The Most Famouse Singer You Never Heard Of

No, intertunnel wags, that’s not a typo. I’m referring to Gloria Wood, the most famous singer no one’s ever heard of. Deuced difficult to find a picture of her, which also indicates her relative obscurity. Here she be:

Now, I could shoot fish in a barrel and list plenty of singers and other performers who were a big deal in their day, but are obscure today. Honestly, is their any difference between Leif Garrett and Bobby Sherman? And are you sure you could pick Bobby Sherman out of a lineup if David Cassidy and Bobby Goldsboro were in it, too? If you can, wait thirty years, and you’ll be the last person who can. Time passes, and everything and everybody, no matter how notable they might get, fades into obscurity, or gets blended into a recollective blur:

But I’m going to roll out Medford, Massachusetts’ own Gloria Wood, and even people born in George Bush’s second term will know who I mean, even if they never heard her name. Because Gloria Wood was the voice of Minnie Mouse. Oh, yes, and Rudolph the Red-Nosed Reindeer, at least on records. She was all sorts of voices, singing and speaking, on radio, television, and movies. She’s singing something in almost every Disney thang from back when they  still used ink and paper and talent to make their cartoons.

If you’re a little older, you might remember this, because they’re no way you can’t. Jingles do that to you, man, at least if they hire Gloria Wood:

That’s just a notable commercial. Between the years 1955 and 1958, she sang on 2,000 more. Gloria Wood has been in your ear more often than your pinkie, I tell you what. And while this is way before my time, if you’re old enough to move to Florida and wear white shoes, a white belt, and white pants hiked up to your armpits, and drive 15 miles an hour on the freeway, you might remember this:

She was a hired gun in numerous chorus jobs, too. I mean, someone has to sing one word over and over. Might as well be someone talented:

If you watch White Christmas at Christmas, because you’re brave, and not afraid the Technicolor will drill your rods and cones into the back of your skull, you can watch Vera-Ellen sing and dance with Danny Kaye, Bing Crosby, and George Clooney’s aunt. Or not. Vera-Ellen’s skills were limited to hyphenation, prancing around, and looking like an anorexic with fetal alcohol syndrome working the Maybelline counter at the department store. Gloria Wood did all her singing.

Gloria’s dead and buried, now, in Glendale, California, but she’ll outlast “the UN,” I’ll bet, in people’s hearts, if not the mental phone books where we keep all the names.

So, a President and a Juggler Walk Into Ford’s Theater…

Many, that is pure cornball stuff. It’s the kind of show you avoid like the plague if you read a description of it, because you’re too cool for school, yo. But if you’re dragged to it, you end up laughing like a hyena. One wonders just how much dragging it takes to get a president back into Ford’s Theater.

It’s vaudeville and the circus, but edgy. It’s staggering to think of how much practice it took to make the juggling look like an offhand detail in the act.

If you’ve never tried it, juggling is really quite interesting. There was a bit of a fad for it back in the 80s. Davis makes a joke out of the primary practice for juggling at the beginning of the act. He throws one ball back and forth. That’s the muscle memory portion of the necessary practice. You have to be able to toss the balls in the same parabolic arc, over and over, without thinking about it. Then you perform 2/3 of a full cycle by starting with a ball in each hand, throwing one ball in the air, and “exchanging” the balls when the first ball is about halfway to the opposite hand. Then you graduate to a full exchange starting with two balls in one hand and one in the other. That’s where it gets interesting, and counter-intuitive. You can’t look at the balls. If you look at any one of the balls, you’ll miss the other two. You have to look out into the middle distance, and let the balls pass in front of you, and learn to simply let your hands find the balls without concentrating on any individual ball.

That’s how you juggle. Learn it, and maybe you can perform for a president or speaker of the house or a senator or two. You’ll need some jokes, though. Sorry, I can’t help you there. I don’t know how to tell jokes.

Sing Flat, Look Sharp

Texas Troubadours, indeed. Plenty of heavy hitters in that band. But Buddy Emmons, holy shit. Ernie Tubb was an impresario. If you’re a musician, you might be familiar with this sort of fellow. You can’t quite put your finger on their talent. Can’t really sing or play well enough to stand out. Not exactly Cary Grantish either.

Tubb was not known to possess the most adept voice: he always sang flat and actually mocked his own singing. He told an interviewer that 95% of the men in bars would hear his music on the juke box and say to their girlfriends, “I can sing better than him,” and Tubb added they would be right.

But somehow or another they end up with ten guys with way more talent working for them. I guess that’s the talent. Getting the gigs is the supreme skill. And a lot of those kinds of guys turn a taciturn, smiling face to the public, but are slightly more, ahem, serious in their private affairs.

In 1957, he walked into the lobby of the National Life Building in Nashville in the early morning hours and fired a .357 magnum, intending to shoot music producer Jim Denny. Instead, Tubb mistakenly shot at WSM news director, Bill Williams, as he was walking in to work. Luckily, Tubb barely missed (twice) before realizing he had shot at the wrong man. He was arrested and charged with public drunkenness.

Ernie Tubb is one of those guys that becomes larger than life. A country Santa Claus. I swear he was born looking fifty-five years old, but in return, the heavens decreed he would never look much older, either. He appeared on the Grand Ole Opry long after he had the chart hits to make it inevitable. He set up shop down the street with an eponymous record store, and hosted his own show, the Midnite Jamboree, right from the middle of the record stacks.

People just liked him. Sometimes it’s a simple as that.

Rag Rug Eclectic

The String Cheese Incident performing on Austin City Limits, I do believe. That was a good show to watch when you were a musician and got up late the morning after a gig. The video is 18 years old. The performance might be even older, who knows? Useful information is in short supply on ToYoube, generally.

That’s some fonkee whathaveyou. There’s some fun George Bensoning about four minutes in. The guy is a terrific player, and nice, relaxed singer, ain’t he? Audiences are unduly impressed when guitarists scat sing along with their solos. I was never much of a guitar player, but I’ve always found it harder not to grunt along with solos than to shut the hell up. I’ve found that it’s deuced difficult to sing scat while playing the trombone, though. Almost as difficult as playing cello in a marching band.

Dude’s got a beautiful guitar, too. I can’t pinpoint the maker. It’s koa wood, semi-hollowbody, and looks like it’s a short scale. Such questions vex me. The drummer is lefty, which also always freaks me out to watch. If you really need some disorienting drumming, you can watch old Fabulous Thunderbirds videos. Fran Christina is left-handed, but plays what’s called open grip, I think. He plays a right-handed set, but hits the hi-hat with his left hand, and the snare with his right. He was one of several Rhode Island guys that ended up in Austin.

The String Cheese Incident is still touring around, if you’re interested. I gather many people are. They’re from a genre I call Rag Rug Eclectic. Whenever I see bare feet and grandma’s carpets on the stage, I know I’m gonna get Jazz Odyssey or Groove Thang Omnibus or Whipping Post Deluxe or Grateful Dead Gloss, only longer. It’s generally just good time music for leisure spots like ski areas, beaches, festivoos, and multi-level marketing conventions. I’ve played all those places back when I was a musician. We were never that successful, however, because our grandma had tile floors, and we had to wear shoes.

They Showed Us… Something

It’s hard to tell from such a woolly, potato-cam video, but for a while, you might think The Turtles were actually performing You Showed Me live in that video. The guitar and bass have cords trailing off somewhere. They might be plugged into something. If the drummer isn’t really playing, he certainly remembers the drum part from the record exactly. I didn’t spot any misalignments. You have to wait for the outro for your definitive clue, Watson. The drummer loses interest and stands up while the song is still fading out.

It’s not an unusual question to ask. It was quite common back in the day for bands to appear on teevee shows of all kinds and mime their hits. It was part of the little personality cults bands have used as a substitute for talent for the last 75 years or so. Of course the Turtles had all sorts of talent, but they’d be lumped in with all the other acts in the 60s in the producer’s schedule. They wouldn’t have had any trouble performing it live, and probably would have brought something new to the table. That’s another reason the teevee producers would have them lip sync. Anything could break out on stage with these weirdos. Mark Volman is wearing chaps for some reason. Can’t chance it.

According to the ToYoube comments, the girls arrayed on stage are Miss Teen USA contestants. That looks quite believable. They’re well equipped with late sixties togs, and rocking the requisite bumpits and water buffalo hairdos. They don’t flinch when the camera focuses right on their faces. It’s a mark of the breed. One commenter claimed to have married one of them. Well, internet commenters are always like that. Informative, and married to beauty queens, who adore them for their Congressional Medals of Honor.

If you’re young, and you’ve tuned in to get an explanation of what the Turtles were up to back then, you’ve come to the wrong place. Absolutely uncategorizable.

Month: March 2024

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