The Taming of the Scrooge

The intertunnel is a machine for staking out ridiculous intellectual real estate. Once it’s out there, you fortify it with references from lamebrain frontrunning fellow travelers. Eventually, the silliest ideas get their low-grade ore heat-treated with the online coke of hyperlinks, and the resultant ersatz intellectual tin gets galvanized into the interwebs’ official opinion.

Many of these Instagramhole attempts fall short, of course. But eventually, the intertunnel will probably decide that Herman’s Hermits were more important than The Beatles, because reasons (see footnotes). But I warn you: It’s a short trip from the moon landings were fake, to the Earth is flat, marching mercilessly to the queue at the Time Masheen.

But this aggression must not stand. Across this line, you do not cross. No, you psodoku-intellectuals, Skakespeare was a real person and he wrote all those plays, sonnets, songs, and shopping lists with his name at the bottom. And your reasoning for why he couldn’t have done so betrays your lack of intelligence, not his, along with your lack of imagination.

Exhibit A, B, and C in this cavalcade of middlebrow research is that it would be impossible for Wild Bill to have written all that stuff simply because he never went to college. Of all the clubfooted intellectual meanderings about the topic, that one is my favorite. This is always the approach for people who go to college, and think that their sheepskin from directional state U. proves their intellectual bona fides over a glover’s son like Billy the Kid Shakespeare. If they went to the poison Ivy League, where even less is learned about anything important than at West Dakota State (commuter), they’ll be twice as opinionated. Shakespeare couldn’t have done it, because I went to PrinceYalevard on the Gold Coast, and I can’t do it. Q.E.D.

By the way, have any of you inteprid internaut iconoclasts ever looked up what got taught in the grammar school that Shakespeare attended? I did. It doesn’t look much like the current tennis balls on the chair legs, finger painting and blocks education everyone’s getting now: Grammar School for Shakespeare (PDF).

Look, I don’t know how to break it to you people, but it’s much more accurate to say that no truly important writer ever finished highbrow college. You think all of them must have, because you read comic books and science fiction pabulum and mistake them for Remembrance of Things Past. And by the way, Proust did pretty well for a guy clutching a high school diploma.

You know, there really have been only a handful of really important writers. I’m leaving off technical subjects here. People style very minor writers, even hacks who write the same horrible horror story over and over, as geniuses. You can usually assess their bona fides to judge a genius by the way they spell it: genious.

Geniuses aren’t thick on the ground. They’re vanishingly rare in the publishing world, even back when the only publishing house was Gutenberg’s. So, off the top of my head, here’s a list of the most trenchant, accomplished writers ever to tread the earth. Well, the earth outside of high-toned universities, anyway. Not one of them finished college (university, if you’re British).

  • Cervantes
  • Chaucer
  • Shakespeare
  • Twain
  • Hemingway
  • Wodehouse
  • Tolstoy
  • Faulkner
  • Kafka
  • Edgar Allen Poe
  • Jack London
  • Tennessee Williams
  • Charles Motherloving Dickens, people

The best of those writers didn’t even finish high school, by the way.

Let’s veer towards the more purely entertainment lane on the important writer highway. How about:

  • Alexandre Dumas
  • Robert Louis Stevenson
  • Kurt Vonnegut
  • Ray Bradbury

If you think I’m a stick in the mud with my reading list, I’ll throw in Camus and Bukowski, too. Dylan Thomas ring a bell, anyone? Happy now, poindexters?

The other “evidence” about Shakespeare being a drooling imbecile who couldn’t possible have written anything of note is mostly teased out of misunderstood “evidence,” coincidentally uncovered by drooling imbeciles who couldn’t possible write anything of note. I give you: Sir Francis Bacon wrote all that stuff, and gave it to Shakespeare, because reasons.

I could delve deep into the very shallow, but still somehow murky waters of this line of reasoning, but you can do your own research if you like. I’ll leave you with one glaring fact:. Sir Francis Bacon was a bright guy, and notable in his day. The most notable thing he was notable for, notably, was not being able to finish anything he started. That’s not the C.V. I look for when I’m beating the bushes for a ghostwriter to surreptitiously compose 39 plays, 154 sonnets, and a bunch of long and short form poems. And then, you know, being anxious to give them away.

It’s all pretty silly. Shakespeare’s life was about as well-documented as a playwright could have been back then. We worship guys that write the bulk of the series of Branded nowadays, but theater people were mostly considered equal to nightsoil collectors back in the day. Plenty of notable contemporaries of the Bard acknowledged his greatness in real time, however. And if you know anything about the egos of writers, such praise comes out like molars. They wouldn’t have offered it to a fraud.

So you can watch the most comically misnamed movie of all time, All Is True, and learn that Shakespeare was gayer than Liberace’s Christmas Tree and his daughter had all the writing chops. You can read any number of books currently clogging the aisle arteries of Barnes & Noble, breathlessly conjecturing about who really wrote Shakespeare’s plays. I mentioned “breathlessly,” because the readers no doubt will get exhausted while reading them with their lips moving.

I can’t wait until all these new fantasias about who wrote Shakespeare’s plays make it all the way through the interweb’s alimentary canal, and the iPhone Time Masheen reports that Robbie Shakespeare was a bass player in Geoffrey “Flying” Chaucer’s jam band, and was famous for writing The Taming of the Scrooge.

Let’s Hear It for Elevator Music

It can be difficult to write about stuff from the distant past on the intertunnel. Interweb commentary will brook only two settings: I love it, or I hate it, and I hate you for liking it.

This can make it dicey to simply acknowledge stuff, and sometimes mention that it was popular for reasons that escape the observer. For instance, I wrote yesterday about 70s songwriters, and pointed out several influential examples. Almost without exception, I’d have turned the radio to another station if anything they wrote came blattering out of the speaker, Montego Bay notwithstanding. But that doesn’t mean I can’t appreciate admire grudgingly acknowledge their popularity. And this is coming from a guy that has made money playing I’m a Believer in public.

So, don’t lose your shit when I start talking about elevator music. MOR, as in Middle of the Road. Easy Listening. It was pretty big back in the late sixties/early seventies. Mom used to listen to it while she vacuumed, for example. To this day, I can’t hear the Sandpipers without wondering where the Hoover backing track went.

Then again, I never hear the Sandpipers. That song was a hit on the regular charts. No, really. That version of that song. It was in the soundtrack of the movie The Sterile Cuckoo, which was more or less a hit, too, in that it made money. This was back when Liza Minnelli was the go-to choice for portraying painfully quirky, somewhat homely manic pixie dream girls. This is a power move when you’re born with deep sea fish eyes, but still have to work. And thanks, Mom and Dad!

I’m singling out the Sandpipers for calumny or kudos, depending on your lack of taste. But there were a lot of bands groups bunches of people doing the same sort of de-boned music for weak teeth at about the same time that rock music was becoming really loud and obnoxious and ubiquitous. Off the top of my head, there was The Association, and the slightly more pop-music 5th Dimension. Or (ugh) The Lettermen:

Precious and few are the times I could stand to hear that one. Man, those lyrics:

You don’t know how many times I wished that I could mold you into someone that would cherish me as much as I cherish you

That sounds like a guy that has shallow graves in his garden. Or maybe it’s just me.

It wasn’t all singing. There were tons of instrumental music records out at the same time. Jackie Gleason made a fortune on what he called aural wallpaper. Mantovani, Percy Faith, David Rose, Henry Mancini, and if you were in the mood for something wilder, Esquivel!

Closely related close harmony singing was everywhere for a while, too, until it disappeared just as quickly. Raindrops Keep Falling on My Head was a very popular soft rock hit, but it’s the long sequences in the movie with nothing but vocal harmonies that fit in with, and somewhat energized the genre, even though many found them incongruous with the subject matter:

Mood music like the Sandpipers was easy to dislike, especially in retrospect, and became a punchline later in the seventies. Remember the Blues Brothers solemnly riding the elevator in the old Federal Building in Chicago with Muzak playing while the police and National Guard rally outside?

The easy listening crowd didn’t do themselves any favors by choosing very unwisely among the available pop songs to remake in their signature tapioca style. To wit:

Well, if it wasn’t for the Sandpipers, I never would have enjoyed the adolescent bliss of the mondegreen “One Ton of Mayo.” That’s not a lot to hang your hat on, but then again, it’s not nothing.

If There’s a Co-Writing Heaven, Bobby Bloom Is In It

That’s Bobby Bloom with his Top Ten hit from 1970, Montego Bay. It’s a sunny little tune that’s mostly forgotten nowadays.

Bobby Bloom is one of those guys. They’re mostly anonymous, but they make the music business go, or they used to, anyway. The seventies was back when people still played real instruments and sang into microphones instead of mumbling into autotune machines. But don’t call him a one-hit wonder, just because you can’t remember another hit he had but this one, and you didn’t remember this one until I posted it.

He had other hits, too, but not so’s you’d notice. For instance, he wrote and recorded Heavy Makes You Happy, and it was a minor hit back in the day for the Staple Singers, too:

The secret sauce here was “co-writer” in the credits. Back in the day, lots of songs got written by songwriting teams. Some were long-term arrangements, like Brill Building piano bangers. Outfits like Motown had Holland-Dozier-Holland working behind the scenes. The Beatles were a songwriting duo, despite George’s occasional input. Writing stuff together seems to make pop hits more likely.

Bobby Bloom was a co-writing steam engine for a while. He half-wrote Mony Mony, for instance, and some Monkees songs. But it’s his co-writer for Montego Bay that’s really intriguing: Jeff Barry.

OK, just off the top of Wikipedia’s addled head, Jeff Barry co-wrote Doo Wah Diddy, Da Doo Ron Ron, And Then He Kissed Me, Chapel of Love, River Deep-Mountain High, Leader of the Pack, Sugar, Sugar, and (ugh) I Honestly Love You.

Oh Yeah. I almost forgot. He half-wrote Chapel of Love, Iko Iko, Walkin’ In the Sand, and Leader of the Pack. By the look of that list, Martin Scorsese must have to mail the guy a check every month.

Guys Like Jeff Barry and Bloom veered back and forth over the dotted lines between producers and writers and performers. Barry produced a bunch of Monkees albums, which needed more producin’ than they needed the Monkees, now that I think of it. He got dragged to LA to work on the Monkees TV show, and told Don Kirshner, the show’s musical director, he had a song in his pocket written by Neil Diamond called I’m a Believer. He produced the hell out of that to reach #1 on the charts. Lord knows who eventually taught the Monkees how to play it.

So where are we now? Bobby Bloom blew his brains out in 1974 while “cleaning his gun.” Uh huh. Montego Bay is still a desirable place to vacation, that is if you don’t mind living in an armed camp surrounded by a Mad Max world. And Jeff Barry is still alive, and as recently as five years ago, he was (co)writing music for the Lego City Adventures Nickelodeon TV show. I hope he enjoys many more years of shuffling out in his slippers and bathrobe to his mailbox, and fishing out the pile of residual checks from a zillion re-runs.

Psychotic Savonarola Says Hi

Well, we’re home.

Our trip from Mejico to Maine was a trip, indeed. The intertunnel generation abuses and misuses all sorts of words, never mind plain misspellings. Maybe the worst example I can think of is the word “journey.”

Whenever some douchebro runs his fourteen-line javascript empire into the ground after burning through half a billion in seed money, he writes a poorly composed blogpost about what part of his “journey” this particular bonfire of bills represents. Then it’s time for his vacation journey, and his restaurant journey, and his journey through the court system with his “partner,” who doesn’t seem to care for him as passionately now that his mattress isn’t stuffed with other people’s money.

At any rate, we had a gol-durn, jenn-you-whine, real McCoy of a journey back home, and we were at a low ebb. Awake, more or less, for 36 hours, maybe more. I had occasionally drifted off to sleep, bolt-upright in an airline seat designed to accommodate masochist midgets, not a king-sized man on a real-life journey. These momentary interludes were always immediately interrupted by airline personnel informing me that if I was about to die, I could take several steps to save myself. You know, like hyperventilating into one-half of a Barrel of Monkeys toy container, or strapping myself to my seat cushion and pitching myself headlong into the ocean to die face up instead of face down. Maybe use the playground slide near the front door I couldn’t reach while helpful airport personnel tried to extinguish my charred flesh. But other than that, have a wonderful “journey!” WAKE UP! Do you want a complimentary Sprite?

So we were primed. We were the seven additional dwarves that Grimm didn’t have the ink for: Bleary, Weary, Angry, Hungry, Confused, Cashstrapped, and of course, Buttsore. My wife and I circled our apartment three or four times, like a dog thinking about lying down, and tried to stay awake long enough to get back on some sort of schedule. We made it to later in the day, but finally surrendered to sunset like farmers used to. We slept like Exhibit A and B in an Egyptian wing at the museum. Then he appeared.

A psychotic Savonarola. The current portion of our housing journey is urban, if only just barely. Augusta, Maine couldn’t fill the bleacher seats at Fenway, but it’s the state’s capital, and it has buildings that rub shoulders and sidewalks to spit your gum out on, and other wonders of city life. And of course, one of the charms of any city is a maniac yelling under your window at eleventy-o-clock in the wee hours.

But this guy. He was no run-of-the-mill shouter, a George Thorogood of bums. He was the real deal. This Howlin’ Wolf of hobos let loose an endless string of expletives, concatenated masterfully into a skein of paranoia and generalized disaffection that somehow achieved a kind of sublimity. He was, as the kids say, amazeballs. And tripping balls, no doubt.

See, now don’t misunderstand. He didn’t scream. Screamers can’t last. Their journeys are short. This guy had made volume his special study. He was Garrick, Huey Long, and Pavarotti rolled into one, reaching even the cheap seats in his imaginary balconies, and effortlessly at that. His disturbed, pharmaceutically-enhanced, slipping-synapse, stentorian genius settled over us like a blanket, right though our granite walls, double glazed windows, and insulated curtains.

When you’re in the presence of greatness, you sit up and take notice. We didn’t sit up in bed, exactly, being paralytic with sleep, but my wife did reach over and pat me. She told me later that she wasn’t frightened or angry or anything. She just wanted to make sure she found the usual lump in the bed. She figured I was the only person on Earth who could emit such a long, loud, Homeric, discombobulated, Icelandic Saga of insanity, anger, and expletives. If my side of the coverlet was flat on the mattress, she might have to go outside and collect me.

You know, to continue our journey.

[Update: Many thanks to Bob D for his very generous hit on our Ko-Fi tip jar, and to Gerry for his ongoing generous contributions, and kind words about my scribblings. It’s greatly appreciated]

My First Goth Y’All

It is a mistake to write this essay. My neck has gotten an origami treatment from an airport terminal chair that is designed to look comfortable to anyone bereft of information about the design of chairs. I have been awake for twenty-five hours, with twelve more on deck. I’m being treated to an endless loop of someone slicing a steak over and over, with no food available this time of night but vending machines that only accept debit and credit cards. I am trying to picture the circumstances that would compel me to push my debit card into a vending machine in an airport. It’s an especially piquant proposition because nothing in the commerce boxes has a price on it. One of the vending machines even has unpriced Lego sets in it instead of Cokes. I’ll play Russian roulette, sir, but not with four bullets in the gun.

It’s inevitable that I’d write something that makes Kafka sound like Suess. I should avoid the subject. Talk about the surprise of great, green swards of Dallas spread at my Airbus feet as we cruised over the city. Dallas is as green as Kent. Who knew?

But the interior is just a terrazzo rash. I have encountered terrazzo beforetimes. I have appreciated terrazzo under different circumstances, trod on it willingly, and even admired it. But terrrazzo, morning, noon, and night, terrazzo for breakfast, brunch, lunch, and dinner, with no intermezzo, it’s too much. And as much of a shock as it might come to you, architect-dude, terrazzo has, in the past, been laid in other than indistinct, blobby patterns.

But a lack of style is the style these days. And where am I? I should know better. They call it a terminal, and they’re determined to live up to the name. It is not possible to be comfortable in a place like this. It’s a sciatic purgatory, a desolate desert of color, and texture, and sound, and vision, and succor of any kind.

A kind of devolution happens overnight in an airport. We walked past the saddest room outside of Dante. It was set aside for people who had missed their flights because their connections were late. Their expressions ranged from rage to extreme rage…

Hold on. Look out. Good God. I am currently being exhorted to get on the good foot by none other than James Brown, via a television bleeding out of a closed convenience store like an audio gunshot wound. It is currently 4:13 AM, and I regret to inform the Godfather of Soul that I’m  not currently in possession of a good foot to get on. And my bum hurts. There are no other takers for his offer of good-footedness, either, because the only other people within earshot are a man watching off-color videos on his phone in Spanish, and an incredible, douche-tastic, tattooed love boy brosephus who has been talking loudly to the second-least interesting person in the world for six straight hours. This has interrupted my attempts to perform amateur chiropractery on myself while trying to sleep.

But we found the last eatery in the concourse that served food before the terminal flatlined many hours ago. It was a shrine to the Cowboys. Tom Landry stood guard by the door…

Whoah. Wait a minute. I ask you: Who’s the one who won’t cop out, when there’s danger all about? It’s 4:28 AM Shaft! Can you dig it? You can? Right on…

Listen, before the Jimmy Castor Bunch shows up, let me get back to the concourse dinner. The Cowboys shrine had foodstuffs! We sounded slightly more than quizzical. More like dazed. Can we get something to eat? Here? Now? Really? We’ve been turned away from more places than Jesus, Mary, Joseph, and a Jehovah’s Witness.

The young lady behind the counter was failing at failing, which is hard to do. Her skin was marked up like a men’s room wall in a punk club, and she had enough fishing tackle in her face for a striper tournament. It was a form of voluntary failure, but she couldn’t pull it off. She said, “Of course, darling, what can I get y’all?” and the clouds parted and her true self was revealed.

“Hamburgers and fries, times two, please.”

“The fryer’s broken, sorry. Are Cool Ranch Doritos OK?”

So I’m outside a generous portion of Cool Ranch Doritos, and the last Guinness in the place, because it was the only Guinness in the place. But I am sanguine, because I got my first Goth Y’all.

Now if you’ll excuse me, I have to stop typing now, and Let It Whip.

Month: April 2025

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