Love and Happiness and Flared Pants
Al Green in 1972. A righteous fourth-degree plaid belt in soul at the funk dojo.
Al Green in 1972. A righteous fourth-degree plaid belt in soul at the funk dojo.
Spengler thought civilizations, and little bits of civilizations, had a trajectory. They’re not a ferris wheel. They’re a moonshot. They are born, mature, and wither. The withery generation blames kids these days for what’s going on, but it was always inevitable. Kids only live in the world we make for them.
These people are making music live in front of other people. Those sounds are coming out of Al Green’s mouth. The drummer doesn’t follow a metronome. No one even had an electronic tuner back then. Someone had an A440 tuning fork, struck it, listened to it, tuned their instrument to the tone, and then everyone else painstakingly tuned up to them. They’re all listening to each other and producing the sounds together. This is an artifact of the high summer of pop music made in this manner.
Spengler’s almost completely misunderstood, even by his devotees, and I’m sure I’ll be misunderstood, too, like I always am. He mostly said that the action in important affairs didn’t die, exactly; it moved to other arenas. Music might matter a lot for a while, but then it would go overripe, and everyone important would go and ruin architecture or something else next. I must admit that I haven’t got nearly as much idea where the action is right now, and in many arenas I just don’t give a fig, but I can assure you I have an intimate knowledge of nearly everyplace it isn’t happening.
Nostalgia for bad things makes you a Philistine and a reactionary. Affection for things that used to be better isn’t nostalgia; its the only refuge of a sensible person.
Donald Dunn passed away this week. I’ve played dozens of his basslines thousands of times, likely more than any other single bass player I’ve copied. He played on every damn thing. He’s sorta famous because he appeared in The Blues Brothers, but that’s kinda sad to someone like me. In my mind John Belushi and Dan Akroyd were somewhat notable because they knew Donald Dunn.
Dunn joked that he played the bass because it had fewer strings, and so was a lot easier to play than the guitar. There’s some truth in that. It is easier to be a bad bass player than a bad guitarist. I was a bad bass player, so I’m an expert in these matters. But it’s much, much harder to be a good bass player than a good guitarist. It must be; there are so few of them. He was one of them.
RIP, Donald Dunn, and thanks for feeding my kids, too.
I (used to) play the electric bass. It’s not a bass guitar, although everyone calls it that. There actually is an instrument called a “bass guitar.” It has six strings and is tuned lower than a regular guitar, but it’s not a bass. A bass is that doghouse with the four strings. The electric kind hangs on your neck and gives you a bad back (left side), deafness, and a couple hundred bucks a night for as many nights as you’ll show up, because every other person in the world is an unemployed guitar player. Own a bass and you’ll always work.
That’s what my brother told me all those years ago. He actually knows how to play the thing properly. Everything I learned about it he taught me in one afternoon in his freezing cold, decidedly downscale apartment in Providence RI. I never had to learn anything other than what he taught me that day, and I’ve forgot half of that, and I could still work every night if I wanted to. I don’t. No one owns one, shows up, and plays bass — instead of monkeying around like the guitar player they wish they were on the wrong part of the neck.
But you need bass lessons, and I’m busy and don’t know how to play, and my brother’s busy and lives in LA, so we’re stuck with YouTube. I’ll teach you everything you need to know right now.
You have to play the blues first. It’s easy. Just shut the hell up and never venture past the fifth fret. There are only three chords, and if you play with John Lee Hooker he’s not even interested in all three of those. Muddy Waters will show you how:
That’s the first song I played for money three days after my lesson. I stunk, but everybody else did too, and they practiced so they had no excuse. The audience was drunk, what difference would it make?
You can actually practice, and you can hang all sorts of musical drapes on that framework. Like Miles Davis’ friend Paul Chambers:
But you’re a hack whitebread dude. You gotta eat too. Duck Dunn will show you the way to play in barbands where the all the fights are merry and the dancing is violent:
Nuffin’ to it. But what if you want to play pop music? Well, it’s really just tuba parts from the music hall. Macca gets it.
He sings OK, too. Remember, no matter how bad you sing, make sure there’s a microphone in front of you or you’ll make less money than the other guys. Even Ringo figured that out eventually.
But you need rock music, too. The thudding kind, not the Beatles kind. You only need to learn one song –any song– by any one of a dozen bands with guys that go to Chest Hair Club for Men. Led Zeppelin, Deep Purple, Lynyrd Skynyrd; makes no nevermind. This is as good as any:
If you want to play like a real bass player, you’ll have to devote your life to figuring out what the hell got into James Jamerson to make him play like that on all those Motown records. Good luck. How Einstein came up with the special theory of relativity is an easier poser.
Got all that? Me neither. I used to try to play like 10 percent of that and had to sing over it, too. The seizures are getting better, now.
Reggae bass playing is easy. Just play like James Jamerson, only backwards.
But you’ve got to learn one lesson, and learn it fast: Girls don’t want any of that. They want to dance, and they don’t want it too sophisticated. This was the National Anthem of girls in a tube top right up to the present day: Easy, too. The song, I mean:
See, even Helen Reddy will have an extra sloe gin fizz and get jiggy when that’s going on.
There you have it. You’re qualified to make a crummy living from 8 PM to 3 AM three nights a week and two weddings a month. Hope your girlfriend has a comfortable couch.
What’s that? Country music? Which country? Our country? Don’t bother. There’s only two notes, and neither is all that compelling.
(You can read the amusing and trenchant comments back when I first offered this here. Apparently 4/19ths of my readers are bass players, or married to one)
I exist on the Intertunnel. The Intertunnel doesn’t like “quiet.”
Not much of any form of mass media likes quiet anymore. The first sound you hear at a movie theater is the THX sound — the idiot love child of Doctor Moreau and Marconi — all the foul noises in the world compressed into one giant blast of entertainment flatulence. It’s a warning that you’re not going to be left alone for a moment from here on in.
Everything that comes out of the pop radio has been beaten on with audio spanners until it is uniformly loud at all times, lest you notice for a moment that’s it’s not very good and hie thee a button away.
On television the programs mumble loudly and the ads scream and it adds up to a sort of commerce raga.
You forget sometimes if you’re paying to watch Billy Mays sell Oxy Clean or for the entertainment.
Quiet’s dangerous. People could hear the sound of fear in your voice when it’s quiet. The average person wants a lot of spackle to cover up their cracks. We live in a world of bluster.
But then again, some people don’t have any fear, and play it half as fast and half as loud as the others. You can’t look away, when it’s quiet like that.
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