly retarded car salesman, or the woman that sprays smells on you unwonted at the department store, reading a bad newspaper to you very slowly. A printed newspaper has many uses. We covet them here. The heavy paper bags you used to get at the grocery store were superior of course, because you could cover a textbook with them as well as start fires in the fireplace, but a newspaper is pretty good. Neither of them can hold a candle to corrugated for warmth, but they recycle that stuff now. But read them? They’re like being forced to read a fourth-grader’s homework; the child of a neighbor you don’t like very much.

The Intertunnel, my beloved Intertunnel, is 99 44/100% written by people with negligible intellects telling me they can read a newspaper harder than I can. Then the apostrophe faerie comes and sprinkles their screeds with goodness everywhere.

But my Intertunnel is so large, it doesn’t matter. It’s given me the world, and everything in it. I only require the half percent that’s not twaddle. It’s too much for any man.

As I said, Bird Dog is the rarest of things, and the most valuable to me. A stranger that tells me what his life is like. He does it inferentially, mostly. A lot of words offered mean obfuscation. There was a reason Eisenhower required all major proposals to be presented to him on one foolscap page. It wasn’t because he was dumb and couldn’t read. He knew the authors would use any more than that to obfuscate, and dissemble, and cover their ass. So Bird Dog says read this, and offers a mordant word or two, and occasionally says: this is where I go, and this is what I do, and this is what I like, and this is what I think. Other than young ladies that disrobe and are ambivalent about the presence of a camera in the room, what is best in Intertunnel life besides that?

He reads T.S. Eliot. Did, and does. I did not, and don’t, so him telling me he does means I might.

“The Love Song of J. Alfred Prufrock” is very good, of course, but it’s a WASPy thing, and so, stranieri.

In the room the women come and go
Talking of Michelangelo.

I’m with the broads on this one.

A man is what he is, sometimes. I don’t know if I ever had it in me to be a souper, but old men just eat what’s put in front of them and don’t worry so much.

But the urge for words does comes to me from some place now; from an inaccessible but visible stone that disgorges its faeries nightly. The land of the nervously fingered beads, and Cuchulain, too.

WHAT shall I do with this absurdity –
O heart, O troubled heart – this caricature,
Decrepit age that has been tied to me
As to a dog’s tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible –
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben’s back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.

He Remembers Forgotten Beauty

San Francisco, 1905

WHEN my arms wrap you round I press
My heart upon the loveliness
That has long faded from the world;
The jewelled crowns that kings have hurled
In shadowy pools, when armies fled;
The love-tales wrought with silken thread
By dreaming ladies upon cloth
That has made fat the murderous moth;
The roses that of old time were
Woven by ladies in their hair,
The dew-cold lilies ladies bore
Through many a sacred corridor
Where such grey clouds of incense rose
That only God’s eyes did not close:
For that pale breast and lingering hand
Come from a more dream-heavy land,
A more dream-heavy hour than this;
And when you sigh from kiss to kiss
I hear white Beauty sighing, too,
For hours when all must fade like dew,
But flame on flame, and deep on deep,
Throne over throne where in half sleep,
Their swords upon their iron knees,
Brood her high lonely mysteries.

William Butler Yeats

Tag: yeats

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