What Ten Thousand Commandments and Flock Cameras Can’t Accomplish

We’re renting a house in Mérida, Mexico. The clothes dryer was busted. I pretty much knew what was wrong with it, and probably could have fixed it, but I’m not allowed to fix anything. I’m supposed to call the property manager and tell her what’s wrong, and she arranges to have it fixed. They don’t trust occupants to fix stuff.  It’s a hard and fast policy, in writing on the lease.

I can’t say I blame them. These days, the average person is capable of breaking things further, but not fixing much. In my case, it leads to entertaining conversations when the property manager, who is a little girl (I’m getting old), asks me amusing things like, “The clothes won’t dry? Are you sure it’s plugged in?” I once made guidance systems for NASA and the Department of Defense, and I learned to check if the accelerometer test bed was plugged in, so I felt like I had that type of eventuality covered, but I didn’t mention it. And BTW, it’s a gas dryer. She sent someone out to fix it.

The repairman came. He spoke no English. That’s common around here. The Yucatan is barely Mexico, never mind an ersatz suburb of the US. Many people still speak Mayan here along with their Spanish. Learning English is way down the list of things to do. My Spanish is rudimentary, but I could manage a greeting and to tell him where the dryer is located (Adelante, arriba!). He got to work.

There’s a giant rubber band on the back of the drum that had snapped. The fellow had to take the whole thing apart from the front, which was a PIA, but it was a simple fix once he could get at the problem. He was a thoroughgoing type of guy, and cleaned the whole apparatus, and removed the exhaust vent pipe, which is one of those accordion metal things, and cleaned out all the lint in that, too. He was working in our cuarto de lavado, a hot, cramped little room for laundry, cleaning supplies, a few termites, and the water heater. I gave him a Coke while he worked, which he treated like a winning lottery ticket. It’s 95 degrees every day, so I could see his point. When he was done, he left in a cloud of English encomium.

The next day, I noticed two US quarters on the shelf next to the dryer. They weren’t ours, we deal strictly in pesos here. They’re the residue of tourists past, people who forgot them in their pants pockets. The fellow who fixed the dryer found them inside the washing machine’s drain, or maybe the dryer’s exhaust while he was cleaning it, but would not take them, because they were not his.

Think of that. Fifty cents is real money to people around here, almost ten pesos. I can buy a loaf of bread from the panaderia next door for eight pesos, for example. Fifty cents is not like a penny in the street in Boston, one that no one can be bothered to pick up. But even though no one was looking, and the money was actually a motherless child, and no one would be the wiser, he would not take it.

I’d aver that I’m as honest as the next guy, but nowadays, that’s faint praise indeed. I’ve seen the “next guy” who’s abroad in the country of my birth, and he’s basically feral. The fear of being caught is the only stumbling block for about half the population of the United States. The other half isn’t even afraid of being caught anymore. The idea of not taking something because it doesn’t belong to you is totally squaresville, man. Flock cameras have mostly replaced the role of the conscience, and bodyworn police cameras cover the rest of the waterfront. For the vast majority of people in the US, there is no internal check on their behaviors, and precious few external checks, at least if you watch YouTube arrest videos right through to the end to see all the charges dropped.

He would not take them because they were not his. It’s that simple. I doubt he even hesitated over it. I meet a lot of people like him here. They are what they is, as we used to say in the vernacular. Their behavior is not a veneer. It goes all the way through.

As Chesterton said, “If men will not be governed by the Ten Commandments, they shall be governed by the ten thousand commandments.” The United States is now in the thrall of the ten thousand commandments, courtesy of the opinions of millions of Karens, with more on the way. But ten times ten thousand commandments will never be enough to make two quarters appear on the shelf in your laundry. Ten might.

Happy Colon Day (2026)

I remember Columbus Day because I used to play music in a hundred and one bands anyone that would have me and try to make money to eat and get cigarettes and I don’t smoke and there still was never enough money and I played at a tee-totaling biker association party for two members’ wedding not gay a man and a woman that arrived on a motorcycle with the woman I think wearing a white Wedding Dress and no helmet and we played for one hundred sober bikers and ninety-nine of them were like accountants and one was like a serial murderer but they all looked exactly the same so you had to assume they all would kill you if they got the chance instead of the more likely thing that they’d do your taxes if you asked nice and I never played Born To Be Wild for a Wedding Song before and the bride’s father was in jail I think so she had to dance with the groom twice and the whole thing was held at the Italian-American Club on Gano Street in Providence but everybody calls it Guano Street for a joke haha and it’s a real long time ago but it might have been the Portuguese-American Club I don’t remember but I do remember it was Columbus Day and I went into the bar to get away from the sober biker accountants and that one serial murderer that were in the function room and it didn’t matter if it was the Italian-American Club or the Portuguese-American Club or the Knights Of Columbus Hall haha that would be funny but I don’t really remember but I distinctly remember a guy with a knife a real knife not a just a knife a dagger that came to a perfect point and didn’t fold or look like you could do anything wholesome with it it just looked one hundred percent like it was designed and made to gut a bass player and that guy held that knife right under my chin and explained to me in Portuguese that Cristobal Colon was Portuguese and don’t you forget it and my Spanish was very sketchy and Portuguese sounds like Russian to me not Spanish anyway but believe me I understood every damn word he said and I advise you all to answer the question did you know Cristobal Colon was Portuguese in the affirmative at all times.

The end.

Out of the (Telecaster) Loop

Canteloupe Island is a Herbie Hancock composition, if memory serves. As a piece of music, it’s little more than an excuse to solo. A groove. These fellows in the video take full advantage of its possibilities. I’ve never heard of any of those guys, but that’s OK. They might not have heard of me, either. I don’t care about any of that, exactly. Let’s talk about what’s important. What the hell are they doing playing Fender Telecasters? Jazz players don’t play Telecasters. Well, they didn’t.

If you’re only partially aware of guitar brands and models, I’ll try to explain it a little in my haphazard and simple-minded way. There are only two kinds of electric guitars: Fenders and Gibsons. They’re the Fords and Chevys of the musical world. Other brands can usually be slotted somewhere in the shade that one or the other of these two manufacturers throws. Musical guys generally become devotees of one or the other, and have a tendency to stick with them. (Fender) Stratocasters or (Gibson)Les Pauls was always the big bifurcation in rock music, for instance.

Before there were Stratocasters, there were Telecasters, the guitars you see in the video. In a way, before every kind of solid body electric guitar, there were Telecasters. Other people tried to make solid body guitars with pickups for amplification before Teles, but they were experiments, one-offs, or failures on the fiscal front. Leo Fender and his friends designed, built, and most importantly, sold Telecasters, and they became the Ur-guitar. Everything else was a riff off of them.

Before all this, guitars were made like violins and other similar stringed instruments. They were hollow, often with a carved (arch) top, with a neck that was permanently affixed to the body. They were acoustic. There was an arms race to make them louder for a long while, even though they were acoustic. If you’ve ever played the sort of guitar you see Django Reinhardt play, you’d know those things are comparatively loud, and the treble they produce cuts through the noise of a whole band. But no matter how big and boomy the box got, it couldn’t compete with amplified instruments.

So dudes started sticking electronic pickups in various configurations into arch top (Spanish) guitars, and plugging them into amplifiers. Gibson started making them like that right from the factory, and had a hit with the ES-150 and similar models. The first true electric guitar soloist, Charlie Christian, popularized them.

There is a problem with these guitars: feedback. Some of the noise you’re making bounces around inside them, and comes out a little later. That can lead to the various screeches and shrieks and whistles and hums you hear from public address systems used to make most bands louder and even less appealing. It also made the tone sort of fuzzy, sometimes in a nice, warm way. Other times it was just fuzzy. For example, my brother played a Gibson ES 330 back in the day.  It was popular with blues bands and jazz kids and Chuck Berry sorta dudes. The guitar’s tendency to feed back was legendary, though, and forced him to stuff hand towels in the F-holes to shut it up when gigging.

There had to be a better way. Guys wanted to play at bigger volumes in larger bands and needed something simpler and more robust to carry around. The Telecaster was it.

The Telecaster is a barbarous guitar, and I mean that in a good way. Compared to fussy arch top electrified jazz guitars, it’s a boat oar. Leo Fender basically changed everything about building a guitar with this design. Why not cut the body out of a solid block of wood instead of gluing up a bunch of fiddly bits? Why not just bolt (screw, really) the neck onto the body? Why can’t we just rout channels out of the front of the guitar and run all the wires the easy way, instead of fishing around through the F-holes or the back of the guitar to do it? Just cover the whole mess with a huge plastic pick guard and be done with it. Why glue a fancy expensive piece of wood on top of the neck and then cut fret slots in it when you can cut fret slots right in the one-piece neck? Why glue little wings on the neck head to spread the tuning pegs out when you can line them up in a row on the one-piece neck? Why not screw the pickup right to the tailpiece and make it an assembly that can be screwed to the guitar in one shot? Later on, we can add a second pickup just below the neck and get a less trebly tone, with a switch to go back and forth between pickups, or turn them both on.

All electric guitars are based on the Telecaster, when you get right down to it. It was eventually superseded by the Stratocaster in popularity (you can take a video tour of the factory making Strats in 1959 here), but they still make Telecasters, and they’re still quite popular. But not for jazz. Well, as far as I know. Er, knew.

The video above isn’t where I noticed the phenomenon of jazz players using Telecasters. I’m way down Mexico way, and I’ve already seen two jazz combos with the guitarists playing Telecasters. I was fuddled. Befuddled, even. The Telecaster was designed and marketed to be an improvement for steel guitar, Western Swing, Country, Rockabilly, and any sort of honky-tonk musician who needed a leg up on his loud bandmates. Jazz? Not so much. All of a sudden everyone is playing sus9 chords and soloing with diatonic triads and whatnot, using Teles. What gives?

Well, it is a good, solid (literally and figuratively) guitar. Durable, relatively inexpensive, and versatile. A few guys did use them for jazz way back when, although they usually pried out the neck pickup and routed out a bigger hole for a Les Paul style humbucking pickup. Like Ed Bickert did:

I’ve owned an old Telecaster, and if you select the neck pickup, roll the tone knob way over, and pick it right, the humbuckers are strictly optional for jazz. The folks I’ve seen lately are using their Teles straight out of the box that way.

I chalk the whole thing up to a contrarian mode. Young people want to make trends of their own, whether they make much sense or not. People get tattoos because they know their mothers will think they’re ugly. Well, they think their mothers will think that, but mom has ass antlers, so they have to tattoo their face to get a rise out of her. Everyone staples their house on the ass end of their garage, because otherwise they’d be just like Ozzie and Harriet, man.

The Telecaster is still fairly inexpensive for what you get, and it works fine, even for jazz. Like a snake eating its social media tail, maybe everyone’s playing jazz on a Telecaster because no one is, so everyone is doing it, man. Or maybe I’m in Mexico, and there’s a Fender factory in Mexico, so there’s no eyewatering tariff and import paperwork on one down here, like there is for a Les Paul or a Gibson L5, so they make a luxury out of necessity. Whatever it is, don’t blame me, I’m just the bass player.

And by the way, that bass player has 5 strings on his bass, so he’s forgotten what his job is.

Something Tells Me It’s All Happening at the Centenario Zoo

The Parque Zoológico del Centenario, that is.

The zoo is only a ten minute walk from our house, so we wander through from time to time to commiserate with the animals about the ambient temperature. The “centenario” sobriquet is because the park was founded in 1910, the 100-year anniversary of the Mexican Revolution. For about 50 years, the park was just a pleasant park, full of plants and benches.  Then in 1962, they made it into a zoo. It’s not huge, but its walls keep around 600 animals from wandering into traffic.

The park still retains enough of its original layout as a botanical garden to make it a pleasant place just to meander in shady allees, not simply as a collection of animals to gawk at.

It’s the second most popular tourist destination in the area, after the nearby Mayan ruins at Chichen Itza. I guess “tourist destination” is an inapt description for the zoo. The park is full of young families from the area. If anyone else in the park was speaking anything other than Spanish, we didn’t hear them.

Maybe a million people visit the park every year. That’s a lot, in a city with about a million people. They don’t have an exact count, because, get this, there’s no entrance fee. No one frisks you at the gate, either, to see if you’re packing weapons or your own lunch. You can buy booth food inside if you want, but many families brown bag it. It’s a decidedly peaceful and pleasant place.

There’s an interesting tradeoff that comes with a zoo built in the sixties. Unlike modern zoos, like the one in San Diego for instance, not a lot of the exhibits are vast naturalized pens with moats to keep the animals in instead of wire fences to keep you out. So here in Merida you’re mostly looking through a grid to see the critters, but on the flip side, you can walk right up to them. About eighty percent of the time in San Diego, the animals were slouching somewhere you couldn’t see them. They slouch here, of course, because it’s 95 degrees every day it’s not 100, but they slouch up close where you can get a look at them. And occasionally, a whiff. Zebras are horses with B.O., for instance.

The animals seem pretty contented. The mountain goats, for instance, were provided with a pile of rocks, which they stand on, because what else would they do? They wouldn’t do tricks or long division or anything if they had a more elaborate pen:

There’s always one animal at any zoo, anywhere, who’s always on duty. The lions lie on their backs and snooze, the hippos wallow, the monkeys lounge, but you can always find one of these beasts keeping constant watch:

Anybody with a house cat and a sliding glass door will recognize this behavior. That’s a melanistic, or melanic jaguar, depending on who you ask. That means it has the same spots as any other jaguar, but they’re hidden in its all black fur. I would have checked it for the sublimated spots, and I’d tell you if this jaguar was a male or a female, but I respect its privacy. Also, I got the impression that if I put as much as my pinkie through the chain link, it would suck me through the hole and eat me.

El tigre was much more mellow. He didn’t look like he wanted to eat you or anything. I assume he’d already eaten the guy that mucks out his cage, and was full. Unlike lions, who are clowns, tigers always seem pretty serious.

But all these animals are from the Holocene, I guess, and so am I, so I’m not that scared of them. It’s when the Cretaceous shows up that I get worried. Meet the final boss of the Centenario zoo:

So there’s no cover charge at the Centenario zoo, but the bouncers sure look ferocious. Behave yourself, and if you’re smart, avoid the bridge.

How To Celebrate Grito de Dolores Without Really Trying

If you know only a little Spanish, you might be excused for thinking Grito de Dolores means that raw oyster you ate had some sand in it, and you have a stomachache. After remedial classes, you might mistake it for I yelled until I had a headache. But after you live in Mexico for a while, you’ll discover that Dolores is a town, full name: Pueblo Nuevo de los Dolores. And a grito is a shout.

The Shout of Dolores is a civic reenactment of a call to revolutionary arms, spoken by a Catholic priest named Miguel Hidalgo, or Don Miguel Gregorio Antonio Ignacio Hidalgo y Costilla Gallaga Mandarte y Villaseñor if you’re not into the whole brevity thing. He opened his window and yelled something to an assembled throng outside. Don Miguel was the equivalent of the Indy Pace Car. He got the Mexican War of Independence rolling by ringing his church bell and yelling at everyone to hate the French.

Why hate the French, you ask? well, it was 1810, and Napoleon had installed his brother as the King of Spain. That made him the king of New Spain, too. Mexicans had only recently gotten used to bonafide Spaniards ordering them around and calling the place New Spain, and decided they’d rather fight than switch to the bonaparte varietal. So Mexicans chose sides between supporting the repulsive abdicated heir to the throne Ferdinand VII, and the toadies who supported Joe Bonaparte. Game on, said Don Miguel.

The politics of it are pretty murky, actually, and will spur you on to a grito de dolor de la cabeza of your own if you dive into it too far. It caused the Peninsular War in Iberia, too, so prepare to spend the whole day in the library figuring it out. Bring Excedrin.

In any event, September 16th is Independence Day in Mexico, similar to July 4th in the US. Of course Mexico had either one, two-hundred year revolution, or innumerable small ones strung out over the calendars, but you have to pick a day and stick to it, and Mexico picked the day of the Grito de Dolores for their founding fiesta.

Except they didn’t. The 16th is officially the holiday, but the whole country celebrates it at 11:00 PM on the 15th. The holiday itself is like New Year’s Day, just a day off to nurse your hangover. The president, assorted governors, and anyone else with a plaque on a government desk wants to read the Grito de Dolores at 11:00 at night on the eve of the holiday, and then shout, “Viva Mexico” three times while the crowd cheers, and throw a party.

Here’s the current president of Mexico giving it a whirl. She appears to be running for class president on the Girls, Girls, Girls! platform every day of her term:

There is a problem with reciting the Grito de Dolores that you might have noticed in the video. Mexicans, being a boisterous and happy-go-lucky people, didn’t write down, or even remember what Don Miguel actually said. Everyone agreed that it was a stirring call to arms, or a soul-searching appeal to patriotism, or an amazing rant, or maybe a grocery shopping list. Many scholars have tried to re-create the speech, which ends up sounding like what that particular scholar would have said. The politicians have given up on the speech part of the enterprise, and just read the names of a hearty handful of fallen heroes of the revolution, followed by yelling Viva Mexico! three times. It’s like saying Beetlejuice! three times, but Mexico appears instead of Michael Keaton.

Mexicans are pretty happy being Mexican, so there aren’t many grumblers holding People Against For placards at any given Grito. And they like a fiesta in any case, so they set up bleachers and food stalls and hire bands to blast away between the fireworks displays. In Merida, they had the awesome La Adictiva:

We could have walked down to the zocalo (the main square) to yell Viva Mexico! along with everyone else. It’s a stirring spectacle, and a charming slogan for a country. But I already had a dolor de cabeza, and while I could have withstood the fireworks, the bells, and shouting, I don’t think my head would have survived a band with an entire valved trombone section.

I used to play the trombone, and I can assure you that’s not music, that’s plumbing.

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